Wes Anderson has created his own style, which has over his three films become one of the most recognisable, easy to appreciate and successful stylings in modern day cinema.
The Royal Tenenbaums (2001)
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Reviews Counted:169
Fresh:134
Rotten:35
Average Rating:7.2/10
Consensus: The Royal Tenenbaums is a delightful adult comedy with many quirks and a sense of poignancy. Many critics especially praised Hackman's performance.
Rated: R [See Full Rating] for some language, sexuality/nudity and drug content
Runtime: 1 hr 49 mins
Genre: Comedies
Theatrical Release:Dec 14, 2001 Limited
Box Office: $52,307,676
Synopsis: In their youth, the Tenenbaums--an eccentric New York family--were extraordinary. They were all geniuses. Royal Tenenbaum (Gene Hackman) was a successful litigator. His wife Etheline (Angelica... In their youth, the Tenenbaums--an eccentric New York family--were extraordinary. They were all geniuses. Royal Tenenbaum (Gene Hackman) was a successful litigator. His wife Etheline (Angelica Huston) raised their children to be ambitious, entrepreneurial, and creative--then published an acclaimed book about her child-rearing techniques. Adopted daughter Margot (Gwyneth Paltrow) was a gifted playwright. Son Chas (Ben Stiller) was a masterful businessman with a taste for real estate. And the other son, Richie (Luke Wilson), was a natural tennis champ. However, when Royal packed up his life and left his wife and his family in a cloud of betrayal, everything fell apart. Twenty years later, the Tenenbaums are a dejected and alienated bunch, each having found that their early successes did not carry over into adulthood. When washed-up Royal learns that his distant wife Etheline, who has become an archaeologist, may remarry, he feigns illness as an excuse to reunite with his estranged family. From Wes Anderson, director of RUSHMORE, this film is full of quirky comedy that will have audiences reeling and reflecting simultaneously. The brilliant script is impeccable with choppy, intentionally awkward language delivered with dry wit by the well-appointed (almost too good to be true) cast. Dramatic sets are emphasized by the film's masterful orchestration of scene changes and chapter separations. The photography beautifully captures a faded, vintage 1980s New York. And the eclectic soundtrack features much-loved tunes by Nico, The Velvet Underground, The Clash, and the Vince Guaraldi Trio. [More]
Starring: Gene Hackman, Ben Stiller, Gwyneth Paltrow, Anjelica Huston
Starring: Gene Hackman, Ben Stiller, Gwyneth Paltrow, Anjelica Huston, Luke Wilson, Danny Glover, Owen Wilson, Bill Murray
Director: Wes Anderson
Director: Wes Anderson
Screenwriter: Owen Wilson, Wes Anderson
Producer: Barry Mendel, Scott Rudin, Wes Anderson
Composer: Mark Mothersbaugh
Studio: Touchstone Pictures
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Release:
Jan 1, 1996
Reviews for The Royal Tenenbaums
This is a movie that is so embarrassing that it deserves to be consigned to the cutout bins at the video stores as quickly as possible.
Should have viewers arguing in the aisles about who is their favourite oddball character.
Unlike most comedies of the day, this one doesn't go for the quick or cheap laugh. It takes its time . . . making you laugh when it's good and ready to.
Anderson and Wilson allow personalities to evolve, allow bad guys to get second chances, and let love find its own unique path to heal wounds and mend hearts.
If you can't laugh at your own pain, you should chuckle at someone else's, and what better candidate than The Royal Tenenbaums.
Highly and intelligently amusing stuff, 'arty' in the best, most playful sense of the word.
Wes Anderson's fairy tale of New York has martini-dry comedy and a superb ensemble cast that can't overcome the failings of the quirky, convoluted script.
There are chuckles a-plenty, and the experience won't tax your brain.
Ever wish you could have followed Alice down the rabbit hole? Drop in on the Tenenbaums; you'll get the same result.
Anderson remains one of the truly original voices in contemporary American filmmaking, and I'm sure he has his best movies still ahead of him.
Wilson and Anderson have served up a plate of hilariously imperfect characters to populate the world of the Tenenbaum family.
One can appreciate [the film] without really enjoying it, and while it’ll do at this point in Anderson’s career, one hopes that he has more varied stories to tell.
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