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Movies / On DVD / The Saddest Music in the World
The Saddest Music in the World

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The Saddest Music in the World (2004)

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Reviews Counted:97

Fresh:76

Rotten:21

Average Rating:7.1/10

Consensus: Guy Maddin perfectly recreates the look and feel of a 1930s in this bizarre picture.

Rated: Not Rated

Runtime: 1 hr 39 mins

Genre: Dramas

Theatrical Release:Apr 30, 2004 Limited

Box Office: $559,351

Synopsis: 1933: The Great Depression is in full black bloom. Failed Broadway impresario Chester Kent and his amnesiac sweetie Narcissa visit a fortune-teller on the outskirts of Chester's hometown of... 1933: The Great Depression is in full black bloom. Failed Broadway impresario Chester Kent and his amnesiac sweetie Narcissa visit a fortune-teller on the outskirts of Chester's hometown of Winnipeg. The fortune-teller has little optimism for the future of this brash, happy-go-lucky entertainer. Chester demonstrates his vigorous disdain for these prognostications by demanding, and receiving, manual pleasure from Narcissa just as the old crone augurs his doom. The prophecy has cost the couple their very last nickel. Arriving in town, they meet a disillusioned streetcar driver who proves to be none other than Chester' s alcoholic ex-surgeon father Fyodor. Fyodor confirms that Chester is in fact an expatriate Canadian just as the streetcar pulls up at Lady Port-Huntly's famed Muskeg Brewery. The grand and imperious Lady, known far and wide as Beer Queen of the Prairie, is just announcing her latest contest: to find the saddest music in the world. The winning musician will collect $25,000 and the tearful adulation of millions. Chester knows an opportunity when he hears one broadcast on the radio. He bluffs his way into her office and it is there we realize that they are old friends – very close old friends – and also that Lady Port-Huntly, while still a regal beauty, is a double amputee who must rely on her manservant Teddy for locomotion. Chester and Lady reminisce about the accident which claimed her lower limbs: first a car crash with Chester at the wheel, and then a botched amputation undertaken by the drunken Fyodor, with whom she had also been romantically entangled. Lady Port-Huntly is understandably bitter towards these Kent men. Amongst the hordes of musicians descending on Winnipeg to participate in the contest, another Kent man arrives: Roderick, Chester' s elder brother, who is in elaborate mourning for his dead son and disappeared wife. Roderick travels as a Serbian under the nom de guerre Gavrilo the Great, Europe's Greatest Cellist. The Muskeg Brewery contest begins, with musicians from Scotland, Siam, Mexico and West Africa, and all points in between vying for the prize. Chester and Narcissa, caught up in the excitement, make love in a snow bank. Fyodor reveals to Roderick that he has made a pair of glass legs for Lady Port-Huntly in an effort to assuage his guilt and proclaim his still-violent love for her. Chester and Lady Port-Huntly, meanwhile, rekindle their own romance, though it is now as much an affair of hate as love. Passion is ever present. It is in full evidence in Fyodor's contest performance, as he plays "The Red Maple Leaves" on an upturned piano. Still, he is beaten by a troupe of African tribesmen. But there is greater shock in store for him: he realizes that Narcissa, the wandering nymphomaniacal amnesiac, is none other than Roderick's departed wife, who has shielded herself from the grief of losing a son by simply forgetting all about it! Roderick makes the same realization the moment he lays eyes upon her, and the sensitive cellist swoons. When he recovers, he sets about trying to bring Narcissa's memory back to her, but this is a cruel proposition, and perhaps a selfish one too – it seems that more than anything Roderick is looking for a companion in his grief. He takes his rage out on Chester, breaking a cornet across his brother's head. Lady Port-Huntly is presented with her new legs. Delighted, she announces a ball to celebrate. But first, a dalliance with the recovered Chester! This is interrupted by Fyodor, whose grief takes him to the bottle and then to a spectacularly fatal accident which sees him floating face-down in a liquid barley grave. Mourning their father doesn't bring the two Kent brothers any closer together. They square off in an instrumental arena. Lady Port-Huntly becomes part of Chester's number, posing on stage atop her vitreous, beer-filled legs. But the sound of Roderick's squealing cello is too much for the glass, and the legs shatter out from under her! Upset does not begin to describe the Lady's manner. She thrusts a spear of glass into Chester Kent's gut. But he is determined to finish his performance. His dropped cigar ignites a blaze in the brewery. The musicians and the audience panic and flee. Roderick continues his grieving keen, which helps to finally bring back Narcissa's memory. They collapse together, ready to mourn as man and wife. Teddy carries legless Lady Port-Huntly to safety. Chester finishes his number on his father' s piano as the flames close in. He dies as the last note is struck, and the brewery burns to the ground. -- © IFC Films [More]

Starring: Isabella Rossellini, Mark McKinney, Maria De Medeiros, David Fox

Starring: Isabella Rossellini, Mark McKinney, Maria De Medeiros, David Fox, Ross McMillan, Darcy Fehr

Director: Guy Maddin

Director: Guy Maddin
Producer: Niv Fichman
Studio: IFC Films

[See More Credits]

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Release:

Nov 16, 2004

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Reviews for The Saddest Music in the World

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1 - 20 (sorted by fresh rating)
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Click to read the article

Full Review Source: Film Threat | comment Comment
07/11/04
Film Threat

What's really riveting is how effectively Maddin creates a singular, cinematic world.

Full Review Source: E! Online | comment Comment
04/30/04
E! Online

Click to read the article

Full Review Source: Film Threat | comment Comment
12/06/05
Film Threat

This feature from the antiquarian avant-gardist Guy Maddin is a sublime, hallucinatory musical, full of surprising humor and genuine sorrow.

Full Review Source: New York Times | comment Comment
04/29/04
A.O. Scott
A.O. Scott
New York Times
Top Critic Icon Top Critic

When a director's "primitive" style is as developed as Maddin's, your aesthetic response can seem like all the emotion you need, his thrill your thrill.

Full Review Source: Blogcritics.org | comment Comment
11/19/04
Alan Dale
Alan Dale
Blogcritics.org

The best movie you’ll see this month and a contender, with the possible exception of Eternal Sunshine and Kill Bill Vol. 2, for the best film of the year.

Full Review Source: FilmStew.com | comment Comment
05/20/04
Annlee Ellingson
Annlee Ellingson
FilmStew.com

Click to read the article

Full Review Source: Movie Gazette | comment Comment
05/28/04
Anton Bitel
Anton Bitel
Movie Gazette

Virtually gushes with an overflow of ideas and images and razzle-dazzle

Full Review Source: culturevulture.net | comment Comment
05/10/04
Arthur Lazere
Arthur Lazere
culturevulture.net

Here is magic-realism filtered through an oddball sensibility, chilled in the snowdrifts of Winnipeg and bottled in amber-hued frames of celluloid.

Full Review Source: Vue Weekly (Edmonton, Canada) | comment Comment
07/02/07
Brian Gibson
Brian Gibson
Vue Weekly (Edmonton, Canada)

The concept is high, the humor lowbrow and the joy of experimentation evident in every frame of this wonderful picture.

Full Review Source: San Francisco Chronicle | comment Comment
05/21/04
Carla Meyer
Carla Meyer
San Francisco Chronicle
Top Critic Icon Top Critic

It's a work of art -- crazy, touching and utterly unique.

Full Review Source: St. Paul Pioneer Press | comment Comment
05/21/04
Chris Hewitt (St. Paul)
Chris Hewitt (St. Paul)
St. Paul Pioneer Press

The film's expressionist style and lighting design provide it with an immaculate richness of visual textures.

Full Review Source: ColeSmithey.com | comment Comment
06/10/09
Cole Smithey
Cole Smithey
ColeSmithey.com

It's a rare film today that doesn't assume audiences are stupid. Weird as they might be, Maddin gives us credit for being in on his esoteric jokes.

Full Review Source: Minneapolis Star Tribune | comment Comment
05/22/04
Colin Covert
Colin Covert
Minneapolis Star Tribune

Chester's productions -- "Abolition Blues," "San Francisco Quake of '06" -- rearrange history as lurid, self-promotional displays, huge and irrelevant.

Full Review Source: PopMatters | comment Comment
05/13/04
Cynthia Fuchs
Cynthia Fuchs
PopMatters

If I were to recommend one work to someone who had never seen a Maddin movie it would be Saddest Music.

Full Review Source: Movie Poop Shoot | comment Comment
05/15/04
D.K. Holm
D.K. Holm
Movie Poop Shoot

At moments the taste is flat, but this brew has a head on it. It's the strangest Canadian export since Glenn Gould.

Full Review Source: San Diego Union-Tribune | comment Comment
06/04/04
David Elliott
David Elliott
San Diego Union-Tribune

McKinney's cheerfully cynical zealousness and de Medeiros' waiflike quality provide some pleasures, but the film's chief glory is Rossellini's inspired, imperiously vampy turn.

Full Review Source: Variety | comment Comment
04/27/04
David Rooney
David Rooney
Variety

A deliciously weirded-out picture by Guy Maddin, a deliciously weirded-out Canadian filmmaker.

Full Review Source: Christian Science Monitor | comment Comment
04/29/04
David Sterritt
David Sterritt
Christian Science Monitor

Requires an acquired taste for such inspired but unwieldy madness.

Full Review Source: Ozus' World Movie Reviews | comment Comment
11/17/04
Dennis Schwartz
Dennis Schwartz
Ozus' World Movie Reviews

You're left, as with certain vivid dreams, filled with memorable images but not completely able to account for what you just experienced.

Full Review Source: Washington Post | comment Comment
05/14/04
Desson Thomson
Desson Thomson
Washington Post
Top Critic Icon Top Critic
 
 
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