Average Rating: 7.2/10
Reviews Counted: 50
Fresh: 42 | Rotten: 8
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Average Rating: 6.9/10
Critic Reviews: 13
Fresh: 11 | Rotten: 2
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Average Rating: 3.7/5
User Ratings: 5,948
Todd Haynes presents a revisionist take on the paranoia thriller with this story of a Southern California housewife who suddenly falls victim to an inexplicable, apparently incurable illness. Carol White (Julianne Moore) lives with her husband and son in suburban comfort until she collapses one day, for no apparent reason. Her condition worsens in the weeks that follow, as she suffers from coughing fits, exhaustion, and spontaneous nose bleeds, triggered by sources as disparate as car exhaust,
Jun 23, 1995 Wide
Aug 21, 2001
Sony Pictures Home Entertainment
Watch It Now
Becky (auditorium Sp...
Patient No. 1
Listener No. 2
Patient No. 2
Dry Cleaners Manager
Sarah Scott Davis
Baby Shower Child
Elinor O. Caplan
Department Store Dis...
Baby Shower Mother
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Moore, in a nearly unplayable role, is amazingly vivid and touching; this is a heartbreaking portrait of a woman in full, panicked retreat from life.
You'd have to be cranky or blind to deny Haynes' artistry and vision. There's a dark power, a tremor that runs through the movie like the rumble of a secret dread.
In a summer of heavyweight action movies and flyweight romantic comedies, I don't think you'll find a more provocative little number than Safe, which creeps under your skin like a rash.
The audaciousness that marked Todd Haynes' earlier work has been supplanted by self-important preachiness.
The ironic handling of decor and characterisation builds an eerie portrait of the blissed-out West Coast bourgeoisie at their most brainwashed.
Moore, evidently under Haynes' instruction, gives a performance composed of near-total inertia. Her pale lifelessness -- meant to be frightening, I suppose -- is merely irritating.
With anti-star boldness, Moore doesn't so much embody the role as disembody it, dissolving before our eyes.
Safe is numbingly fascinating, partly due to its carefully composed, antiseptic visual style and its throbbingly threatening soundtrack.
Todd Haynes has always tended towards the clinical, an approach which in this dark and ambiguous allegory proves ever so coolly appropriate.
Beautifully constructed, chilling internal nightmare where every scene plays out like a little mini movie in and of itself. Brilliant.
Like Carol, this gifted filmmaker seems to be trapped inside a shell -- devoting his considerable intelligence mainly to justifying his own sense of paralysis.
Though the film had a miniscule budget, it looks outstanding with its dull, muted colors and godawful lite-rock soundtrack.
Richer in subtext than text, this poignant, much misunderstood deconstructive film, about environmental diseseas, New Age therapy and TV movie of the week, deserves a second look due to meanings and Julianne Moore's terrific performance in a tough role
Moore gives a superb performance, see it
An overpraised, go-nowhere project.
Pretentious, stilted and beyond dull.
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