A neo-realist throwback with a modern face.
Respiro (2003)
Tomatometer
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Reviews Counted:83
Fresh:64
Rotten:19
Average Rating:6.6/10
Consensus: A sweet, but slight picture filled with beautiful people and locations.
Rated: PG-13 [See Full Rating] for nudity and thematic elements
Runtime: 1 hr 35 mins
Genre: Foreign Films
Theatrical Release:May 23, 2003 Limited
Box Office: $905,313
Synopsis:
On Lampedusa, an island near western Sicily, rival boy gangs play roughly among seaside cliffs. Husbands go out to sea and wives work in the fish-packing plant. Pleasures are simple and fun is...
On Lampedusa, an island near western Sicily, rival boy gangs play roughly among seaside cliffs. Husbands go out to sea and wives work in the fish-packing plant. Pleasures are simple and fun is restricted to Saturday nights. The reality for all who live on Lampedusa is that island life can be as cruel as it is heartwarming, as suffocating as it is charming. Grazia is the affectionate, young mother of three children--a teenaged girl, Marinella, and two boys, Pasquale and Filippo. Vibrant and full of life, Grazia often sings along to the latest hit by Italian pop star Patti Pravo and enjoys finding ways to amuse herself and her children. But Grazia, much like the sea surrounding her island, can also be unpredictable and stormy. Her free-spirited attitude causes talk in the entire village. Grazia’s husband, Pietro, lovingly stands by her in the face of small town gossip. But as Grazia’s behavior becomes more reckless, even the powerful shield of her family’s love can’t protect her. Her husband’s relatives become convinced that she is seriously unstable and decide that she needs medical treatment in Milan. But Grazia will have no part of this and her son Pasquale finds a way to protect her and the bond that she shares with her family.
Respiro was inspired by one of Lampedusa legends. It is the story of a young mother who was looked down upon by the townspeople who thought she was crazy because she behaved outside the rules of their small community. One day, she disappeared leaving only her clothes on the beach. As time passed, the community was left feeling guilty for having driven the woman to suicide. The legend has it that the force of prayers brought her back to life from the sea and she returned to normal life with her family. -- © 2002 Sony Pictures Classics
Starring: Valeria Golino, Vincenzo Amato, Francesco Casisa, Veronica D'Agostino
Starring: Valeria Golino, Vincenzo Amato, Francesco Casisa, Veronica D'Agostino, Filippo Pucillo, Emma Loffredo
Director: Emanuele Crialese
Director: Emanuele Crialese
Screenwriter: Emanuele Crialese
Producer: Domenico Procacci
Studio: Sony Pictures Classics
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Reviews for Respiro
Crialese does such a marvelous job of establishing daily life in the film's first hour that the final section feels earned rather than forced.
A vital, startling film that is steeped in the noblest traditions of Italian cinema and whose sense of transcendence is accompanied by an equally powerful humanism.
Golino's soulful eyes, husky voice and fierce Gypsy manner suggest a streamlined version of Anna Magnani in her prime.
The dialogue is kept spare, and the visual images let loose to flow with their own comely sentiment
Like David Gordon Green's 'George Washington,' it examines the rituals of children and the oddities of families with fresh eyes.
Golino's performance is effortlessly haunting; it's a shame she doesn't have more of a movie to hang it on.
A beautifully composed tone poem about unspoken group dynamics in an isolated community.
...has a spicy, sweaty, sun-baked sense of place and an air of magical realism, both of which enhance its central themes of love, passion, perception and faith.
There is a rough magic in the dramatic setting and the classical undertones crafted by writer/director Emanuele Crialese.
After 90 minutes of policing female sexuality, the film is left with little to say on the matter.
The film is sleepy and has a general air of mystery and unreality, which is fitting for a fable. All the performances are delightful.
The cat-eyed Golino, who can be gorgeously sensual when the part calls for it, plays the mom with great naturalism, lavishing love upon her children and husband.
Respiro begins as a portrait of a woman who refuses to abide by the conventions of the comunity and ends with a bit of inspired magical realism.
If nothing else, it's a reminder of how severely underutilized Valeria Golino is as both actress and cinematic glory.
Whatever its shortcomings, Respiro provides [Valeria Golino] with a juicy leading role, and she takes full advantage of the opportunity.
You just appreciate the time spent with these particular people in this particular place.
A picture that cherishes the cinematic flourish as much as the poignant phrase.
Crialese does wonderful work with his actors in a stunningly filmic location, but his story is unoriginal and any new ideas underdeveloped.
The entire film is full of terrific touches -- funny and warm images that work perfectly and combine to paint a fully rounded picture of this community, right to the visually stunning, slightly surreal conclusion.
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