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Revolution No. 9 (2002)
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Reviews Counted:25
Fresh:19
Rotten:6
Average Rating:6.5/10
Rated: Not Rated
Genre: Dramas
Theatrical Release:Nov 15, 2002 Limited
Synopsis: James Jackson (Michael Risley) is a handsome 27-year-old New Yorker suffering from an increasingly serious case of psychotic paranoia. He is presented in extreme close-up, with no room to breathe,... James Jackson (Michael Risley) is a handsome 27-year-old New Yorker suffering from an increasingly serious case of psychotic paranoia. He is presented in extreme close-up, with no room to breathe, by director Tim McCann, who keeps the intensity of REVOLUTION NO. 9 on a high level to its very last second. Jackson's fiancee, Kim Kelly (Adrienne Shelly), a perky blond waitress in a chic downtown bar, is so utterly in love with him despite his frightful mental deterioration, that she also seems crazy. In fact, much of the movie is a puzzle over who's really losing it--him, her, or both of them at once. It all begins when Jackson announces to Kim's family that they are engaged to be married. Kim's overprotective father and brother are outraged and fear for her safety. While this seems strange and unfair, Jackson's behavior the next day--accusing coworkers of moving things on his desk, blaming Kim's nephew for sending him cryptic coded e-mails, and insisting that he is the target of an elaborate experiment--is the proof that the family's instincts are right. From there, Jackson travels a wild downhill descent into madness, with Kim chasing along making bad decisions that only exacerbate the situation. [More]
Starring: Michael Risley, Adrienne Shelly, Spalding Gray, Callie Thorne
Starring: Michael Risley, Adrienne Shelly, Spalding Gray, Callie Thorne, Michael Rodrick, Sakina Jaffrey, Anthony Arkin
Director: Tim McCann
Director: Tim McCann
Screenwriter: Tim McCann
Producer: Tim McCann, Shannon Goldman
Composer: Douglas J. Cuomo
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Reviews for Revolution No. 9
If we sometimes need comforting fantasies about mental illness, we also need movies like Tim McCann's Revolution No. 9.
While the ideas about techno-saturation are far from novel, they're presented with a wry dark humor.
Succeeds in portraying the dizzying descent into madness and, even more, the effect on loved ones, friends and associates.
The intense and penetrating performances of Risley and Shelly focus on the human costs of a mental illness. But the film, while grounded in reality, seems to rush to an abrupt conclusion.
A strong and confident work which works so well for the first 89 minutes, but ends so horrendously confusing in the final two
You get the feeling that the filmmakers did their homework and that they’re here to represent a harsh reality."
There is a strong directorial stamp on every frame of this stylish film that is able to visualize schizophrenia but is still confident enough to step back and look at the sick character with a sane eye.
Strong stuff, minus the upbeat sentimentality of last year's Oscar-winner. In that respect, it may be an even more important film.
Even through its flaws, Revolution #9 proves to be a compelling, interestingly told film.
| Tomatometer Percentage | Movie |
|---|---|
| 77% 77% | The Hangover |
| 88% 88% | Inglourious Basterds |
| 66% 66% | Public Enemies |
| 24% 24% | G-Force |
| 44% 44% | Night at the Museum: B… |
| Tomatometer Percentage | Movie |
|---|---|
| 82% 82% | Paranormal Activity |
| 58% 58% | 9 |
| 44% 44% | Jennifer's Body |
| 58% 58% | A Perfect Getaway |
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