You'll still go home and check the closets--and that VCR -- for boogeymen.
The Ring Two (2005)
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Reviews Counted:176
Fresh:36
Rotten:140
Average Rating:4.4/10
Consensus: Ring Two serves up horror cliches, and not even Hideo Nakata, the director of the movies from which this one is based, can save the movie from a dull screenplay full of absurdities.
Rated: PG-13 [See Full Rating] for violence/terror, disturbing images, thematic elements and some language.
Runtime: 1 hr 51 mins
Genre: Horror/Suspense
Theatrical Release:Mar 18, 2005 Wide
Box Office: $75,888,270
Synopsis: In this horror sequel from Japanese master Hideo Nakata, the curse of the videotape returns. Rachel Keller (Naomi Watts) and her son Aiden (David Dorfman) move from Seattle after their first... In this horror sequel from Japanese master Hideo Nakata, the curse of the videotape returns. Rachel Keller (Naomi Watts) and her son Aiden (David Dorfman) move from Seattle after their first terrible run-in with the tortured evil spirit Samara, relocating to Oregon. Attempting to make a fresh start, Rachel takes a job as a crime reporter at the local newspaper, instantly establishing a pluckily competitive friendship with colleague Max Rourke (Simon Baker). But when it turns out Samara (Kelly Stables) has followed their trail, taking out innocent teens along the way with her old videotape tricks, Rachel dives right back into the mystery. But Samara gets to her son Aiden first. And as a budding photographer in his own right, with a nifty digital camera that he takes everywhere, Aiden quickly finds his own way to harness the relentless ghost. This time, along with the familiar video imagery and spooky clues from the first film, there is a lot of flooding going on. Water pours from television sets, doorways, and especially bathtubs. In addition, there are special effects involving some undead deer who, like Samara, seem to want respite for their wrongful deaths. Sissy Spacek makes a cameo as a religious mental patient in a creepy institution. But it is Watts who steals the show as the fearless uber-mom who digs through the cobwebbed basement of a haunted house, plunges to the bottom of a slimy well, and dances with death in an attempt to stop the perpetual cycle. [More]
Starring: Naomi Watts, David Dorfman, Simon Baker, Sissy Spacek
Starring: Naomi Watts, David Dorfman, Simon Baker, Sissy Spacek, Elizabeth Perkins, Gary Cole
Director: Hideo Nakata
Director: Hideo Nakata
Screenwriter: Ehren Kruger
Producer: Walter F. Parkes, Laurie MacDonald
Composer: Henning Lohner, Hans Zimmer
Studio: DreamWorks Distribution LLC
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Reviews for The Ring Two
The best advice for experiencing The Ring 2 is to emulate Watts’ involvement. She will tell you she enjoyed making it, but she probably hasn’t thought too much about it since.
The Ring Two is one of those rare Hollywood sequels -- a second chapter that holds it own against the ultra successful first.
Nakata goes for the long slow chill and avoids the U.S. style of the sudden shockfest.
Doesn't make a lot of sense, but Watts reaches down into a well of her own resolve and somehow makes it work.
As in the first movie, there's a lot to the plot that doesn't make sense if analyzed closely, and, as in the first, the end is particularly implausible. But overall, the second Ring is more entertaining.
The Ring Two manages to repeat just about every shock from the original, but the eerieness of the first film has been replaced by a more pedestrian, plot-driven story.
It’s creepy for sure… but it’s a dead ringer for every Hollywood horror sequel ever created
The Ring Two is subtler and slower-moving than the brand of horror to which we are accustomed, but it is nightmarish, in the true sense of the word.
Watts is wonderful, and the story's forsaken-child theme still has plenty of horrific power.
This is a campy scream-a-thon in which you can alternate between freaking and cackling.
I sort of enjoyed it, but I’m not sure how fans of the first movie will react.
Shouldn't wind up the devotees too much and will keep fans of the first American movie quiet.
a different and, I would argue, slightly better film that its predecessor
Arty, semiscary sequel delivers a few shocks but doesn't rival the first film.
While nearly every shock comes at predictable moments, there is genuine ingenuity behind many, and the movie is surprisingly fresh for one made by a guy on his third go-round with the same material.
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