Krumping isn’t a fad for the amazing young people we meet in RIZE; it’s a lifeline. And for LaChapelle, it’s a triumphant first documentary feature.
Rize (2005)
Tomatometer
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Reviews Counted:87
Fresh:72
Rotten:15
Average Rating:7/10
Consensus: The dances in Rize are electric even if the documentary doesn't go that deeply into the performers' lives.
Rated: PG-13 [See Full Rating] for suggestive content, drug references, language and brief nudity
Runtime: 85 mins
Genre: Education/General Interest
Theatrical Release:Jun 24, 2005 Limited
Box Office: $3,278,611
Synopsis: Famed photographer David LaChapelle gets behind a different kind of lens for RIZE, his feature film debut. LaChapelle heads to Los Angeles to make his mark in the cinematic world, shooting a... Famed photographer David LaChapelle gets behind a different kind of lens for RIZE, his feature film debut. LaChapelle heads to Los Angeles to make his mark in the cinematic world, shooting a documentary about a style of hip-hop dance called "krumping." Dividing his time between the personal lives of the dancers and some spectacular on-screen demonstrations courtesy of the cream of the krumpers, LaChapelle's bright, vivacious photographic style makes an impressive translation to the big screen. Central to LaChapelle's film is Tommy "The Clown" Johnson. In the wake of the 1992 L.A. riots, Tommy performed as a traveling clown act for children's parties. Unable to satisfy the enormous demand for his act, Tommy set up a small clown-recruiting business which flourished under his tutelage. As the 21st century dawned, Tommy noticed his younger recruits had worked a unique and highly agile dance routine into their act, and krumping was born. LaChapelle slowly unravels the ties that bind Tommy and his cohorts throughout the movie; broken homes, domestic violence, and other horrors have cast an irrepressibly dark shadow over the dancers lives. RIZE illustrates how krumping offers a cathartic release from these personal demons, and as the dancers cavort and gyrate for the cameras, it feels like their tortured souls are literally trying to escape from their bodies. In fact, krumping has become so successful that many of the dancers have turned their back on the shadowy gang activities that formerly offered them a highly dangerous outlet for their pent-up frustrations. As the dancers perform a jaw-dropping array of moves, a deliriously infectious mixture of fun, intensity, and jubilant release pours from the screen. Playing out like a west-coast relative to fellow 2005 film, the New York-based MAD HOT BALLROOM, LaChapelle's movie gloriously demonstrates the healing powers of dance. [More]
Director: David LaChapelle
Director: David LaChapelle
Producer: David LaChapelle, Marc Hawker, Rebecca Skinner
Studio: Lions Gate Films
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Reviews for Rize
LaChapelle does an admirable job avoiding a pitfall by staving off pretense. He frames an unobtrusive canvas for the performers to stroke with flailing arms and jiggling hips
...succeeds as joyous entertainment so long as the bodies are flying, but dancers only seem to fly. What goes up usually comes down.
We're just fly-on-the-wall observers to dancing that's a kind of Holy Roller-palooza.
With a running time of only 84 minutes, Rize frequently feels padded. However, there's no denying the fascination of watching these bodies in motion and the ascendency of a new, American-born art form.
[F]or all its mis-steps, Rize gets by on enough jumping, pumping energy to fuel the national grid.
A brilliant new documentary by David LaChapelle, ably and exuberantly demonstrates how fertile and renewing the hip-hop world is by chronicling the rise of a startling new hip-hop subculture.
Rize is a compelling, bittersweet hybrid of a movie, one celebrating an enormous and hitherto unsung underground talent, while suggesting that art goes only so far in solving the enormous challenges of the underprivileged life.
The dance phenomenon appeals to the self-identifying needs we all want satisfied, but the doc is weighted down with far too much self promotion.
The dancing, which at first may seem purely ridiculous, becomes an expression of their tortured souls
The footage makes you giddy, blasting you with the visual equivalent of laughing gas.
LaChapelle gives the kids a platform, but he doesn't dare probe beneath the surface.
Masterfully shows how these musical manifestations have provided African-Americans in the war zones of South Central a path away from the guns'n'poses of self-styled gangstas.
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