Bergman is still at the top of his game, every bit as much in control of his faculties for deciphering human misery.
Saraband (2005)
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Reviews Counted:76
Fresh:71
Rotten:5
Average Rating:7.9/10
Consensus: If Saraband appears to be a minor entry in Ingmar Bergman's filmography, it's still an accomplished piece of work from one of cinema's greatest masters.
Rated: R [See Full Rating] for brief nudity, language and a violent image.
Runtime: 2 hrs
Genre: Foreign Films
Theatrical Release:Jul 8, 2005 Limited
Box Office: $478,554
Synopsis: After their divorce, Johan and Marianne lost touch for many, many years. Johan, now a retired professor, has withdrawn to his grandparents' summerhouse in the western province of Dalarna. He... After their divorce, Johan and Marianne lost touch for many, many years. Johan, now a retired professor, has withdrawn to his grandparents' summerhouse in the western province of Dalarna. He bought the house after inheriting a minor fortune from a Danish aunt, a once-famous opera singer. Here he leads a solitary life with his books and a housekeeper. Marianne, who has continued her practice as a family and divorce lawyer, suddenly decides to look up Johan and break through his isolation. Neither of them keeps up regular contact with their daughters, Sara, married and living in Australia, and Martha, who is ill and confined to a nursing home. One beautiful autumn day Marianne stands looking at Johan as he dozes in a lawn chair. She goes up and wakes him with a soft kiss, and after thirty-two years of separation they now begin several intense weeks together. Also present on the property is Henrik, Johan's son from an earlier marriage. Henrik is staying in the lake cottage with his daughter Karin. His beloved wife and Karin's mother Anna has been dead for two years, but her presence is still intensely palpable. Henrik has not managed to get over Anna's death. He took early retirement from his position at Uppsala University and is devoting himself now to writing a book about Bach's St. Johan Passion and giving his daughter cello lessons. Karin is very gifted and plans to try out for the conservatory. All summer they have been working together to prepare for her audition. Henrik also plays in a little chamber orchestra in Uppsala. Johan's relations with his son Henrik have always been tense and complicated, but he had a warm and close relationship with his daughter-in-law Anna, and he, too, misses her terribly. Marianne's sudden appearance and presence unleashes the hidden power struggle that has been going on around Karin. Karin seeks out Marianne and begins to talk about Henrik, about her beloved dead mother and her very complicated and oppressive existence living with her father. A powerful contemporary drama about the struggle for power, liberation, and reconciliation. -- © Sony Pictures Classics [More]
Starring: Liv Ullmann, Erland Josephson, Borje Ahlstedt, Julia Dufvenius
Starring: Liv Ullmann, Erland Josephson, Borje Ahlstedt, Julia Dufvenius, Gunnel Fred
Director: Ingmar Bergman
Director: Ingmar Bergman
Screenwriter: Ingmar Bergman
Studio: Sony Pictures Classics
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Reviews for Saraband
Saraband shows absolutely no sign that Bergman has run out of things to say or ways to say them -- it is as fresh and direct as any he's made.
A pure distillation of the great director's ongoing themes of the frailty of the human psyche and mankind’s willful inability to accept the inevitable, whatever that may be.
Even if it is, as he claims, his last film, Saraband will be a testament to Bergman's skill as a filmmaker, still a creative force to be reckoned with after 60-plus years in the business.
Think of Saraband ... as an after-dinner mint: a film that looks in on the same characters three decades later and finds their rage both cooled and passed down to the next generation.
The venom remains strong; however, since Bergman has vowed this will be his last film, cineastes probably won't mind the sting.
So many great directors seem to go out with a whimper. Ingmar Bergman has gone out with a bang.
The performances are perfectly distilled, but the traits I dislike in Bergman are all here -- self-pity, brutality, spiritual constipation, and an unwillingness to try to overcome these difficulties.
What remain intact are the filmmaker's unbreakable heart, lyrical soul and sublime art. So why should we say goodbye? Instead: Bravo. Encore.
Its leisurely, deliberative style is a perfect complement to the emotions it deals with - emotions so penetrating that I warn you at the outset how jarringly intense you may find Bergman's most brilliant drama in decades.
Saraband is a great masterpiece, and a true and fitting culmination to a major career.
Most films are so insipid that there's something perversely refreshing about a movie in which a monstrous father compliments his son for his 'healthy dose of hatred...'
Bergman perceptively observes the subtleties of family psychology and creates dialogue that reveals complexities of character and relationships with riveting accuracy.
An emotionally searing look at the ways we hurt the ones we love and the ones we have come to hate.
Bergman may find little with which to console himself, but he's still able to look at suffering with an intensity that's unlike any other the movies have ever known.
Like the best of Ingmar Bergman's films, Saraband has a hypnotic quality that draws in audiences who are patient.
Latest News for Saraband
July 30, 2007:
Legendary Director Ingmar Bergman dies at 89
Ingmar Bergman, the "poet with a camera," died in his sleep at his home in Faro, Sweden Monday at the age of 89. The director of such influential films as The Seventh Seal,... More...
October 05, 2005:
Summer Tomatometer Wrap-up #3: The Best of the Limited Releases
In the hot summer months, everyone's looking for a way to cool down. This summer, movie audiences decided one of the best places to beat the heat was in the barren,... More...
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