Film about Abraham Lincoln and his "best friend" and bodyguard is weakened by a bare-bones script, but greatly strengthened by the director's invention of a visual technique that even Steven Spielberg might envy.
An ancillary curio about the man and his struggles, at least for history buffs, and an unusual exception to an old screenwriting rule -- a movie whose framing device benefits it much more than its actual execution.
The film feels like an animated Wikipedia page, just sort of running through the greatest hits of Lincoln's life in office - the Emancipation Proclamation! Gettysburg! The Theater! - without any real insight.