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Rosenstrasse (2004)
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Reviews Counted:60
Fresh:34
Rotten:26
Average Rating:5.8/10
Consensus: Thoughtful drama marred by structural problems.
Rated: PG-13 [See Full Rating] mature thematic material, some violence, and brief drug content
Runtime: 2 hrs 16 mins
Genre: Dramas
Theatrical Release:Aug 20, 2004 Limited
Box Office: $277,843
Synopsis: Another tragic episode of the Holocaust is brought to light in Margarethe Von Trotta's ROSENSTRASSE. In 1943 Berlin, contrary to the laws that were written on paper, intermixed Jews were cruelly... Another tragic episode of the Holocaust is brought to light in Margarethe Von Trotta's ROSENSTRASSE. In 1943 Berlin, contrary to the laws that were written on paper, intermixed Jews were cruelly separated from their Aryan husbands and wives without warning, and were placed in a holding cell in the Rosenstrasse district. Von Trotta's film begins in modern-day New York City, at a funeral for the beloved husband of Ruth (Jutta Lampe) and father of Hannah (Maria Schrader). Ruth has always been haunted by her past; though she won't talk about it with her conflicted daughter. It's up to Hannah to travel to Berlin to track down the woman who saved her mother's life during WWII and uncover the truth once and for all. In 1943, Lena (Katja Riemann) was a beautiful pianist who was shunned by her father for falling in love with Fabian Israel Fischer (Martin Feifel). But when Fabian was arrested, she did whatever it took to free him. In the meantime, she took in Ruth (Svea Lohde), an eight-year-old whose mother had also been sequestered. As memories from the past begin to resurface in the present, Hannah starts to understand the bitterness that has tormented her mother for years. Von Trotta's sumptuously photographed, deftly woven film tenderly recounts another somber memory from the all-too-recent past. [More]
Starring: Maria Schrader, Katja Riemann, Martin Feifel, Doris Schade
Starring: Maria Schrader, Katja Riemann, Martin Feifel, Doris Schade, Sigurd Lohde, Thekla Reuten, Jutta Lampe
Director: Margarethe Von Trotta
Director: Margarethe Von Trotta
Screenwriter: Pamela Katz, Margarethe Von Trotta
Composer: Loek Dikker
Studio: IDP Distribution
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Reviews for Rosenstrasse
In spite of some manipulation and improbability, Rosenstrasse made me feel good for a good, historical reason, and it didn't minimize anyone's suffering in the process.
This story is inherently dramatic enough to stand on its own, but von Trotta throws it off-kilter by framing her film within a dead-end, modern subplot.
While most of Rosenstrasse is set in World War II, there are present-day, flash-forward sequences that are considerably less involving. Actually, they're so dull that they drag the entire movie to a screeching halt.
The film is anchored in particular by the dual performances of Schade as the 90-year-old Lena and the magnificent Riemann as her younger counterpart.
True story of one of the few attempts by Germans to launch protests against the Nazi dictatorship.
Not uninteresting, and it is very nicely performed, although you'll strain to learn from the movie the history on which it is based and struggle futilely to get inside the motivations of its characters.
The trite framework, static staging and unemotional acting render this a most forgettable Holocaust tale.
Has the never-ending wave of less-than-essential Holocaust movies begun to reduce the most horrific episode of the 20th Century to the level of just another genre?
Succeeds as a testament to the power of love and, in particular, as a tribute to brave women.
The episode...is a fascinating one, and potentially the stuff of powerful drama. But von Trotta blunts the impact.
A Holocaust drama that proves it's possible to make a minor movie about a major subject.
Lampe, Schrader and Riemann all do the best they can, but this film sinks under weight of the clunky screenplay by von Trotta and Pamela Katz.
| Tomatometer Percentage | Movie |
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| Tomatometer Percentage | Movie |
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