Like the original, this film was originally produced for television, but the film seems far deeper and more complex than any TV movie.
Saraband (2005)
Tomatometer
How does the Tomatometer work ![]()
Reviews Counted:76
Fresh:71
Rotten:5
Average Rating:7.9/10
Consensus: If Saraband appears to be a minor entry in Ingmar Bergman's filmography, it's still an accomplished piece of work from one of cinema's greatest masters.
Rated: R [See Full Rating] for brief nudity, language and a violent image.
Runtime: 2 hrs
Genre: Foreign Films
Theatrical Release:Jul 8, 2005 Limited
Box Office: $478,554
Synopsis: After their divorce, Johan and Marianne lost touch for many, many years. Johan, now a retired professor, has withdrawn to his grandparents' summerhouse in the western province of Dalarna. He... After their divorce, Johan and Marianne lost touch for many, many years. Johan, now a retired professor, has withdrawn to his grandparents' summerhouse in the western province of Dalarna. He bought the house after inheriting a minor fortune from a Danish aunt, a once-famous opera singer. Here he leads a solitary life with his books and a housekeeper. Marianne, who has continued her practice as a family and divorce lawyer, suddenly decides to look up Johan and break through his isolation. Neither of them keeps up regular contact with their daughters, Sara, married and living in Australia, and Martha, who is ill and confined to a nursing home. One beautiful autumn day Marianne stands looking at Johan as he dozes in a lawn chair. She goes up and wakes him with a soft kiss, and after thirty-two years of separation they now begin several intense weeks together. Also present on the property is Henrik, Johan's son from an earlier marriage. Henrik is staying in the lake cottage with his daughter Karin. His beloved wife and Karin's mother Anna has been dead for two years, but her presence is still intensely palpable. Henrik has not managed to get over Anna's death. He took early retirement from his position at Uppsala University and is devoting himself now to writing a book about Bach's St. Johan Passion and giving his daughter cello lessons. Karin is very gifted and plans to try out for the conservatory. All summer they have been working together to prepare for her audition. Henrik also plays in a little chamber orchestra in Uppsala. Johan's relations with his son Henrik have always been tense and complicated, but he had a warm and close relationship with his daughter-in-law Anna, and he, too, misses her terribly. Marianne's sudden appearance and presence unleashes the hidden power struggle that has been going on around Karin. Karin seeks out Marianne and begins to talk about Henrik, about her beloved dead mother and her very complicated and oppressive existence living with her father. A powerful contemporary drama about the struggle for power, liberation, and reconciliation. -- © Sony Pictures Classics [More]
Starring: Liv Ullmann, Erland Josephson, Borje Ahlstedt, Julia Dufvenius
Starring: Liv Ullmann, Erland Josephson, Borje Ahlstedt, Julia Dufvenius, Gunnel Fred
Director: Ingmar Bergman
Director: Ingmar Bergman
Screenwriter: Ingmar Bergman
Studio: Sony Pictures Classics
Get This Movie
Reviews for Saraband
If Saraband should indeed turn out to be [Bergman's] final film, he has concluded his career triumphantly with a work of genius.
A natural coda to a lifetime of shockingly clear-eyed bitterness ... Staggering out of the theater, sunlight feels like a novelty.
Bergman perceptively observes the subtleties of family psychology and creates dialogue that reveals complexities of character and relationships with riveting accuracy.
Watching old hands Ullmann and Josephson hit every nuance of feeling with consummate grace brings an odd giddiness to an otherwise sad tale.
A small made-for-TV project by some guy named Bergman that could well be one of the best films (perhaps even the best film) released in theatres this year.
So many great directors seem to go out with a whimper. Ingmar Bergman has gone out with a bang.
Like the Bach piece that gives it its title, Saraband is a stately, mournful movie.
An emotionally searing look at the ways we hurt the ones we love and the ones we have come to hate.
Insightful as ever but a little dated in the set-up and treatment of the shooting.
Its leisurely, deliberative style is a perfect complement to the emotions it deals with - emotions so penetrating that I warn you at the outset how jarringly intense you may find Bergman's most brilliant drama in decades.
Any Bergman is better than most of the art-house dramas that have been shipped to the States from Europe in recent times.
The movie's title -- a lovely word that describes a sexy dance for two -- is either mordantly ironic or another instance of Bergman doffing his cap to the eros that courses through the most baleful of human relations.
Rumored to be the Swedish maestro's swan song, this is a major work of art, with all the thematic and formal features, an uncompromisingly honest, harrowing family portrait.
Ullmann and Josephson are old Bergman pros and have evidently learned, over the decades, how to act the roles he assigns them naturally and flawlessly.
If ultimately the highly talky Saraband comes across as a minor entry in the canon, it nonetheless marks a dignified farewell (and this time it really appears to be one) for one of cinema's greatest directors.
A poignant, powerful valedictory from one of the true masters of cinema.
In Ingmar Bergman's magisterial last film, we watch family members bare their souls and in their faces we see intimations of the grand emotions which animate us all.
Latest News for Saraband
July 30, 2007:
Legendary Director Ingmar Bergman dies at 89
Ingmar Bergman, the "poet with a camera," died in his sleep at his home in Faro, Sweden Monday at the age of 89. The director of such influential films as The Seventh Seal,... More...
October 05, 2005:
Summer Tomatometer Wrap-up #3: The Best of the Limited Releases
In the hot summer months, everyone's looking for a way to cool down. This summer, movie audiences decided one of the best places to beat the heat was in the barren,... More...
| Tomatometer Percentage | Movie |
|---|---|
| 44% 44% | Night at the Museum: B… |
| 32% 32% | Terminator Salvation |
| 36% 36% | Angels & Demons |
| 95% 95% | Star Trek |
| 25% 25% | Four Christmases |
| Tomatometer Percentage | Movie |
|---|---|
| 83% 83% | Harry Potter and the H… |
| 67% 67% | Public Enemies |
| 75% 75% | Julie & Julia |
| 95% 95% | The Cove |
| 85% 85% | World's Greatest Dad |
RT On Current TV
DIRECTV 358 | Comcast 107 | DISH Network 196 | More...
What’s Hot On RT
Other News
CloseSponsored Links
Fresh Links
Featured

Techland lists the best Sci-Fi films of this decade.

Moviefone takes a look back at the biggest stinkers of the past 10 years.

The Me and Orson Welles star answers reader questions on TIME.com.

Hollywood.com's C. Robert Cargill offers his thoughts on what the best decade for film was.

In the AV Club's "Scenic Routes," Mike D'Angelo reminisces about the Tim Burton film.
Promos

Get the latest Tomatometer updates on upcoming movies!



Top Critic



