It's a well-known truth in the dance world that the body doesn't lie. As long as the characters in this film are dancing, we have little reason to doubt their sincerity. But once turned into talking heads, the dancers begin to sound like propagandists.
Rize (2005)
Tomatometer
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Reviews Counted:87
Fresh:72
Rotten:15
Average Rating:7/10
Consensus: The dances in Rize are electric even if the documentary doesn't go that deeply into the performers' lives.
Rated: PG-13 [See Full Rating] for suggestive content, drug references, language and brief nudity
Runtime: 85 mins
Genre: Education/General Interest
Theatrical Release:Jun 24, 2005 Limited
Box Office: $3,278,611
Synopsis: Famed photographer David LaChapelle gets behind a different kind of lens for RIZE, his feature film debut. LaChapelle heads to Los Angeles to make his mark in the cinematic world, shooting a... Famed photographer David LaChapelle gets behind a different kind of lens for RIZE, his feature film debut. LaChapelle heads to Los Angeles to make his mark in the cinematic world, shooting a documentary about a style of hip-hop dance called "krumping." Dividing his time between the personal lives of the dancers and some spectacular on-screen demonstrations courtesy of the cream of the krumpers, LaChapelle's bright, vivacious photographic style makes an impressive translation to the big screen. Central to LaChapelle's film is Tommy "The Clown" Johnson. In the wake of the 1992 L.A. riots, Tommy performed as a traveling clown act for children's parties. Unable to satisfy the enormous demand for his act, Tommy set up a small clown-recruiting business which flourished under his tutelage. As the 21st century dawned, Tommy noticed his younger recruits had worked a unique and highly agile dance routine into their act, and krumping was born. LaChapelle slowly unravels the ties that bind Tommy and his cohorts throughout the movie; broken homes, domestic violence, and other horrors have cast an irrepressibly dark shadow over the dancers lives. RIZE illustrates how krumping offers a cathartic release from these personal demons, and as the dancers cavort and gyrate for the cameras, it feels like their tortured souls are literally trying to escape from their bodies. In fact, krumping has become so successful that many of the dancers have turned their back on the shadowy gang activities that formerly offered them a highly dangerous outlet for their pent-up frustrations. As the dancers perform a jaw-dropping array of moves, a deliriously infectious mixture of fun, intensity, and jubilant release pours from the screen. Playing out like a west-coast relative to fellow 2005 film, the New York-based MAD HOT BALLROOM, LaChapelle's movie gloriously demonstrates the healing powers of dance. [More]
Director: David LaChapelle
Director: David LaChapelle
Producer: David LaChapelle, Marc Hawker, Rebecca Skinner
Studio: Lions Gate Films
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Reviews for Rize
A vivid portrait of art rising from deprivation and social hopelessness.
Part historical document, part social commentary, part guided tour through a tough neighbourhood. It's also a super-adrenalized tribute to the transformative power of art.
LaChapelle does an admirable job avoiding a pitfall by staving off pretense. He frames an unobtrusive canvas for the performers to stroke with flailing arms and jiggling hips
Rize is full of sugar-rush adrenaline, but it also has the presence of mind to cool our enthusiasm enough to pierce through to its issues' core.
...succeeds as joyous entertainment so long as the bodies are flying, but dancers only seem to fly. What goes up usually comes down.
There is a sense of pride in these dancers. They are showing what they can do, not simply mimicking someone else.
Visually stimulating and busting with jubilance...Rize is an irresistibly endearing showcase that brims with confidence and exhilaration.
LaChapelle's powerful street-dance documentary Rize never lets us forget that its subjects are dancing in a war zone. But dance they do, in a kind of controlled frenzy, with music throbbing and limbs whirling and swaying and pulsing to the beat.
Exuberant, colorful, viscerally exciting but overly flashy and sadly disorganized.
I come from the old school and prefer to dance with a partner, but you have to admire the fitness and stamina these kids must have to perform at breakneck speed.
With a running time of only 84 minutes, Rize frequently feels padded. However, there's no denying the fascination of watching these bodies in motion and the ascendency of a new, American-born art form.
Krumping isn’t a fad for the amazing young people we meet in RIZE; it’s a lifeline. And for LaChapelle, it’s a triumphant first documentary feature.
The dancing, which at first may seem purely ridiculous, becomes an expression of their tortured souls
As captured by LaChappelle, krumping is indeed compulsively watchable. But as packaged the experience of watching it falls short of being meaningful.
[LaChapelle's] not the world's best documentarian, but he saw something that needed chronicling. So he turned his camera on the krumpers and let them do the rest. Smart choice.
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