The restrained movie could've used a little more grand-scale drama, but as it is, it's a worthy and memorable exploration.
Rosenstrasse (2004)
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Reviews Counted:60
Fresh:34
Rotten:26
Average Rating:5.8/10
Consensus: Thoughtful drama marred by structural problems.
Rated: PG-13 [See Full Rating] mature thematic material, some violence, and brief drug content
Runtime: 2 hrs 16 mins
Genre: Dramas
Theatrical Release:Aug 20, 2004 Limited
Box Office: $277,843
Synopsis: Another tragic episode of the Holocaust is brought to light in Margarethe Von Trotta's ROSENSTRASSE. In 1943 Berlin, contrary to the laws that were written on paper, intermixed Jews were cruelly... Another tragic episode of the Holocaust is brought to light in Margarethe Von Trotta's ROSENSTRASSE. In 1943 Berlin, contrary to the laws that were written on paper, intermixed Jews were cruelly separated from their Aryan husbands and wives without warning, and were placed in a holding cell in the Rosenstrasse district. Von Trotta's film begins in modern-day New York City, at a funeral for the beloved husband of Ruth (Jutta Lampe) and father of Hannah (Maria Schrader). Ruth has always been haunted by her past; though she won't talk about it with her conflicted daughter. It's up to Hannah to travel to Berlin to track down the woman who saved her mother's life during WWII and uncover the truth once and for all. In 1943, Lena (Katja Riemann) was a beautiful pianist who was shunned by her father for falling in love with Fabian Israel Fischer (Martin Feifel). But when Fabian was arrested, she did whatever it took to free him. In the meantime, she took in Ruth (Svea Lohde), an eight-year-old whose mother had also been sequestered. As memories from the past begin to resurface in the present, Hannah starts to understand the bitterness that has tormented her mother for years. Von Trotta's sumptuously photographed, deftly woven film tenderly recounts another somber memory from the all-too-recent past. [More]
Starring: Maria Schrader, Katja Riemann, Martin Feifel, Doris Schade
Starring: Maria Schrader, Katja Riemann, Martin Feifel, Doris Schade, Sigurd Lohde, Thekla Reuten, Jutta Lampe
Director: Margarethe Von Trotta
Director: Margarethe Von Trotta
Screenwriter: Pamela Katz, Margarethe Von Trotta
Composer: Loek Dikker
Studio: IDP Distribution
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Reviews for Rosenstrasse
The heart of the film is so strong that its images of love and devotion shared by wives and husbands on the edge of an abyss remain indelibly etched in one's memory.
The film opens a window into the fact that not all good Germans were cowed during those dark times.
Succeeds as a testament to the power of love and, in particular, as a tribute to brave women.
In spite of some manipulation and improbability, Rosenstrasse made me feel good for a good, historical reason, and it didn't minimize anyone's suffering in the process.
Von Trotta has made the story lucidly painful, and only a brick would not be moved. But she has also padded it, rather than burrowing tightly into the protest and its details.
The movie is woven with care and complexity, again confirming von Trotta's place as one of the world's greatest female filmmakers.
Pic is always watchable thanks to the fine perfs, with Riemann and Schade, who convincingly portray young and old Lena, respectively, rating high in the acting stakes.
Rosenstrasse is another morally sensitive and serious film by Margarethe von Trotta about women and their special brand of heroism.
The tears...generated feel earned rather than forced; it's as good a fiction film on the subject as can be imagined.
A heartwarming and suspenseful look at a little-known event that occurred when 'Aryan' women risked their lives to save their Jewish husbands during WWII.
While the film concentrates on Lena, eloquently portrayed by Katja Riemann, the movie earns your empathy.
The viewer is left both impressed by the gracefulness and subtlety of its effects and confused by exactly what the sum total of those effects are.
All of the actors acquit themselves well, with a special nod to the warm and vital Schade, the loyal and radiant Riemann and Schrader.
The film is anchored in particular by the dual performances of Schade as the 90-year-old Lena and the magnificent Riemann as her younger counterpart.
It's a very intimate, personal drama for three women whose lives are entwined in unexpected ways, and a true pleasure.
As a treatment of yet another unexplored corner of the Nazi nightmare, the film is revelatory; needless to say it's also heartbreaking.
| Tomatometer Percentage | Movie |
|---|---|
| 66% 66% | Public Enemies |
| 83% 83% | Harry Potter and the H… |
| 44% 44% | Night at the Museum: B… |
| 75% 75% | Julie & Julia |
| 32% 32% | Terminator Salvation |
| Tomatometer Percentage | Movie |
|---|---|
| 88% 88% | Inglourious Basterds |
| 78% 78% | The Hangover |
| 49% 49% | Taking Woodstock |
| 26% 26% | The Goods: Live Hard, Sell Hard |
| 47% 47% | The Girl From Monaco |
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