...delightful and intriguing...
Roman de Gare (2008)
Runtime: 1 hr 43 mins
Genre: Foreign Films
Starring: Dominique Pinon, Fanny Ardant, Audrey Dana, Zinedine Soualem, Michèle Bernier
Screenwriter: Claude Lelouch, Pierre Uytterhoeven
Producer: Claude Lelouch
Composer: Gilbert Becaud, Alex Jaffray
Reviews
It's the smartest and best suspense movie you're likely to see for a while.
Thanks to the able cast and crisp cinematography, it's mostly unpretentious and reasonably entertaining.
A glossy, enjoyable thriller that isn't quite as tricky or Hitchcockian as it wants to be, Roman de Gare gets by on high style and nice central performances by rubber-faced Dominique Pinon and Audrey Dana.
Claude Lelouch's ode to the 'train station novel' is a perfectly balanced genre blend of romance and suspense thriller that shifts gears like an Aston Martin on Route One.
A sly catalog of deceits and a gentle commentary on slippery creativity and desire.
There's no depth or resonance to what happens in the picture; it's all surface effect. But that doesn't mean it isn't reasonably enjoyable.
In quite a balancing act, [Lelouch] has written a script that's a thriller, somber romantic comedy, and, for the first half, a tense road movie.
Lelouch's film is the cinematic equivalent, enjoyable fluff that your mind will discard after the closing credits -- but worth seeing nevertheless.
The story's Hitchcockian plot loses steam quickly, though Pinon's salty presence keeps things from getting totally bloodless.
[Director Lelouch] doesn't really move much beyond his usual glib panache here, but the plot is intriguing and so are the actors.
The twists and convolutions of the film’s beginning and end enable a middle that is dizzying domestic comedy.
Roman De Gare's neatest trick is [Dominique] Pinon's performance, which draws out a hitherto unseen leading-man allure.
Despite the superb acting and wonderfully sly dialogue, Roman de Gare can't tie all its bows neatly enough to be truly satisfying.
Despite all my reservations, I think it is worth seeing, though I do not approve of all the trickery involved.
A playful, delightful, and surprising exploration of love's mysterious ways.
Though Lelouch has toned down his penchant for putting pretty pictures ahead of plot, there’s still a nagging sense of disposability.
I can’t say that I love all of Roman De Gare, but it is worth reporting that the first half of the film is nearly perfect -- a master’s piece.
[Lelouch] masterfully switches tone without missing a beat and has truly created a masterpiece that can only get better the more times it's watched.
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