It's Newman who really stands out. Despite his advanced years -- he's 77 -- the man still has remarkable presence.
Road to Perdition (2002)
Tomatometer
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Reviews Counted: 201
Fresh: 165
Rotten:36
Average Rating: 7.5/10
Consensus: Somber, stately, and beautifully mounted, Mendes' Road to Perdition is a well-crafted mob movie that explores the ties between fathers and sons.
Runtime: 1 hr 57 mins
Genre: Dramas
Theatrical Release: Jul 12, 2002 Wide
Box Office: $104,054,514
Synopsis: Directed by Sam Mendes and based on the graphic novel by Max Allan Collins and Richard Piers Rayner, the Depression-era crime epic ROAD TO PERDITION stars Tom Hanks as Michael Sullivan, a quiet hit man who is duty bound to Mafia boss John... Directed by Sam Mendes and based on the graphic novel by Max Allan Collins and Richard Piers Rayner, the Depression-era crime epic ROAD TO PERDITION stars Tom Hanks as Michael Sullivan, a quiet hit man who is duty bound to Mafia boss John Rooney (Paul Newman). The mobster's close bond with Sullivan, however, leads Rooney's jealous blood son, Connor (Daniel Craig), to orchestrate a tragic series of events that results in Sullivan on the run with his 12-year-old son, Michael Jr. (Tyler Hoechlin). Soon an unscrupulous crime photographer/assassin named Maguire (Jude Law) is sent after Sullivan and his son, and Sullivan must decide on a course of action as young Michael comes to terms with his father's violent way of life. Meticulously directed by Mendes and brilliantly photographed by Conrad Hall, each scene of ROAD TO PERDITION has the composition of an expertly crafted painting. Making effective use of rain, snow, and shadows, the filmmakers create a cinematic world that's as dark, cold, and unforgiving as many of its inhabitants. But the film also allows for glimpses of emotional warmth, particularly in Sullivan's relationships with his son and Rooney, his surrogate father. In these roles, the respective actors create complex characters that resonate even in their restraint. Hanks is outstanding as a man of action with little time for words, while Hoechlin creates an unsentimental portrait of a confused boy; Newman once again proves why he's a screen legend and, in a strikingly unflattering role, Law makes the most out of his screen time as a creepy, parasitic hit man. Even in its harshest moments, however, Mendes never fails to remind the audience that ROAD TO PERDITION is a film about fathers and sons; and this is what elevates it from an atmospheric gangster movie to a truly astonishing work of art. [More]
Starring: Tom Hanks, Paul Newman, Jude Law, Tyler Hoechlin
Starring: Tom Hanks, Paul Newman, Jude Law, Tyler Hoechlin, Daniel Craig, Stanley Tucci, Jennifer Jason Leigh, Liam Aiken, Dylan Baker
Director: Sam Mendes
Director: Sam Mendes
Screenwriter: David Self
Composer: Thomas Newman
Studio: DreamWorks Distribution LLC
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Reviews for Road to Perdition
While crisply edited and unindulgent, Mendes' work is gratifyingly old-school in its rejection of modern-day stylistic agitation, the better to achieve a slow but inexorable build to its climax.
Hanks and Newman are the personification of anguish and torn loyalty in a gripping, violent film that is part character study and part cat-and-mouse chase with classic western embellishments.
Road is so beautiful, so well composed and so tidy in its sense of justice that it never quite gets its hands dirty enough to evoke any true emotion.
Sam Mendes's 2002 follow-up to American Beauty finds him every bit as adept, arty, and Oscar hungry.
Ploughing a furrowed brow, Hanks is fatally miscast -- except that the story turns so sentimental and bathetic, he's actually in his element.
A simple parable, starkly outlined, with talented actors shading these sketches with wisdom and detail.
Mendes has proven that he must be counted among the greatest directors
Easily the best movie so far in 2002, Road to Perdition holds its own against the finest films any year has to offer.
Along with cinematographer Conrad L. Hall, [Sam] Mendes has crafted a film that's just as exciting to look at as it is to watch.
Introspective, while never feeling ponderous … The strength of the performances lies in their subtlety …long, arduous, and heartbreaking - and worth every step of the journey.
Una película oscura, precisa, por momentos grandiosa y casi siempre conmovedora.
The film feels alternately cloaked in heavy wood paneling or soaked in cold Chi-town slush.
This is supremely crafted, grown-up moviemaking that never escapes its pulp origins.
Latest News for Road to Perdition
January 25, 2008:
Sam Mendes Making With the Funny for Focus Features
He made his cinematic bones with dramatic films such as American Beauty and Road to Perdition, but director Sam Mendes wasn't born without a funny bone, and he's about to prove it. More...
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