Salvatore Giuliano (1962)

Salvatore Giuliano

TOMATOMETER

AUDIENCE SCORE

Critic Consensus: No consensus yet.


Movie Info

This is a documentary-style Italian drama chronicling the rise and fall of the title character, a real-life Mob chieftain who rose to prominence in post-WWII Sicily. Salvatore Giuliano himself is almost unseen and his career is recalled in flashbacks after his assassination in 1950. With the help of his right-hand man and cousin Gaspare Pisciotta (Frank Wolff), Salvatore becomes a guerilla leader whose resistance to the corrupt politicians dominating his post-war nation leads to his popularity … More

Rating: Unrated
Genre: Art House & International, Drama
Directed By:
Written By: Franco Solinas, Suso Cecchi d'Amico, Enzo Provenzale, Francesco Rosi
In Theaters:
On DVD: Feb 24, 2004
Runtime:
Criterion Collection

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Cast


as Francesco

as Gaspare Pisciotta

as Pisciotta's Defense ...

as Salvatore Giuliano

as President of Viterbo...
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Critic Reviews for Salvatore Giuliano

All Critics (15) | Top Critics (5)

A landmark in political cinema

Full Review… | September 23, 2014
Time Out
Top Critic

The scenes have a raw, newsreel poetry.

Full Review… | September 2, 2013
New Yorker
Top Critic

This is arguably as good as or better than anything Rosi has done since.

Full Review… | March 26, 2008
Chicago Reader
Top Critic

An outstanding film has been fashioned by Francesco Rosi using the story of Sicilian bandit Giuliano as a pretext for a historical, political, and social document of its times.

Full Review… | March 26, 2008
Variety
Top Critic

Stunningly shot in stark black-and-white by Gianni Di Venanzo.

Full Review… | February 9, 2006
Time Out
Top Critic

The political and personal forces at play are raw, the scrutiny is analytical

Full Review… | January 26, 2015
CinePassion

Audience Reviews for Salvatore Giuliano

A casual glance at "Salvatore Giuliano"'s particulars suggests an organized-crime saga, but instead it's an extremely convoluted tale (based on fact) of an assassinated Sicilian revolutionary. The political situation -- government vs. Sicilian separatists vs. Mafia -- is quite specific and doesn't have much appeal to people without a pre-existing interest in the situation, and the film is constructed such that almost none of the actors are featured enough to create a lasting impression. The title character himself doesn't even appear onscreen, except as a corpse (the action cuts between the present day and flashbacks). Sure, portraying the protagonist as an unseen cypher is a daring move, but it robs the viewer of making any emotional connection with him. With raw, documentary-like direction and a minimal score that goes no further than occasional growling drones, the film fails to have any sensuous appeal either. This is a sophisticated, admirable piece of work, but it's a tough one to even finish.

Eric Broome
Eric Broome

Super Reviewer

½

"Salvatore Giuliano" starts on July 5, 1950, just after Salvatore Giuliano(Pietro Cammarata) has been murdered. There is differing testimony from the eyewitnesses that not only contradicts the police account but each other. Five years previously, in the wake of the end of World War II, Sicily is on the verge of proclaiming its independence.(I had never heard of this before but it makes sense considering the cultural differences between Sicily and the mainland.) The leaders of the indpendence movement enlist bandits to the cause, giving Giuliano a field commission of colonel and a provisional amnesty.

"Salvatore Giuliano" is for the most part a riveting docudrama about the legendary independence fighter and bandit, the movie spending a good deal of thought wondering about the difference between the two. Throughout, Giuliano is protrayed as a shadowy figure, mostly known by his distinctive white duster as the police and army try more restrictive methods with each successful strike in order to try and stop him and his bandits which in turn just alienates the native populace. And director Francesco Rosi shows a fine touch with the natural locations and crowd scenes. However, the movie almost falls apart at the end due to a marathon court session that instead of resolving the central mystery, just manages to confuse things even further.

Harlequin68
Walter M.

Super Reviewer

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