There's an old joke that goes "Just because you're paranoid doesn't mean people aren't out to get you," and this independent thriller puts a new and frightening spin on that notion. Jackson (Michael Risley) has a good job with a computer firm and a solid relationship with his fiancée Kim (Adrienne Shelly), but that begins to change one day when Jackson notices things on his desk aren't where they're supposed to be. Jackson wonders if someone is playing tricks on him when he starts getting
vaguely threatening messages in his e-mail, and he sees a television commercial advertising a new fragrance for women, Revolution #9, that he's convinced is filled with messages directed specifically at him. Kim is worried that something is wrong with Jackson, and urges him to see a psychiatrist, but Jackson is convinced that someone is determined to hurt him. After his fears cost him his job, Jackson is diagnosed as suffering from paranoid schizophrenia, but he refuses to believe it, certain that the doctors are in cahoots with whoever has been after him, and he tries to track down Scooter McCrae (Spaulding Gray), the director of the TV spot for Revolution #9, in a bid to find out the truth about what's been happening. Revolution #9 was written and directed by Tim McCann, and premiered (in rough-cut form) at the 2001 Los Angeles Film Festival. ~ Mark Deming, Rovi
There is a strong directorial stamp on every frame of this stylish film that is able to visualize schizophrenia but is still confident enough to step back and look at the sick character with a sane eye.
The intense and penetrating performances of Risley and Shelly focus on the human costs of a mental illness. But the film, while grounded in reality, seems to rush to an abrupt conclusion.
There is a strong directorial stamp on every frame of this stylish film that is able to visualize schizophrenia but is still confident enough to step back and look at the sick character with a sane eye.
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