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Satin Rouge (2002)
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Reviews Counted:47
Fresh:39
Rotten:8
Average Rating:6.9/10
Consensus: Abbass shines at the center of this sensuous and vibrant film.
Theatrical Release:Aug 23, 2002 Limited
Synopsis: Raja Amari's first feature length film SATIN ROUGE is a meditation on the transformative powers of self-expression. Lilia (Hiam Abbass) is a widowed Tunisian housewife, tired of living in the... Raja Amari's first feature length film SATIN ROUGE is a meditation on the transformative powers of self-expression. Lilia (Hiam Abbass) is a widowed Tunisian housewife, tired of living in the shadow of others. She follows her daughter Salma (Hend El Fahem), and discovers she is having a secret liaison with a cabaret musician who works in the forbidden belly dance cabaret down the street. After watching the hypnotic shifting of hips and the euphoria of the crowds, Lilia is herself overcome with the urge to dance. From then on, nothing is the same, and nothing is out of the question, not even sharing her daughter's boyfriend. SATIN ROUGE is a remarkable first feature for writer-director Raja Amari. Her directorial eye is casual, open, and mellow, which tends to naturally dispel preconceived ideas about Arab culture in general and cinema in particular. Actor Hiam Abbass adeptly transforms her Lilia from a tight-lipped matron with her hair tied back in a severe bun to a radiant and joyous career woman. The film is left open-ended, a portent that Lilia's growth as a woman may be a rugged journey. Though not a classically happy ending, the message offered in Amari's SATIN ROUGE is ultimately uplifting and heartening. [More]
Starring: Hiam Abbass, Hend El Fahem, Maher Kamoun, Monia Hichri
Starring: Hiam Abbass, Hend El Fahem, Maher Kamoun, Monia Hichri, Faouzia Badr, Nadra Lamloun, Abou Moez El Fazaa, Salah Miled
Director: Raja Amari
Director: Raja Amari
Screenwriter: Raja Amari
Studio: Zeitgeist Films
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Reviews for Satin Rouge
A movie that has charm but shows weaknesses not uncommon for a novice director.
The movie has lots of dancing and fabulous music. There are slow and repetitive parts, but it has just enough spice to keep it interesting.
It takes you somewhere you're not likely to have seen before, but beneath the exotic surface (and exotic dancing) it's surprisingly old-fashioned.
While certainly more naturalistic than its Australian counterpart, Amari's film falls short in building the drama of Lilia's journey.
The biggest problem with Satin Rouge is Lilia herself. She's a cipher, played by an actress who smiles and frowns but doesn't reveal an inner life.
A sensual performance from Abbass buoys the flimsy story, but her inner journey is largely unexplored and we're left wondering about this exotic-looking woman whose emotional depths are only hinted at.
an essentially awkward version of the lightweight female empowerment picture we've been watching for decades
The first Tunisian film I have ever seen, and it's also probably the most good-hearted yet sensual entertainment I'm likely to see all year.
A terrifically subtle piece about one woman's personal liberation in a patriarchal Muslim society.
This Cinderella story is not new, but director Raja Amari makes the scenes in the club so vibrant and lush that we feel what it's like for Lilia to be there.
While the costumes hint at changes beneath the surface, it is Abbass' performance, as she vacillates flawlessly between muted hausfrau and shining hoofer, that reveals the depths of her transformation.
The way Lilia loosens up and learns to dance enticingly for men in a timeless ritual that is empowering and not demeaning is Satin at its most engaging.
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