A movie made in the spirit of: what the world needs now is a bit of innocent diversion.
Roll Bounce (2005)
Tomatometer
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Reviews Counted:86
Fresh:55
Rotten:31
Average Rating:5.9/10
Consensus: Roll Bounce dazzles us with a classic late 1970's feel, but this coming of age film could have been more than just a spin around the roller rink.
Rated: PG-13 [See Full Rating] for language and some crude humor
Runtime: 1 hr 56 mins
Genre: Comedies
Theatrical Release:Sep 23, 2005 Wide
Box Office: $17,364,602
Synopsis: Full of the humor, mild humiliation, and bittersweet lessons of growing up, this coming-of-age comedy from Malcolm D. Lee (UNDERCOVER BROTHER) unfolds on the South Side of 1970s Chicago. Xavier... Full of the humor, mild humiliation, and bittersweet lessons of growing up, this coming-of-age comedy from Malcolm D. Lee (UNDERCOVER BROTHER) unfolds on the South Side of 1970s Chicago. Xavier (Bow Wow, LIKE MIKE) and his wisecracking crew of friends rule the local roller skating rink, but when it closes their summer looks to be an empty one. Reluctantly, they head over to Sweetwater, the glitzy rink across town where the rich kids skate, and where the cocky Sweetness (Wesley Jonathan) presides over all as the unchallenged king of the floor. The boys are ridiculed upon their arrival, and soon vow revenge at the upcoming competition, for which they begin to hone their skills. Meanwhile, X deals with his troubles at home, as his mother has recently died and his dad, Curtis (Chi McBride, I, ROBOT), struggles to make ends meet. The two attempt to understand each others' grief, and help one another to move beyond it. X also makes the acquaintance of new kid Tori (Jurnee Smollett, COSBY), a gawky girl with braces and a sharp tongue, who tags along with the boys as an ugly duckling, later to emerge a swan. Tori's hot mom (Kellita Smith, KING'S RANSOM) attracts a great deal of attention on the block, notably from two quick-talking garbage men (Mike Epps and Charles Q. Murphy in a hilarious bit part), and X tries to navigate his budding relationship with the seemingly-unattainable Naomi (Meagan Good, D.E.B.S.). The roller disco mania is infectious, driven by a great soundtrack featuring artists both new and old. The story, too, hits all the right notes, by turns touching and hilarious, with the underdogs-make-good story avoiding the saccharine, and giving Bow Wow the chance to shine. [More]
Starring: Bow Wow, Mike Epps, Meagan Good, Charlie Murphy
Starring: Bow Wow, Mike Epps, Meagan Good, Charlie Murphy, Kellita Smith, Marcus Paulk, Khleo Thomas, Chi McBride, Jurnee Smollett, Nick Cannon, Wesley Jonathan, Brandon T. Jackson, Busisiwe Irvin
Director: Malcolm D. Lee
Director: Malcolm D. Lee
Screenwriter: Norman Vance
Producer: Jeremiah Samuels, Robert Teitel, George Tillman
Composer: Stanley Clarke
Studio: Fox Searchlight Pictures
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Reviews for Roll Bounce
A failed nostalgia trip that chronicles the kitschy highlights of 1970s pop culture without actually ever capturing the personal or social atmosphere of the era.
If it doesn't exactly kick out the jams, it does move them around a little bit.
The film can't get its rhythms right, fluctuating wildly between comedy and pathos.
Lee and Vance rely on background music and constant pop culture references to evoke the decade, which is always the easiest (and least effective) approach. Only the character of Sweetness actually seems to belong in the ’70s.
In terms of strict movie-making, Roll Bounce would have been better had it done more rolling along and less bouncing around.
The movie is unfocused and moves in fits and starts, but like Lee's other work, it's extremely good-natured, and its celebration of family and friendship will connect with its target audience.
It's a movie that resists not just the temptations of the day, it resists doing or saying anything even moderately interesting about adolescence, single parenthood or a simpler time.
Roll Bounce features taut skate choreography, but its storytelling isn't nearly so coordinated.
Roll Bounce has plenty of affectionate humor to balance some serious heart-tugging. And as for the roller-skating, it for sure provides a lot of razzle-dazzle action with lots of virtuoso terpsichorean touches.
Not. Much. Happens. What does is predictable and trite. But it's a genial trifle with a booty-shaking vibe.
Roll Bounce drags a little in its second hour, but it is also a rare movie that genuinely likes its characters. You will too.
The film tries to do too many different things at the same time, and the jumbling of goofy comedy and heavy drama doesn't work very well.
Roll Bounce glides along easily enough, hitting the occasional bump that stems from a script that can't figure out how to blend comedy and drama.
Lest you write this off as Bring It On on skates, the flick packs some serious family issues (hoisted by the always reliable Chi McBride) and even some social commentary on the era.
Malcolm Lee's sweet-natured dramatic comedy Roll Bounce captures the decade's texture with a well-earned nostalgia that never seems cheap.
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