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Stephen King's Riding the Bullet (2004)
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Reviews Counted: 21
Fresh: 6
Rotten:15
Average Rating: 4.2/10
Genre: Horror/Suspense
Theatrical Release: Oct 15, 2004 Limited
Box Office: $101,107
Synopsis: October 1969. The Summer of Love is over and a winter of hate is about to paint the ideals of the Flower Power Generation black. Alan Parker (Jonathan Jackson) is a young, struggling artist studying at the University of Maine whose work... October 1969. The Summer of Love is over and a winter of hate is about to paint the ideals of the Flower Power Generation black. Alan Parker (Jonathan Jackson) is a young, struggling artist studying at the University of Maine whose work is haunted by images of death. Believing he is losing his girlfriend, Jessica (Erika Christensen), Alan's obsession with the dark side pushes him to try to take his own life on his birthday. Some friends thwart his desperate act, yet events go from bad to worse, as Alan soon discovers he has opened a door letting death literally enter his life. Recovering from his self-inflicted wounds and about to embark on a road trip to a John Lennon concert with his buddies, Artie and Hector, Alan receives crushing news -- his mother, Jean (Barbara Hersey), has suffered a major stroke and is lying at death's door in Lewiston Hospital, over 100 miles away. Rejecting his friends' offer to drive him, Alan decides to hitchhike, hoping he'll make it to the hospital before Mom, his last remaining relative, passes. But it is Halloween night -- October 31st -- and Alan is about to discover that he has started down a nightmare road which will take him on both an odyssey into black recesses of the human heart and a journey that will bring him face to face with Death Incarnate. Trapped in a speeding car with the Grim Reaper, manifesting itself in the guise of recently killed redneck George Staub (David Arquette), Alan is forced into a terrible dilemma -- the Reaper will not rest until it forces Alan to make a life or death choice. Alan Parker is on a date with destiny which will answer the question that has plagued him since childhood. Is he ready to go Riding the Bullet? Based on the phenomenal bestselling eBook novella by Stephen King (over 4000,000 readers worldwide downloaded the story in 24 hours), writer-director Mick Garris, who previously collaborated with King on the movie Sleepwalkers (1992) and the acclaimed TV mini-series The Stand (1994) and The Shining (1997), has crafted a classic coming-of-age tale in which a young man must face his own mortality and the death of a loved one. -- © Innovation Film Group [More]
Starring: Jonathan Jackson, David Arquette, Cliff Robertson, Barbara Hershey
Starring: Jonathan Jackson, David Arquette, Cliff Robertson, Barbara Hershey, Erika Christensen, Matt Frewer, Nicky Katt
Director: Mick Garris
Director: Mick Garris
Composer: Nicholas Pike
Studio: Innovation Film Group
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Reviews for Stephen King's Riding the Bullet
As obras de Stephen King já renderam alguns ótimos filmes, mas também muitos péssimos. Infelizmente, Riding the Bullet se encaixa nesta última categoria.
Imagine a feature-length version of the “Large Marge” sequence from Pee-wee’s Big Adventure and you won’t be too far off, only that was scarier.
A ponderous, incoherent horror mishmash that turns King's short story into utter nonsense.
Both the anticipation factor and writer-director Mick Garris' slick adaptation fail to live up to the old hype.
An incoherent melange of horror movie gimmicks that's genuinely laughable when it strives for profundity. It induces more tedium than terror.
There are lots of cheap scares and mind games that detract from the main attraction: the interesting family drama.
Goes beyond simply being a bad movie, to the point where it becomes one that insults your intelligence.
As good as any Stephen King movie. Not the profound classics ... and not the classy thrillers... but certainly on par with any effective supernatural tale.
A better name for the film would be Taking the Bullet, because that's what sitting through this dopey, pretentious mess feels like.
It's a navel-gazing meditation on death smothered under excess and ham-handed direction, better suited for late-night cable.
The ending of which, both on the page and, now, on the screen, lands with an overly elegiac thud. Still, the journey is often fine.
A fairly middle of the road fright film that treads dangerously close to being silly.
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September 20, 2004:
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