Dylan Kidd creates, with the capable help of his cast and crew, a terrific debut with the smart, funny and upbeat “Roger Dodger.”
Roger Dodger (2002)
Tomatometer
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Reviews Counted:122
Fresh:107
Rotten:15
Average Rating:7.4/10
Consensus: The movie could have benefited from a more experienced director, but a great cast and script overcome any first time jitters the director may have had.
Theatrical Release:Oct 25, 2002 Limited
Box Office: $1,169,941
Synopsis: After cynical New York advertising copywriter Roger Swanson (Campbell Scott) is dumped by his on-again/off-again girlfriend, Joyce (Isabella Rossellini), who is also his boss, his painful workday... After cynical New York advertising copywriter Roger Swanson (Campbell Scott) is dumped by his on-again/off-again girlfriend, Joyce (Isabella Rossellini), who is also his boss, his painful workday is further complicated by the unexpected arrival of his 16 year-old nephew, Nick (Jesse Eisenberg). After asking to spend the night at Roger's, Nick reveals that he has come to ask for help--in hopes of ditching his virginal status, Nick begs Roger for a lesson in the art of seduction. Embittered Roger then takes on the role of a nocturnal drill sergeant in an imaginary war between the sexes, starting Nick's training at an upscale singles bar. There, they meet two beautiful women (Jennifer Beals and Elizabeth Berkeley) who turn out to be less malleable than Roger expects. Before the night is through, Roger and Nick go to some dark places where their preconceptions about women get smashed to pieces. With ROGER DODGER, first time writer-director Dylan Kidd has created a unique look at male-female relationships, full of memorable and comic platitudes spoken by a lead character as fascinating as he is unpleasant. As Roger, Scott (who also produced the film) creates a character who is very difficult to like, but is no less compelling for it. Eisenberg proves to be a worthy foil in an impressive debut. The film takes an impressively dark turn in its third act, and adventurous viewers are likely to relish this offbeat journey. [More]
Starring: Campbell Scott, Jesse Eisenberg, Isabella Rossellini, Jennifer Beals
Starring: Campbell Scott, Jesse Eisenberg, Isabella Rossellini, Jennifer Beals, Elizabeth Berkley
Director: Dylan Kidd
Director: Dylan Kidd
Screenwriter: Dylan Kidd
Producer: Anne Chaisson, George Van Buskirk
Studio: Artisan Entertainment
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Reviews for Roger Dodger
If you're as happy listening to movies as you are watching them, and the slow parade of human frailty fascinates you, then you're at the right film.
[Director Dylan] Kidd might not be Shakespeare (though he's got a remarkably tuned ear for dialogue), but his sense of structure and willingness to push the flawed, comic-tragic protagonist to the fore merits the grand comparison.
Good cutting dialogue that one-ups Neil La Bute's for downright cynicism.
Takes delight in skewering [Roger's] carefully-formed suppositions while never entirely disproving his theories.
One of the smartest takes on singles culture I've seen in a long time.
Wicked and funny, full of the kind of surprises too few movies can pull off but which first-timer Dylan Kidd handles with a sureness that is bracing.
There's a lot of tooth in Roger Dodger. But what's nice is that there's a casual intelligence that permeates the script.
Thanks to Scott's charismatic Roger and Eisenberg's sweet nephew, Roger Dodger is one of the most compelling variations on In the Company of Men.
Shot perhaps 'artistically' with handheld cameras and apparently no movie lights by Joaquin Baca-Asay, the low-budget production swings annoyingly between vertigo and opacity.
Roger Dodger is a little too programmed in its despair, but it coasts along on the jagged music of the modern lothario's song.
Life's just full of surprises. Who'd expect a movie about a rogue and his horny teenage nephew to be so good?
Though Roger is hateful, he is consistently mesmeric. Scott's layered performance eventually allows glimpses through Roger's smoke and mirrors without being obvious.
Offers some fresh twists on the well-worn theme of sexual politics and shows how far some men still have to go to achieve emotional intelligence.
Campbell Scott's fiendishly mercurial performance as razor-tongued womanizer Roger is a revelation but it's only one of this nimble film's pleasures.
Kidd has made the rare film that's more interesting and complex than it sounds, a feature that shares with its characters a willingness to take risks and ends up, like them, in places they never expected to be.
Scott's riveting performance makes good use of the well-crafted dialogue, drawing you irresistibly into Roger's cynical, misogynistic world.
Latest News for Roger Dodger
July 08, 2005:
Trailer Bulletin: The Exorcism of Emily Rose
Head on over to the film's official site for your first look at the trailer to "The Exorcism of Emily Rose." The supernatural horror flick is directed by Scott... More...
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