Ullmann, in her mid-60s, and Josephson, in his early 80s, still know how to build fascinating characters.
Saraband (2005)
Tomatometer
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Reviews Counted:76
Fresh:71
Rotten:5
Average Rating:7.9/10
Consensus: If Saraband appears to be a minor entry in Ingmar Bergman's filmography, it's still an accomplished piece of work from one of cinema's greatest masters.
Rated: R [See Full Rating] for brief nudity, language and a violent image.
Runtime: 2 hrs
Genre: Foreign Films
Theatrical Release:Jul 8, 2005 Limited
Box Office: $478,554
Synopsis: After their divorce, Johan and Marianne lost touch for many, many years. Johan, now a retired professor, has withdrawn to his grandparents' summerhouse in the western province of Dalarna. He... After their divorce, Johan and Marianne lost touch for many, many years. Johan, now a retired professor, has withdrawn to his grandparents' summerhouse in the western province of Dalarna. He bought the house after inheriting a minor fortune from a Danish aunt, a once-famous opera singer. Here he leads a solitary life with his books and a housekeeper. Marianne, who has continued her practice as a family and divorce lawyer, suddenly decides to look up Johan and break through his isolation. Neither of them keeps up regular contact with their daughters, Sara, married and living in Australia, and Martha, who is ill and confined to a nursing home. One beautiful autumn day Marianne stands looking at Johan as he dozes in a lawn chair. She goes up and wakes him with a soft kiss, and after thirty-two years of separation they now begin several intense weeks together. Also present on the property is Henrik, Johan's son from an earlier marriage. Henrik is staying in the lake cottage with his daughter Karin. His beloved wife and Karin's mother Anna has been dead for two years, but her presence is still intensely palpable. Henrik has not managed to get over Anna's death. He took early retirement from his position at Uppsala University and is devoting himself now to writing a book about Bach's St. Johan Passion and giving his daughter cello lessons. Karin is very gifted and plans to try out for the conservatory. All summer they have been working together to prepare for her audition. Henrik also plays in a little chamber orchestra in Uppsala. Johan's relations with his son Henrik have always been tense and complicated, but he had a warm and close relationship with his daughter-in-law Anna, and he, too, misses her terribly. Marianne's sudden appearance and presence unleashes the hidden power struggle that has been going on around Karin. Karin seeks out Marianne and begins to talk about Henrik, about her beloved dead mother and her very complicated and oppressive existence living with her father. A powerful contemporary drama about the struggle for power, liberation, and reconciliation. -- © Sony Pictures Classics [More]
Starring: Liv Ullmann, Erland Josephson, Borje Ahlstedt, Julia Dufvenius
Starring: Liv Ullmann, Erland Josephson, Borje Ahlstedt, Julia Dufvenius, Gunnel Fred
Director: Ingmar Bergman
Director: Ingmar Bergman
Screenwriter: Ingmar Bergman
Studio: Sony Pictures Classics
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Reviews for Saraband
An emotionally searing look at the ways we hurt the ones we love and the ones we have come to hate.
Like the Bach piece that gives it its title, Saraband is a stately, mournful movie.
The compositions are stark, the tone wintry and the conversations bleak. Yet there's a flicker of something affirmative in this darkness.
Performed in a series of devastating duets, it's so mature and authentic that it feels like an alien presence in the current (i.e. shallow) movie landscape.
If Saraband is not one of the best Bergman films, it's a very good one and a valuable statement from a great artist in old age.
A riveting study of age, decline, the self-interest peculiar to humans and grotesque family dysfunctionality and -- let's quickly mention the riveting part again -- we sure wouldn't want to have to see it twice.
Reminds us again that Bergman, in his camera choices and blocking of characters, remains unrivalled in revealing the sea of emotions between two people face-to-face.
The 85-year-old Bergman has proclaimed this his final film and it has the feel of closure. It also feels like the effort of a tired artist reworking the same themes.
Saraband is a great masterpiece, and a true and fitting culmination to a major career.
A natural coda to a lifetime of shockingly clear-eyed bitterness ... Staggering out of the theater, sunlight feels like a novelty.
This is just great filmmaking, great storytelling, and just stays with you for so long afterwards.
Think of Saraband ... as an after-dinner mint: a film that looks in on the same characters three decades later and finds their rage both cooled and passed down to the next generation.
Bergman perceptively observes the subtleties of family psychology and creates dialogue that reveals complexities of character and relationships with riveting accuracy.
If Saraband should indeed turn out to be [Bergman's] final film, he has concluded his career triumphantly with a work of genius.
Vintage Bergman: an intense psychodrama of anguished revelations and lacerating confrontations that unfolds with a stately rhythm in ten chapters.
Watching old hands Ullmann and Josephson hit every nuance of feeling with consummate grace brings an odd giddiness to an otherwise sad tale.
Like watching four people take turns trying to swim with one of the others clinging to an ankle. It's grim and gripping.
Latest News for Saraband
July 30, 2007:
Legendary Director Ingmar Bergman dies at 89
Ingmar Bergman, the "poet with a camera," died in his sleep at his home in Faro, Sweden Monday at the age of 89. The director of such influential films as The Seventh Seal,... More...
October 05, 2005:
Summer Tomatometer Wrap-up #3: The Best of the Limited Releases
In the hot summer months, everyone's looking for a way to cool down. This summer, movie audiences decided one of the best places to beat the heat was in the barren,... More...
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