Endearing and enduring, "Rocky Balboa" returns for an enjoyable sixth round.
Rocky Balboa (2006)
Tomatometer
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Reviews Counted:169
Fresh:129
Rotten:40
Average Rating:6.6/10
Consensus: Implausible but entertaining and poignant, Rocky Balboa finds the champ in fighting form for the first time in years.
Rated: PG [See Full Rating] for boxing violence and some language
Runtime: 1 hr 42 mins
Genre: Dramas
Theatrical Release:Dec 20, 2006 Wide
Box Office: $70,147,850
Synopsis: ROCKY BALBOA, the sixth installment of the long-running film franchise, should amount to nothing more than a lame punch line to a TONIGHT SHOW monologue joke. However, just as his longtime corner... ROCKY BALBOA, the sixth installment of the long-running film franchise, should amount to nothing more than a lame punch line to a TONIGHT SHOW monologue joke. However, just as his longtime corner man Paulie describes the Italian Stallion himself, this movie is all heart. Thirty years after Sylvester Stallone first introduced the underdog backroom brawler from Philadelphia in the Oscar-winning ROCKY, Rocky Balboa returns for one last dance. Speculation as to whether Balboa, in his prime, would have been able to defeat lackluster champ Mason "The Line" Dixon spurs Dixon's management to set up an exhibition fight between the two. That Balboa is in his 50s in the film and wouldn't be sanctioned to fight anyone, let alone a man 30 years his junior and in the prime of life, must be left up to the viewer's ability to suspend disbelief. To its credit, however, the movie addresses at every turn the insanity of a man approaching 60 getting back into a boxing ring, and Balboa's impassioned explanation of his motivations is just believable enough to give all other improbabilities a free pass. Though it may sound like faint praise, this is the best ROCKY movie since the original. It's very much a love letter to Philadelphia, and Stallone, who wrote and directed the movie, shoots everything with an unflinching eye that humanizes the mean streets of the City of Brotherly Love and evokes the gritty dignity of the original film. And while Burt Young's cantankerous Paulie and Tony Burton's Duke both return, Talia Shire, sadly, does not reprise her role as the beloved Adrian. It's revealed early in the film that Adrian has died of cancer, and it's the pain of that tragedy that ultimately fuels Rocky. Boxing as a metaphor for life is certainly nothing new, but Stallone makes a legitimate contribution to the tradition with ROCKY BALBOA. Life hits harder than any man can, and one's ability to keep getting up until the final bell rings is the true measure of self. Corny? Perhaps. But when Bill Conti's legendary score kicks in and Rocky starts pounding the heavy bag, the metaphor feels truly profound. [More]
Starring: Sylvester Stallone, Antonio Tarver, Burt Young, Milo Ventimiglia
Starring: Sylvester Stallone, Antonio Tarver, Burt Young, Milo Ventimiglia, Tony Burton, Geraldine Hughes, James Francis Kelly, Bert Sugar, Max Kellerman, Larry Merchant, Jim Lampley
Director: Sylvester Stallone
Director: Sylvester Stallone
Producer: William Chartoff, David Winkler, Robert Chartoff
Composer: Bill Conti
Studio: Columbia Pictures
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Reviews for Rocky Balboa
When asked why he would step back into the ring, even though he's out of shape and in his late 50s, the Italian Stallion mumbles something about "the stuff… inside," which sums up the thin justification for Rocky Balboa.
If a room full of bitter old journalists can cheer and applaud a noon screening, then maybe Stallone knows a lot more about residual heart than us skeptics give him credit for.
Returns to the series' character-driven origins and is subsequently the best film in the series since the 1976 original.
You've heard of the Rumble in the Jungle? This sequel is the Viagra-enhanced Fiasco in Nevada.
The fight sequence is more tongue-in-cheek than glorification. That's fine, because Stallone and his cast earn enough points before the match to make Rocky VI a heartwarming winner.
The movie spends too much time in idle and not enough in overdrive.
Like a fictional counterpart to Michael Apted's Up documentaries, the Rocky films have provided us with a character bounded by mortality and susceptible to gravity. While the plots to the Rocky films jumped the shark early on, Rocky himself endured, older
Rocky returns from the long layoff with an outing that may please the mainstream, but lets down fans of the franchise.
Give Stallone credit for originality--turning a sports pic into a trip down memory lane.
What gives Rocky Balboa its unexpected pathos is the titanic humility of Stallone’s performance, the earnestness with which he plays a man knocked down (but not out) by the ravages of time.
Audiences needn't be responsible for helping an over-the-hill actor through his midlife crisis.
It's eminently watchable, and is a nice way to waste some time at a bargain matinee...I'm still dreading the next "Rambo."
I sat down to Rocky Balboa expecting a disaster on the level of Rocky V or Rambo III, but instead I was treated to the season's most delightful surprise.
Could they actually make a convincing movie about a geriatric prize fighter? The answer, surprisingly, is yes
Plays like Stallone simply headed to the set with his handy Rocky checklist, ticked off all the items and called it a day.
... just another who-needs-it sequel preaching to the choir. It's no knockout, but at least it's better than Rocky V.
...Stallone plays Rocky like an old lion who still paces back and forth hoping for one more battle.
Stallone's writing and direction pull off a considerable level of pathos and suspense as Rocky mourns his wife's passing and tries to develop a closer relationship with his resentful son.
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