Lelouch is now 71 years old, and I bet he's never had as much fun with a film. Roman de Gare threads plots and characters and twists together like a demented weaver.
Roman de Gare (2008)
Tomatometer
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Reviews Counted:23
Fresh:19
Rotten:4
Average Rating:7.1/10
Consensus: Claude Lelouch has crafted an engaging thriller about murder and romance with plenty of stylistic panache.
Rated: R [See Full Rating] for brief language and sexual references
Runtime: 1 hr 43 mins
Genre: Foreign Films
Theatrical Release:Apr 25, 2008 Limited
Box Office: $1,735,301
Synopsis: True to its title, ROMAN DE GARE (CROSSED TRACKS) finds famed French director Claude Lelouch (UN HOMME ET UNE FEMME) jumping between time and loyalties in this suspenseful mystery about fate and... True to its title, ROMAN DE GARE (CROSSED TRACKS) finds famed French director Claude Lelouch (UN HOMME ET UNE FEMME) jumping between time and loyalties in this suspenseful mystery about fate and fatal secrets. As the film opens, popular crime novelist Judith Ralitzer (Fanny Ardant) finds herself at the receiving end of a police interrogation for two murders. We then learn about the escape of an actual serial killer known as "The Magician," who may already be lurking on the roads leading out of Paris. The road is where we find Huguette (Audrey Dana), a high-strung hairdresser who is soon abandoned by her enraged fiancé at a highway service station. Huguette is rescued by the unassuming Pierre (Dominique Pinon), who may or may not actually be the ghost writer responsible for Judith Ralitzer's success. Pierre pretends to be Huguette's fiancé so that her provincial parents and alienated daughter will think that Huguette has put her life in order. But even as Pierre wins the affection of Huguette and her family, his reliance on magic tricks may hint at a much darker secret. And when Pierre is reunited with the celebrity-absorbed Ralitzer, his intention to come out from her shadow and be his own author may force the star to construct a novel demise for her servant. Taking advantage of a superb cast and gorgeous French locations, Lelouch's veteran touch deftly manages ROMAN DE GARE's multiple layers of mystery and romance. The result is a pleasingly chic thriller grounded in a very human belief in the surprising possibilities that come from love. [More]
Starring: Dominique Pinon, Fanny Ardant, Audrey Dana, Zinedine Soualem
Starring: Dominique Pinon, Fanny Ardant, Audrey Dana, Zinedine Soualem, Michèle Bernier, Myriam Boyer, Boris Ventura Diaz, Marc Rioufol, Thomas Le Douarec
Director: Claude Lelouch
Director: Claude Lelouch
Screenwriter: Claude Lelouch, Pierre Uytterhoeven
Producer: Claude Lelouch
Composer: Gilbert Becaud, Alex Jaffray
Studio: Samuel Goldwyn Films
Reviews for Roman de Gare
Lelouch and his longtime writing partner, Pierre Uytterhoeven, slyly exploit and subvert audience expectations.
I think I understand the alternative realities of the plot, and I concede the loose ends are tied up, sort of, but I didn't care.
Don't go to the theater expecting too much and you can't help but leave with a smile on your face.
Lelouch's deft touch with various cinematic styles, however surface, enables him to interweave pastoral elegy, quirky social comedy and thriller with fluid ease.
The movie is more entertaining than it is logical; its narrative leaps are sometimes ahead of our ability to believe them. But as the compellingly enigmatic Pierre, Pinon keeps us rapt.
If you're willing to go along with it, as I was, then being manipulated -- or at least actively misled -- becomes a pleasure.
It's the smartest and best suspense movie you're likely to see for a while.
A glossy, enjoyable thriller that isn't quite as tricky or Hitchcockian as it wants to be, Roman de Gare gets by on high style and nice central performances by rubber-faced Dominique Pinon and Audrey Dana.
A sly catalog of deceits and a gentle commentary on slippery creativity and desire.
Lelouch's film is the cinematic equivalent, enjoyable fluff that your mind will discard after the closing credits -- but worth seeing nevertheless.
The story's Hitchcockian plot loses steam quickly, though Pinon's salty presence keeps things from getting totally bloodless.
The twists and convolutions of the film’s beginning and end enable a middle that is dizzying domestic comedy.
Despite the superb acting and wonderfully sly dialogue, Roman de Gare can't tie all its bows neatly enough to be truly satisfying.
Despite all my reservations, I think it is worth seeing, though I do not approve of all the trickery involved.
The term 'Hitchcockian' has become overused in recent years, but here is a movie to which it deserves to be applied.
The problem with Roman de Gare is that the tale grabs you more than the telling.
With a winning combination of tension, romance and humor and picturesque locations from Paris to Burgundy’s vineyards to the seashore at Cannes, the film is a Francophile’s feast.
It's vintage Lelouch, a cinematic page-turner racing from chic winery to hardscrabble farm to sleek yacht on the Mediterranean.
Latest News for Roman de Gare
February 17, 2008:
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