Rois et Reine (Kings and Queen) (2005)



Critic Consensus: A dryly comic, stylistically brave film.

Rois et Reine (Kings and Queen) Videos & Photos

Movie Info

The stories of two desperate characters turn out to share an important link in this drama from French filmmaker Arnaud Desplechin. Nora (Emmanuelle Devos) is a woman in her mid-thirties who wants people to believe that her life is going just the way she wants. But a look below the surface shows this isn't quite the case; she's been divorced twice, her latest relationship is on the rocks, her ten-year-old son, Elias (Valentin Lelong), is becoming increasingly withdrawn, and her father (Maurice … More

Rating: Unrated
Genre: Drama, Art House & International, Comedy
Directed By:
Written By: Roger Bohbot, Arnaud Desplechin
In Theaters:
On DVD: Nov 15, 2005
Box Office: $0.2M
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as Nora Cotterelle

as Ismaël Vuillard

as Mme. Vasset

as Louis Jenssens

as Abel Vuillard

as Chloe Jenssens

as Arielle

as Mr. Mamanne

as Dr. Devereux

as Elizabeth

as Dr. Devereux, the p...

as Elias Cotterelle

as Mr. Mader

as Jean-Jacques

as Gynecologist

as Town Hall Employee

as Nutcase

as Psychiatric Intern

as Victorine

as Mme. Seyvos

as Léopold Virag

as Christian

as Forensic Doctor

as Marcello

as Grandmother

as Norah's Friend
Show More Cast

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Critic Reviews for Rois et Reine (Kings and Queen)

All Critics (61) | Top Critics (26)

Desplechin's big, bold, iconoclastic feature Rois et Reine is a disconcerting film that can turn your head at the oddest moments.

Full Review… | June 30, 2006
Globe and Mail
Top Critic

Funny, absurd, often mocking itself and always quoting cultural history.

Full Review… | June 30, 2006
Toronto Star
Top Critic

While these characters' lives are melodramatic, individual scenes burst with kinetic energy from fast editing and an script that deftly underscores the destructive nature of male-female relationships.

Full Review… | October 29, 2005
Atlanta Journal-Constitution
Top Critic

There's a looseness to the camera work and storytelling that's appealingly breezy: This film feels, for better or worse, like real life.

Full Review… | August 26, 2005
Seattle Times
Top Critic

Kings and Queen, full of passion and humor, madness and grief, is close to a masterpiece.

August 18, 2005
Philadelphia Inquirer
Top Critic

Kings and Queen is at times compelling, at times devastating, and at times long-winded.

Full Review… | August 18, 2005
Top Critic

Audience Reviews for Rois et Reine (Kings and Queen)


[font=Century Gothic]"Kings and Queen" starts out with Nora(Emmanuelle Devos) introducing herself directly to the camera. She is 35, runs an art gallery and has a ten year old son, Elias, by her first husband. The first husband died while she was pregnant. Her second husband, Ismael(Mathieu Amalric), wants to be dead, too, at least judging by the noose hanging over the chair in his apartment when the men in white coats come for him.(And I would like to say I was disappointed that they weren't carrying butterfly nets...Luckily for him, his psychiatriast is played by Catherine Deneuve.) Nora is about to marry husband number three in a couple of weeks. The latest model is unlike the first two - totally rich, responsible and quite boring. On a visit to Grenoble to visit her father and son, Nora learns that her father is dying and has very little time left. [/font]
[font=Century Gothic][/font]
[font=Century Gothic]"Kings and Queen" is an intelligent, thoughtful movie about growing older, learning responsbility towards taking care of others and what family means. It also makes a point about how we all have an affect on everybody around us, even if we don't realize it. The performances by both Devos and Amalric are superb. [/font]

Walter M.

Super Reviewer

Pretty interesting return to the screen for Catherine Deneuve in an ensemble piece directed by Arnaud Desplechin. Not familiar with Desplechin's work in the past but this is a good introduction.

John Ballantine
John Ballantine

Super Reviewer

One of the many joys and sadnesses of this necessarily long film are the way in which characters motivations and true feelings are gradually revealed as the film progresses, so that what starts out as a relatively straightforward drama becomes more complex, emotive and absorbing. Two skilled lead performances and two very different, flawed characters (but who basically both want escape) are at the centre of this compelling, funny, moving and truthful piece of cinema.

Daniel Parsons

Super Reviewer

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