another mundane commentary on the loneliness of a meaningless existence in the suburban wasteland
The Safety of Objects (2003)
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Reviews Counted:72
Fresh:35
Rotten:37
Average Rating:5.9/10
Consensus: The large cast of characters and scripting are too unwieldy, and the suburban angst theme feels tired.
Theatrical Release:Mar 7, 2003 Limited
Box Office: $86,250
Synopsis: THE SAFETY OF OBJECTS is an American suburban drama filled with subversive humour. We uncover the lives of four neighbouring families as they struggle to make honest human relationships. In doing... THE SAFETY OF OBJECTS is an American suburban drama filled with subversive humour. We uncover the lives of four neighbouring families as they struggle to make honest human relationships. In doing so the characters realise they must emerge from the isolation provided by...the safety of objects. In a desirable American suburb four families' lives become entwined. PAUL GOLD (Joshua Jackson) lies in his bedroom in a coma, nursed by his mother, ESTHER GOLD (Glenn Close), who in her role has unintentionally distanced herself from her husband and her teenage daughter, JULIE (Jessica Campbell). JIM TRAIN (Dermot Mulroney) is a lawyer who has more intimacy with his work than with his wife SUSAN (Moira Kelly), who in response chooses to settle into their new life without him. Their son JAKE is finding it hard to conceal his burgeoning relationship with his sister's doll, Tani, the twelve-inch girl he adores. ANNETTE JENNINGS (Patricia Clarkson), once Paul's lover, is in the midst of a messy divorce and is trying to keep herself together while bringing up her children, SAM and RAYANNE, on a shoestring. HELEN CHRISTIANSON (Mary Kay Place), bored by her husband and the banalities of everyday life looks for something or someone to spark her. Over the course of four days Esther enters a competition to win a car for her daughter and Jim, frustrated by his job, plays hooky to help her win; Jake throws over the Tani doll for some real friends; Annette reclaims her life when RANDY (Timothy Olyphant) enters Sam's and Helen discovers what she has at home is not something she wants to replace. -- © 2002 Renaissance Films [More]
Starring: Glenn Close, Patricia Clarkson, Dermot Mulroney, Joshua Jackson
Starring: Glenn Close, Patricia Clarkson, Dermot Mulroney, Joshua Jackson, Moira Kelly, Robert Klein, Timothy Olyphant, Jessica Campbell, Kristen Stewart, Mary Kay Place
Director: Rose Troche
Director: Rose Troche
Screenwriter: Rose Troche
Producer: Dorothy Berwin, Christine Vachon
Studio: IFC Films
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Reviews for The Safety of Objects
Its failed bid for originality takes the form of an unreasonably high quirkiness quotient.
The first truly great motion picture of 2003...seamlessly interweav[ing] its complicated characters and their even more complicated lives into a wholly original and vibrant tapestry.
Troche has cast the film deftly and given it some intriguing flourishes.
Troche has bitten off quite a bit here, and it's too much for her to chew properly.
This film is an acquired taste, but its fine ensemble of actors makes it easy to empathize. Very easy, in fact.
Conceptually, it's a good try. But even with a fine cast working near peak proficiency, The Safety of Objects gets all tangled up by its own aspirations and, ultimately, trips into a quicksand of bathos.
Instead of being satisfying, it's stifling -- too neat, too planned out, too restrictive in its imagination.
The Safety of Objects doesn't expose nearly enough of the pre-traumatic to make before distinguishable from after. So the film leaves you dissatisfied, as though you'd just spent two hours with a menagerie of plastic white people.
...may not make a big splash at the box office, but for those who it'll connect with, it'll be one of their favorites of the year.
Sometimes repellent and always patronizing, The Safety of Objects blunders through several stories that fit together as well as pieces from a dozen different jigsaw puzzles.
The actors perform beautifully, but most of this superb thespianism goes to waste on a script that wavers in tone from sublime to ridiculous.
| Tomatometer Percentage | Movie |
|---|---|
| 36% 36% | Angels & Demons |
| 25% 25% | Four Christmases |
| 68% 68% | Funny People |
| 95% 95% | Star Trek |
| 14% 14% | The Ugly Truth |
| Tomatometer Percentage | Movie |
|---|---|
| 32% 32% | Terminator Salvation |
| 44% 44% | Night at the Museum: B… |
| 86% 86% | A Christmas Tale |
| 60% 60% | Paper Heart |
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