This boring rehash has not one decent scare, its most unforgivable trait.
The Ring Two (2005)
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Reviews Counted:176
Fresh:36
Rotten:140
Average Rating:4.4/10
Consensus: Ring Two serves up horror cliches, and not even Hideo Nakata, the director of the movies from which this one is based, can save the movie from a dull screenplay full of absurdities.
Rated: PG-13 [See Full Rating] for violence/terror, disturbing images, thematic elements and some language.
Runtime: 1 hr 51 mins
Genre: Horror/Suspense
Theatrical Release:Mar 18, 2005 Wide
Box Office: $75,888,270
Synopsis: In this horror sequel from Japanese master Hideo Nakata, the curse of the videotape returns. Rachel Keller (Naomi Watts) and her son Aiden (David Dorfman) move from Seattle after their first... In this horror sequel from Japanese master Hideo Nakata, the curse of the videotape returns. Rachel Keller (Naomi Watts) and her son Aiden (David Dorfman) move from Seattle after their first terrible run-in with the tortured evil spirit Samara, relocating to Oregon. Attempting to make a fresh start, Rachel takes a job as a crime reporter at the local newspaper, instantly establishing a pluckily competitive friendship with colleague Max Rourke (Simon Baker). But when it turns out Samara (Kelly Stables) has followed their trail, taking out innocent teens along the way with her old videotape tricks, Rachel dives right back into the mystery. But Samara gets to her son Aiden first. And as a budding photographer in his own right, with a nifty digital camera that he takes everywhere, Aiden quickly finds his own way to harness the relentless ghost. This time, along with the familiar video imagery and spooky clues from the first film, there is a lot of flooding going on. Water pours from television sets, doorways, and especially bathtubs. In addition, there are special effects involving some undead deer who, like Samara, seem to want respite for their wrongful deaths. Sissy Spacek makes a cameo as a religious mental patient in a creepy institution. But it is Watts who steals the show as the fearless uber-mom who digs through the cobwebbed basement of a haunted house, plunges to the bottom of a slimy well, and dances with death in an attempt to stop the perpetual cycle. [More]
Starring: Naomi Watts, David Dorfman, Simon Baker, Sissy Spacek
Starring: Naomi Watts, David Dorfman, Simon Baker, Sissy Spacek, Elizabeth Perkins, Gary Cole
Director: Hideo Nakata
Director: Hideo Nakata
Screenwriter: Ehren Kruger
Producer: Walter F. Parkes, Laurie MacDonald
Composer: Henning Lohner, Hans Zimmer
Studio: DreamWorks Distribution LLC
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Reviews for The Ring Two
This pallid follow-up to 2002's most frightening film plays like an auction for abandoned horror-flick props and icons.
Samara has been reduced to the ghost in The Grudge -- complete with gastric-distress noises. Apparently, there's no Alka Seltzer in the afterlife.
A hemorrhaging film whose greatest sin is that it's unremittingly dull.
I wish someone had slapped the video from the first movie into my theater’s reel so that I could have avoided having to sit through the rest of this boring disaster.
The let's-travel-through-the-TV-screen sequence was better in Fat Albert.
A long, exhausting and pointless 111-minute exercise in red herrings, dead-end justifications and contrived horror situations.
While the original kept you awake all night as you left the lights on and spooned your plush Pound Puppy–the sequel induces a sound slumber in seconds.
I thought the original had a nice evil chill to it, but this is an unnecessary second chapter that dumbs down all the main characters and is curiously lacking in quality scares.
The Ring Two is a rather tedious affair, heavy on atmosphere, but light on story. It’s a silly bunch of hogwash, a pale shadow of the original.
Sluggish and uninspiring, the sequel to the hit film doesn't live up to the first.
Under difficult circumstances, the actors admirably keep straight faces.
The franchise goes from the fear of death to, 'Oooh, he's getting colder, that's soooo scary' - NOT.
[T]his is a film that seems to be making the argument that it’s OK for a mother to kill her child if the “voices” tell her to... [It] leaves a really bad taste.
Forgets the mood and atmosphere from the original and tries to replace them with cheap thrills and manufactured manipulation.
So predictably beholden to its predecessor that you can practically smell the reek of formula cooling on its hide.
Naomi's son Aidan has to be the most inner-directed child of all time. As he explained, 'You'd be introverted too if your imaginary friends had imaginary friends.'
While its plot defies any sort of coherent explanation, fans of the movie will no doubt try, and in doing so find a bizarre sort of joy in justifying it.
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May 15, 2006:
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