This is as bitter and despairing an exploration of the human spirit as any of [Bergman's] films, and it is just as vibrantly written and directed.
Saraband (2005)
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Reviews Counted:76
Fresh:71
Rotten:5
Average Rating:7.9/10
Consensus: If Saraband appears to be a minor entry in Ingmar Bergman's filmography, it's still an accomplished piece of work from one of cinema's greatest masters.
Rated: R [See Full Rating] for brief nudity, language and a violent image.
Runtime: 2 hrs
Genre: Foreign Films
Theatrical Release:Jul 8, 2005 Limited
Box Office: $478,554
Synopsis: After their divorce, Johan and Marianne lost touch for many, many years. Johan, now a retired professor, has withdrawn to his grandparents' summerhouse in the western province of Dalarna. He... After their divorce, Johan and Marianne lost touch for many, many years. Johan, now a retired professor, has withdrawn to his grandparents' summerhouse in the western province of Dalarna. He bought the house after inheriting a minor fortune from a Danish aunt, a once-famous opera singer. Here he leads a solitary life with his books and a housekeeper. Marianne, who has continued her practice as a family and divorce lawyer, suddenly decides to look up Johan and break through his isolation. Neither of them keeps up regular contact with their daughters, Sara, married and living in Australia, and Martha, who is ill and confined to a nursing home. One beautiful autumn day Marianne stands looking at Johan as he dozes in a lawn chair. She goes up and wakes him with a soft kiss, and after thirty-two years of separation they now begin several intense weeks together. Also present on the property is Henrik, Johan's son from an earlier marriage. Henrik is staying in the lake cottage with his daughter Karin. His beloved wife and Karin's mother Anna has been dead for two years, but her presence is still intensely palpable. Henrik has not managed to get over Anna's death. He took early retirement from his position at Uppsala University and is devoting himself now to writing a book about Bach's St. Johan Passion and giving his daughter cello lessons. Karin is very gifted and plans to try out for the conservatory. All summer they have been working together to prepare for her audition. Henrik also plays in a little chamber orchestra in Uppsala. Johan's relations with his son Henrik have always been tense and complicated, but he had a warm and close relationship with his daughter-in-law Anna, and he, too, misses her terribly. Marianne's sudden appearance and presence unleashes the hidden power struggle that has been going on around Karin. Karin seeks out Marianne and begins to talk about Henrik, about her beloved dead mother and her very complicated and oppressive existence living with her father. A powerful contemporary drama about the struggle for power, liberation, and reconciliation. -- © Sony Pictures Classics [More]
Starring: Liv Ullmann, Erland Josephson, Borje Ahlstedt, Julia Dufvenius
Starring: Liv Ullmann, Erland Josephson, Borje Ahlstedt, Julia Dufvenius, Gunnel Fred
Director: Ingmar Bergman
Director: Ingmar Bergman
Screenwriter: Ingmar Bergman
Studio: Sony Pictures Classics
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Reviews for Saraband
In his final summation of the guilt, alienation and ennui that is the stuff of life, Bergman ends with a glimpse of hope in this, his last film.
Both a valentine to [Liv] Ullmann and a star-making film debut for [Julia] Dufvenius
Like the original, this film was originally produced for television, but the film seems far deeper and more complex than any TV movie.
Bergman has never been an ordinary filmmaker, and what he's given us is no genial last hurrah but rather an intensely dramatic, at times lacerating examination of life's conundrums that is exhilarating in its fearlessness and its command.
Its leisurely, deliberative style is a perfect complement to the emotions it deals with - emotions so penetrating that I warn you at the outset how jarringly intense you may find Bergman's most brilliant drama in decades.
The movie's title -- a lovely word that describes a sexy dance for two -- is either mordantly ironic or another instance of Bergman doffing his cap to the eros that courses through the most baleful of human relations.
Like a wedge of low-grade Stravinsky, revived and performed, the movie could be considered an addendum to a looming and unique catalog, in which no work is insignificant.
As Marianne becomes a bystander to his cruelty, you feel the pull of Bergman's craft, but also the sting of his sourness.
An excoriating and revelatory experience, scrubbing away yet another layer of skin from the image that the director has created for himself.
A small made-for-TV project by some guy named Bergman that could well be one of the best films (perhaps even the best film) released in theatres this year.
The venom remains strong; however, since Bergman has vowed this will be his last film, cineastes probably won't mind the sting.
Makes for fascinating viewing, with Bergman regulars Erland Josephson and Liv Ullmann encoring their roles and in top form.
If ultimately the highly talky Saraband comes across as a minor entry in the canon, it nonetheless marks a dignified farewell (and this time it really appears to be one) for one of cinema's greatest directors.
In Ingmar Bergman's magisterial last film, we watch family members bare their souls and in their faces we see intimations of the grand emotions which animate us all.
Latest News for Saraband
July 30, 2007:
Legendary Director Ingmar Bergman dies at 89
Ingmar Bergman, the "poet with a camera," died in his sleep at his home in Faro, Sweden Monday at the age of 89. The director of such influential films as The Seventh Seal,... More...
October 05, 2005:
Summer Tomatometer Wrap-up #3: The Best of the Limited Releases
In the hot summer months, everyone's looking for a way to cool down. This summer, movie audiences decided one of the best places to beat the heat was in the barren,... More...
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