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The Safety of Objects (2003)
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Reviews Counted:72
Fresh:35
Rotten:37
Average Rating:5.9/10
Consensus: The large cast of characters and scripting are too unwieldy, and the suburban angst theme feels tired.
Theatrical Release:Mar 7, 2003 Limited
Box Office: $86,250
Synopsis: THE SAFETY OF OBJECTS is an American suburban drama filled with subversive humour. We uncover the lives of four neighbouring families as they struggle to make honest human relationships. In doing... THE SAFETY OF OBJECTS is an American suburban drama filled with subversive humour. We uncover the lives of four neighbouring families as they struggle to make honest human relationships. In doing so the characters realise they must emerge from the isolation provided by...the safety of objects. In a desirable American suburb four families' lives become entwined. PAUL GOLD (Joshua Jackson) lies in his bedroom in a coma, nursed by his mother, ESTHER GOLD (Glenn Close), who in her role has unintentionally distanced herself from her husband and her teenage daughter, JULIE (Jessica Campbell). JIM TRAIN (Dermot Mulroney) is a lawyer who has more intimacy with his work than with his wife SUSAN (Moira Kelly), who in response chooses to settle into their new life without him. Their son JAKE is finding it hard to conceal his burgeoning relationship with his sister's doll, Tani, the twelve-inch girl he adores. ANNETTE JENNINGS (Patricia Clarkson), once Paul's lover, is in the midst of a messy divorce and is trying to keep herself together while bringing up her children, SAM and RAYANNE, on a shoestring. HELEN CHRISTIANSON (Mary Kay Place), bored by her husband and the banalities of everyday life looks for something or someone to spark her. Over the course of four days Esther enters a competition to win a car for her daughter and Jim, frustrated by his job, plays hooky to help her win; Jake throws over the Tani doll for some real friends; Annette reclaims her life when RANDY (Timothy Olyphant) enters Sam's and Helen discovers what she has at home is not something she wants to replace. -- © 2002 Renaissance Films [More]
Starring: Glenn Close, Patricia Clarkson, Dermot Mulroney, Joshua Jackson
Starring: Glenn Close, Patricia Clarkson, Dermot Mulroney, Joshua Jackson, Moira Kelly, Robert Klein, Timothy Olyphant, Jessica Campbell, Kristen Stewart, Mary Kay Place
Director: Rose Troche
Director: Rose Troche
Screenwriter: Rose Troche
Producer: Dorothy Berwin, Christine Vachon
Studio: IFC Films
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Reviews for The Safety of Objects
[Troche] assembles the damaged human elements of Ms. Homes's world with patience and precision, and more often than not chooses dry understatement over easy satire or obvious sentiment.
The film is so energetic (a plus) that its body is often ahead of its brain. Still, the movie isn't so sappy that we're forced to resist it.
After a slow start in which the complexities of person and plot take an age to get established, the film catches real emotional fire in some most unexpected places.
Troche's film derives its voltage from the way it burrows to find that the connections within -- and among -- families are very much alive.
Each one of these characters experiences an incredibly healing moment and you want to celebrate with them, laugh with them, cry with them - they moved me.
A graceful example of what movies can do so much better than other art forms: explore the nuances of human behavior.
A deftly made and poignant character study that deals with life's heartaches and its tender mercies.
Much of the film improves as it goes, with the help of veterans Close and Clarkson.
With a long running time that no amount of nonlinear construction can successfully quicken, Safety does have sequences and whole story lines that are fresh and thoughtfully entertaining.
The first truly great motion picture of 2003...seamlessly interweav[ing] its complicated characters and their even more complicated lives into a wholly original and vibrant tapestry.
[Troche has] made a quantum leap in the depth and confidence of her direction, coaxing career-best perfs from everyone involved while fleshing out each storyline to maximum impact.
A couple of unexpected revelations in the final act pack an emotional wallop that shifts the film into the realm of old-fashioned tearjerker, but the tears are wholly earned.
Thematically unoriginal but redeemed by fine performances, a sense of humor, and fluid editing.
Troche has created a truly moving film, upsetting and uplifting in equal measure.
| Tomatometer Percentage | Movie |
|---|---|
| 66% 66% | Public Enemies |
| 83% 83% | Harry Potter and the H… |
| 44% 44% | Night at the Museum: B… |
| 75% 75% | Julie & Julia |
| 32% 32% | Terminator Salvation |
| Tomatometer Percentage | Movie |
|---|---|
| 90% 90% | District 9 |
| 86% 86% | 500 Days of Summer |
| 63% 63% | Extract |
| 06% 06% | All About Steve |
| 78% 78% | It Might Get Loud |
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