One compelling story intertwined gracelessly with countless others ranging from mediocre to unspeakably idiotic.
The Safety of Objects (2003)
Tomatometer
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Reviews Counted:72
Fresh:35
Rotten:37
Average Rating:5.9/10
Consensus: The large cast of characters and scripting are too unwieldy, and the suburban angst theme feels tired.
Theatrical Release:Mar 7, 2003 Limited
Box Office: $86,250
Synopsis: THE SAFETY OF OBJECTS is an American suburban drama filled with subversive humour. We uncover the lives of four neighbouring families as they struggle to make honest human relationships. In doing... THE SAFETY OF OBJECTS is an American suburban drama filled with subversive humour. We uncover the lives of four neighbouring families as they struggle to make honest human relationships. In doing so the characters realise they must emerge from the isolation provided by...the safety of objects. In a desirable American suburb four families' lives become entwined. PAUL GOLD (Joshua Jackson) lies in his bedroom in a coma, nursed by his mother, ESTHER GOLD (Glenn Close), who in her role has unintentionally distanced herself from her husband and her teenage daughter, JULIE (Jessica Campbell). JIM TRAIN (Dermot Mulroney) is a lawyer who has more intimacy with his work than with his wife SUSAN (Moira Kelly), who in response chooses to settle into their new life without him. Their son JAKE is finding it hard to conceal his burgeoning relationship with his sister's doll, Tani, the twelve-inch girl he adores. ANNETTE JENNINGS (Patricia Clarkson), once Paul's lover, is in the midst of a messy divorce and is trying to keep herself together while bringing up her children, SAM and RAYANNE, on a shoestring. HELEN CHRISTIANSON (Mary Kay Place), bored by her husband and the banalities of everyday life looks for something or someone to spark her. Over the course of four days Esther enters a competition to win a car for her daughter and Jim, frustrated by his job, plays hooky to help her win; Jake throws over the Tani doll for some real friends; Annette reclaims her life when RANDY (Timothy Olyphant) enters Sam's and Helen discovers what she has at home is not something she wants to replace. -- © 2002 Renaissance Films [More]
Starring: Glenn Close, Patricia Clarkson, Dermot Mulroney, Joshua Jackson
Starring: Glenn Close, Patricia Clarkson, Dermot Mulroney, Joshua Jackson, Moira Kelly, Robert Klein, Timothy Olyphant, Jessica Campbell, Kristen Stewart, Mary Kay Place
Director: Rose Troche
Director: Rose Troche
Screenwriter: Rose Troche
Producer: Dorothy Berwin, Christine Vachon
Studio: IFC Films
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Reviews for The Safety of Objects
Great for dissecting the American dream, but for pure movie entertainment, look somewhere else
It offers a meaningful lesson in putting people first -- ones that surround us, shelter us emotionally, and sometimes come to define us.
A graceful example of what movies can do so much better than other art forms: explore the nuances of human behavior.
In boldly departing from the safety of a strong, unifying plot, Troche makes virtual objects of her characters by showing us plenty that intrigues and not enough that enlightens.
After a slow start in which the complexities of person and plot take an age to get established, the film catches real emotional fire in some most unexpected places.
Troche ... seems to be tuned into Homes' writing, but without really knowing how to translate it to a cinematic narrative.
Each one of these characters experiences an incredibly healing moment and you want to celebrate with them, laugh with them, cry with them - they moved me.
A deftly made and poignant character study that deals with life's heartaches and its tender mercies.
The film skips back and forth between several short stories (originally written by A.M. Homes) that are more driven by atmosphere than plot. Yet Troche somehow fails to give them much of either.
Much of the film improves as it goes, with the help of veterans Close and Clarkson.
It pretends to be a meaningful slice of Americana, but only succeeds in serving masses of tedium while driving its heavy foot down its own throat.
I had a hard time keeping track of the members of each family from one jagged scene to the next, especially since no one says or does anything particularly interesting.
[Troche has] made a quantum leap in the depth and confidence of her direction, coaxing career-best perfs from everyone involved while fleshing out each storyline to maximum impact.
The episodes seem strained, the characters sketchy and underdeveloped, and the connections among them contrived.
While some plot threads may have looked less silly on the page than they do on the screen. The decent cast sleepwalks through the tangled stories and Troche's monotonous pacing without making much of an impression.
With a long running time that no amount of nonlinear construction can successfully quicken, Safety does have sequences and whole story lines that are fresh and thoughtfully entertaining.
| Tomatometer Percentage | Movie |
|---|---|
| 66% 66% | Public Enemies |
| 83% 83% | Harry Potter and the H… |
| 44% 44% | Night at the Museum: B… |
| 75% 75% | Julie & Julia |
| 32% 32% | Terminator Salvation |
| Tomatometer Percentage | Movie |
|---|---|
| 88% 88% | Inglourious Basterds |
| 78% 78% | The Hangover |
| 49% 49% | Taking Woodstock |
| 26% 26% | The Goods: Live Hard, Sell Hard |
| 47% 47% | The Girl From Monaco |
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