The fluid motion is astounding on any number of levels -- including the physical demands made on Büttner -- and it implies in its wake the intractable, irreversible flow of history.
Russian Ark (2002)
Tomatometer
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Reviews Counted:93
Fresh:82
Rotten:11
Average Rating:7.8/10
Consensus: As successful as it is ambitious, Russian Ark condenses three centuries of Russian history into a single, uninterrupted, 87-minute take.
Theatrical Release:Dec 13, 2002 Limited
Box Office: $2,107,387
Synopsis: A visually hypnotizing cinematic feat, RUSSIAN ARK is Alexsandr Sokurov's spellbinding ode to St. Petersburg's State Hermitage Museum. Shot in one fluid take using High Definition video cameras,... A visually hypnotizing cinematic feat, RUSSIAN ARK is Alexsandr Sokurov's spellbinding ode to St. Petersburg's State Hermitage Museum. Shot in one fluid take using High Definition video cameras, the photography floats and careens through the lavish corridors of the museum, examining its architectural details while following a dreamlike plot. A cast of 867 actors supply the action of the film, whether dancing the mazurka in a lively ballroom, performing a military salute, or watching a theater performance. The Marquis (Sergey Dreiden), an aged but limber European dressed in solid black, is the film's charismatic guide, leading the narrator--who is the unidentified voice behind the camera--through each doorway and into each gallery in a sweeping tour of the Hermitage. While the Marquis interacts with some of the guests, debating about Italian art with a couple of Russian scholars, delighting over rich paintings by Rubens and Van Dyck with an angelic blind woman, taking a lively brunette for a spin on the dance floor, others do not see him. Even the narrator suspects that the Marquis is a ghost, long dead and wandering the Hermitage in a quest to better understand history. Time periods, indicated by style of dress, fluctuate between the 1700s and the present. Famous Russian figures, such as Peter the Great, Nicholas I, and Catherine the Great appear and then disappear, with no explanation of their roles. Between the Marquis and the narrator, confusion reigns. They are spectators and trespassers in this mysterious space, trying to find their way. [More]
Starring: Sergey Dreiden, Maria Kuznetsova, Leonid Mozgovoy, Mikhail Piotrovsky
Starring: Sergey Dreiden, Maria Kuznetsova, Leonid Mozgovoy, Mikhail Piotrovsky, David Giorgobiani, Alexander Chaban, Lev Yeliseyev, Oleg Khmelnitsky, Alla Osipenko, Artem Strelnikov
Director: Aleksandr Sokurov
Director: Aleksandr Sokurov
Producer: Jens Meurer, Andrey Deryabin, Karsten Stoter
Composer: Sergey Yevtushenko
Studio: Wellspring
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Reviews for Russian Ark
Gives an intriguing if fragmented view of Russian history viewed through the extraordinary cinematography of Tilman Buttner.
More than a technical achievement, Russian Ark serves as passionate elegy and the best history lesson you'll see all year.
Sokurov's 'incompletions' are more interesting than many well-polished items.
The choreography, the technical wizardry, is so impressive that I have to recommend it.
Uma coisa é certa: Arca Russa já entrou para a História do Cinema como uma obra inesquecível.
The movie is a meditation on the love and envy that Russia has always felt toward Europe, and I won't pretend I got more than 30 percent of what was going on.
A magnificent conjuring act, an eerie historical mirage evoked in a single sweeping wave of the hand by Alexander Sokurov.
The most hopelessly monotonous film of the year, noteworthy only for the gimmick of being filmed as a single unbroken 87-minute take.
Watching this movie is like visiting a museum with two fey tour guides who lack any real insight.
An enchanting film that presents an audacious tour of the past and takes within its warm embrace the bounties of cultural artifacts inside St.Petersburg's Hermitage Museum.
As an autocritique of how to celebrate a rich yet troubled cultural heritage, Russian Ark poses interesting questions in a dreamlike fashion that is indeed cinematic.
Even before it builds up to its insanely staged ballroom scene, in which 3000 actors appear in full regalia, it's waltzed itself into the art film pantheon.
The film's heady yet far from impenetrable theory suggests that Russians take comfort in their closed-off nationalist reality.
This movie in a single breath goes to the very heart of the Russian experience.
A mature, deeply felt fantasy of a director's travel through 300 years of Russian history.
| Tomatometer Percentage | Movie |
|---|---|
| 77% 77% | The Hangover |
| 88% 88% | Inglourious Basterds |
| 66% 66% | Public Enemies |
| 24% 24% | G-Force |
| 44% 44% | Night at the Museum: B… |
| Tomatometer Percentage | Movie |
|---|---|
| 82% 82% | Paranormal Activity |
| 57% 57% | 9 |
| 44% 44% | Jennifer's Body |
| 58% 58% | A Perfect Getaway |
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