Still Life (Sanxia Haoren) (2006)
Critic Consensus: Zhangke spellbindingly captures the human cost of rapid industrialization in modern China.
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Jia Zhang Ke's haunting minimalist drama Still Life (aka Sanxia Haoren) takes as its focal point the real-life construction of the Three Gorges Hydro Project and it accompanying massive dam over the Yangtze River in China (allegedly the largest manmade dam in the world) -- a project that required engineers to flood the surrounding territories, including the two millennia-old city of Fengjie. Jia interweaves two stories in connection with the geographical transformation of that area. In the first, Han Sanming (Han Sanming), a miner from northern China, revisits the vicinity after a 16-year absence and attempts to find his wife and his adult daughter -- trying to locate them at addresses that now exist underwater. In the second story, nurse Shen Hong (Zhao Tao) also returns to the site of Fengjie and scours the area for her husband, who has been estranged from her for two years, and who, it seems, has become consumed by the work and lifestyle of an executive. The marriage, it turns out, is irreparable. Meanwhile, as a documentary-style backdrop to these stories, the old structures of Fengjie are continually destroyed -- walls brought to crumbling heaps, towers blown to bits -- and new, makeshift structures installed as replacements. The film thus becomes a sad-eyed meditation on the nature of social change and progress, but it is one that requires the audience to extract these deeper themes and tropes on its own, via inference and deduction. ~ Nathan Southern, Rovi … More
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Critic Reviews for Still Life (Sanxia Haoren)
More than a million people have been displaced in central China in the cause of generating electrical power to meet the needs of the future; Jia's flowing river of a picture washes over a few of them as they adjust to life's currents in the present.
Simply one of the best films of last year, this year, or any year likely to come.
An extraordinary glimpse into the psychology, subtext and austere reality of modern Chinese culture.
Never has destruction looked more beautiful than the demolished buildings in Jia Zhang-ke's Still Life.
Writer-director Jia Zhangke is a keen observer of the effects of the break-neck modernization that is stampeding China toward a future that no one can predict, control, or contain.
Audience Reviews for Still Life (Sanxia Haoren)
a gorgeous minimalist meditation on the effects of the three gorges dam project on the ancient chinese civilization in the area, focusing on two keenly observed characters searching for lost relatives. quiet moving drama, the best i've seen from jia zhang ke yet
[font=Century Gothic]"Still Life" starts with Han(Han Sanming) arriving in Fengjie as it is in the process of being prepared to be flooded to make way for the Three Gorges Dam. He is looking for the wife he has not seen in sixteen years, desperately wanting to see the daughter he has never known. But he receives news from her brother that she is currently out of town and the best thing to do is just to wait for her. In the interim, Han finds some demolition work.[/font]
[font=Century Gothic]In the meantime, Shen Hong(Zhao Tao) also arrives in town looking for her husband who she has not heard from in two years.[/font]
[font=Century Gothic]The central theme of "Still Life" is the price of progress. The bitter irony of the Three Gorges Dam is that it is likely to help other parts of the country more than the people who are being dislocated. Fengjie is definitely a fascinating setting for a movie and a good starting place for an exploration of forced mobility in Chinese society. So, while the movie handles the social criticism well, the drama is handled less successfully, as neither storyline is developed as well as they could have been.[/font]
The Three Gorges Damn saga has produced some very interesting fictional and non fictional accounts particularly on the displaced people of China. For great Chinese cinema go elsewhere but this isn't a bad way to pass some time.
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