Returner is a smorgasbord that seems to have been picked out of a Dumpster.
Returner (2002)
Tomatometer
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Reviews Counted:31
Fresh:11
Rotten:20
Average Rating:4.3/10
Theatrical Release:Oct 17, 2003 Limited
Synopsis: The "Returner," Miyamoto, acting on tip-offs from his clients, infiltrates deep into the recesses of the black market, steals big scores of nontraceable cash, then as quickly as he gets in, hands... The "Returner," Miyamoto, acting on tip-offs from his clients, infiltrates deep into the recesses of the black market, steals big scores of nontraceable cash, then as quickly as he gets in, hands the money on to his clients. He is unbeatable in combat but his past harbors a darkness; as a young orphan, his bosom buddy was murdered by persons unknown. While working as the "Returner" his heart is sworn to revenge and the quest for the murderers of his friend is never far from his mind. Yokohama, Bayside. On one of his trips to the underworld, he comes across a man who controls the entire black market. This is Mizoguchi, (Goro Kishitani), unforgettable to Miyamoto, as the man who killed his best friend. Boiling with fury, he lets loose his anger and takes on Mizoguchi. In the furious combat that follows, Mizoguchi manages to give Miyamoto the slip. As the smoke clears, it is apparent that Miyamoto has mistakenly shot an innocent young girl, mixed up in the crossfire. Fortunately, her life is not in danger and "Milly" as she is know, turns out to be a potential client looking to engage Miyamoto for a very special job indeed. "We've only got two days left. Something is going to happen to ruin the world as we know it. I've got to stop it. That's why I've journeyed here from the distant future." Surprised by her sudden outburst, Miyamoto doesn't know what to make of Milly. That is, until she demonstrates an inexplicable power brought with her from the future, right in front of his eyes. He chooses to listen to her and little by little comes to understand her story. Also, he begins to recognize something in her wild eyes that reminds him of himself and the pain of his own past. He takes it upon himself to protect this girl. In turn, Milly senses the decency behind Miyamoto's exterior and they start to bond. Now, with only days in which to turn certain despair into a future of hope, they set out on their quest. However, Mizoguchi, their arch-rival is moving one step ahead of them and lies in wait. Just what is it he plans? Miyamoto is sworn to revenge. Milly is committed to the future. These various threads come together in an unforeseeable way as events unfold with blinding speed and their three intertwined fates reveal the true meaning of "Returner." -- © Sony Pictures [More]
Starring: Takeshi Kaneshiro, Anne Suzuki, Goro Kishitani, Kirin Kiki
Starring: Takeshi Kaneshiro, Anne Suzuki, Goro Kishitani, Kirin Kiki, Akhiko Matsumoto
Director: Takashi Yamazaki
Director: Takashi Yamazaki
Screenwriter: Takashi Yamazaki, Kenya Hirata
Producer: Akfumi Takuma, Toru Horibe, Chikahiro Ando
Studio: Samuel Goldwyn Films
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Reviews for Returner
Returner goes on far longer than such a derivative movie has a right to, but it maintains enough of a balance between its human elements and its propulsive action sequences to keep us going.
Like all good B-movies, Returner comes loaded with enough eccentric touches to give the recycling a whiff of freshness.
While watching the movie, you may also feel like you've traveled back in time -- to the plots of any number of better films.
Hovering between Last Action Hero and E.T., this sci-fi extravaganza is bookended with violence but has some gentle moments in between.
A sprawling, deformed, undisciplined piece of cinema that hobbles along on weak, genre-splicing tactics.
Returner might work best if one could sub its soundtrack of r&b vamps and 'I've Got the Power'-style beats for a steady stream of MST3K chatter.
[It's] like Saturday morning kid programming of the damned with none of the campy charm that the genre can sometimes evoke
An action packed picture with equal measures of sweetness and violence, like a delicious sweet-and-sour sauce, it's also quite funny. But, most of all, it's a lot of fun.
Rips off oodles of other sci-fi pics while draining their humor and providing unmemorable characters.
Yes, apparently Yamazaki takes breaks from his repeated viewings of E.T. by relaxing with THE MATRIX. Occasionally, just for a bit of variety, he might also pop INDEPENDENCE DAY into the DVD player.
No amount of visual pyrotechnics -- be it CGI, things exploding, shoot outs, martial arts balletics, or bullet-time flo-mo -- can conceal the filmmakers utter lack of imagination and inability to grasp the basics of storytelling.
It's about a dozen event films Frankensteined into one mostly unoriginal, slightly plagiaristic, hot'n'cold action flick.
| Tomatometer Percentage | Movie |
|---|---|
| 15% 15% | The Ugly Truth |
| 98% 98% | Up |
| 36% 36% | G.I. Joe: The Rise of … |
| 52% 52% | The Taking of Pelham 1… |
| 45% 45% | Ice Age: Dawn of the D… |
| Tomatometer Percentage | Movie |
|---|---|
| 36% 36% | Angels & Demons |
| 68% 68% | Funny People |
| 25% 25% | Four Christmases |
| 45% 45% | Shorts |
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