Still a crackerjack crime film.
Rififi (1954)
Tomatometer
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Reviews Counted:40
Fresh:37
Rotten:3
Average Rating:8/10
Runtime: 1 hr 58 mins
Genre: Foreign Films
Synopsis: A banner film that broke through standards of accepted language, dialogue, gun violence, and crime on screen and stylized the film noir genre, Jules Dassin's 1954 film RIFIFI was an instant... A banner film that broke through standards of accepted language, dialogue, gun violence, and crime on screen and stylized the film noir genre, Jules Dassin's 1954 film RIFIFI was an instant success. Based on the novel of the same title, DU RIFIFI CHEZ LES HOMMES by Auguste le Breton, the film's use of hard-boiled slang and the gangster garb of trench coats, top hats, and a cigarette dangling from one corner of the mouth went on to become the emblems of Humphrey Bogart-style noir classics. In RIFIFI, a hardened man, Tony le Stephanois (Jean Servais) is released from prison after five years to find that his woman has shacked up with another gangster, and the life he had planned to return to no longer exists. Down on his luck and without a dime in his pocket, he rounds up his old crime buddies--who drink and smoke all night assembled around the poker table--and agrees to commit one last crime: a jewel heist. For weeks the men plan, studying the alarm system and working out each detail of the break-in. When it actually comes time to perform the robbery, their actions are perfectly choreographed, their methods precise and successful, and they walk away untouched with millions of dollars of jewels. However, there's a hitch, and what was meant to be the perfect crime turns into a nasty gang war resulting in a blood bath on the glorious streets of 1950s Paris. [More]
Starring: Jean Servais, Carl Mohner, Marie Sabouret, Perlo Vita
Starring: Jean Servais, Carl Mohner, Marie Sabouret, Perlo Vita, Magali Noel, Robert Manuel, Robert Hossein, Emile Genevois, Teddy Bilitis, Dominique Maurin, Pierre Grasset, Claude Sylvain, Janine Darcey
Director: Jules Dassin
Director: Jules Dassin
Screenwriter: Jules Dassin
Producer: Rene Gaston Vuattoux
Composer: Georges Auric
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Reviews for Rififi
Even though its intricate heist scenes have been recycled in countless other films -- most prominently in the '90s crime pics Reservoir Dogs and The Usual Suspects -- Rififi still dazzles.
Actually rather overrated, lacking the tension, profundity, and vivid characterisation of similar films.
The things the guys do in Rififi to get the job done are impressively innovative and always believable.
The underworld romance of Rififi's Paris has an undeniable and timeless appeal.
Jules Dassin's classic jewel-thief caper of 1955 looks as smart as paint, with its unendurably tense, entirely wordless robbery section.
It’s one of the most important movies of the 20th century, and one of the very best.
This is perhaps the keenest crime film that ever came from France, including Pepe le Moko and some of the best of Louis Jouvet and Jean Gabin.
There is something else unique about the heist scene: It is the centerpiece of the film, not the climax.
I won't bore you by rhapsodizing over the moody poetic night world artistry of Rififi.
Although rooted in an artificial noir landscape, [Rififi] still feels very real today.
Features posturing aplenty -- particularly if you include the climactic gunfire arabesques. No one, however, has nearly the doomed glamour of the tight-lipped, gimlet-eyed, consumptive Tony Le Stéphanois.
The film turns moralistic and sour in the last half, when the thieves fall out.
has a larger, grander sense of tragedy than many crime films of its type.
Latest News for Rififi
April 01, 2008:
Jules Dassin: 1911-2008
Jules Dassin, the director of films such as Night and the City, Topkapi, and Never On Sunday, has passed away of unspecified causes at the age of 96. More...
October 31, 2007:
Total Recall: American Gangster's Paradise
This week, Ridley Scott's American Gangster starring Russell Crowe and Denzel Washington hits theaters. With its story of a drug kingpin and the cop who's trying to take him... More...
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