Scanners II: The New Order Reviews

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Super Reviewer
½ September 30, 2009
It's rubbish. Everything about it is rubbish. A poor sequel to a great film, shame on you all!
Super Reviewer
September 9, 2008
An inferior sequel with poor directing and un-impressive exploding heads! David Hewlett, who Stargate fans will recognise, is a pretty capable lead, there are a few effective sequences, and... erm, the music score was ok, I guess. I was more disappointed in this than your average sequel because the original film had so many unexplored threads and ideas, but sadly The New Order doesn't really offer anything fresh, and instead tries to predictably reference the original. This film seems much more of its time than Cronenberg's original, which had a futuristic feel. Tom Butler is a lousy bad guy, too.
½ June 6, 2014
The first and best in a line of direct to video sequels and spin-offs to The classic body horror flick. More gore, grossout fx and a darker tone keep it from being another poor horror/sci-fi sequel!
February 18, 2010
(* 1/2): Thumbs Down

Just another one of those horrible 90's sequels to a successful sci-fi/horror film.
August 5, 2009
I was all set to...not curse this movie with every scrap of feeling left in me, up until about the halfway point, when David Hewlett (he was in The Cube!) visits his parents and they pass on to him certain SHOCKING REVELATIONS which upset me more than they upset him, as its at that precise moment that we see the SHOCKING extent to which the original has been raped. Going in to detail about that would be spoiler territory (like anyone fucking cares) so I'd better not, which is probably just as well as if I did I'd probably wear my fingers into bloody stumps punching the keys.

That aside, Scanners 2 is one of those movies that throws up a new plothole or inconsistency every couple of minutes, but most of these aren't important - the ones that bothered me were the ones that directly contradicted the original. Here are the two main offenders:

First of all, when did the ability to Scan cease to be a crippling condition? In the original, a Scanner could not function around even relatively small groups of people without being bombarded with the thoughts of those around them - something which would cause the Scanner unbearable pain. Yet in this film, our hero David Hewlett (he played Worth in The Cube!) is in medical School and seems fine, except that recently he's been getting occasional headaches. Scanning appears to have gone from an uncontrollable condition (without the use of ephemerol, anyway - more on that later) to a source of minor discontent and the film never explains when or how this change occured.

And second, what in the name of fuck actually happened to ephemerol? In this film, a doctor tries to help Scanners supress the negative effects of their condition (which, as we've seen, aren't all that bad anymore) with a drug called EPH-2, which as well as being more addictive than even the finest heroine, produces some very unpleasant side-effects, such as making the user dead. But we already know from the first film that ephemerol also supresses the effects of scanning and it didn't turn anyone into junkies or corpses, so why not just use that? I know both those points sound nit-picky, but you have to understand that the first film was a complete, self-contained film that set its own mythology forth in no uncertain terms. That a sequel made nine years after the fact should forget these things is unforgivable; that it's done out of sheer stupidity rather than any particular malice makes it no less so.

Right. I'll leave you with my favourite line, said after David Hewlett (The Cube was a good movie, though, wasn't it?) admits to his soon-to-be girlfriend that he's been getting headaches:

"Well at least you don't have canine encephalitis!"
½ September 25, 2005
An obvious attempt to cash in on the notoriety of its predecessor (not to mention David Cronenberg?s name recognition), [i]Scanners II: The New Order[/i], a direct-to-video sequel to Cronenberg?s 1981 science-fiction/horror film about mutants with telepathic and telekinetic powers, [i]Scanners[/i], simply regurgitates (or to be kind, ?borrows?) all the major plot elements and plot turns from [i]Scanners[/i], while adding next to nothing to the ?scanner? universe or mythos. Whatever reputation [i]Scanners[/i] has among science fiction/horror fans depends on the semi-derivative premise and, more importantly, its signature set pieces, an exploding head (thanks to an invasive ?scan? at a conference) and the climactic duel between rival scanners. Mediocre (and, therefore, forgettable) from opening scene to last, [i]Scanners II: The New Order[/i] even fails to provide a modicum of cheap thrills via makeup effects or set pieces.

[i]Scanners II: The New Order[/i] opens, appropriately enough for an unambitious sequel, with the discovery and capture of an unstable scanner, Peter Drak (Raoul Trujillo). Departing (slightly) from the original, Drak isn?t the hero/protagonist. Instead, as his name obviously implies, Drak will be firmly allied with the forces of ?evil.? After being captured by several police officers (thanks to a tranquilizer dart), Drak is brought into Morse Neurological Research Institute and into the service of Dr. Morse (Tom Butler), a typical ?mad scientist? type interested in controlling scanners through drugs. He?s only partially succeeded. Scanners who use F-2 to control their powers (and the voices in their heads), eventually become addicted, and, therefore, useless to Morse or his associate in the police force, Commander John Forrester (Yvon Ponton). Forrester, it seems, has some strongly defined ideas about the social order and using scanners to combat crime, even if that means going outside the laws he?s sworn to uphold. In other words, Forrester fascist ideas and his plan to put them into action are good for him (and his associates) and bad for him.

Enter David Kellum (David Hewlett, [i]Stargate: Atlantis[/i]), a veterinarian student at the local university and scanner (due to an isolated upbringing in a rural community, David?s powers are, as yet, untapped). There?s the obligatory romantic subplot involving another veterinarian student, Alice Leonardo (Isabelle Mejijas) and a failed holdup attempt, with David using his newly awakened scanning powers to dispatch two robbers. David?s heroics, of course, bring him to the attention of the ever-ambitious Forrester, who contacts David and promises to help him learn more about himself and his powers. Forrester attempts to use David?s abilities for his personal gain (David convinces the mayor telepathically to make Forrester the acting chief of police). David becomes suspicious of Forrester, Morse, soon learning the details of their grandiose plans for world power (actually, more like local power, since Forrester wants to become mayor). There are one or two reversals (and revelations about David?s past), sending David on the run with the police after him, and eventually, the patented scanner duel (there?s only fully exploding head, with the villains suffering decidedly different fortunes).

Alas, the preceding description may make [i]Scanners II: The New Order[/i] sound more engaging or interesting than it actually is. Hampered by poorly motivated or stock characters, awkward, stiff performances (especially by Yvon Ponton as the central villain), deliberate, tensionless pacing, flashy visuals and a cheesy musical score better suited to soft-core porn, and a derivative storyline, [i]Scanners II: The New Order[/i] puts ?superfluous? in the phrase ?superfluous sequel.? The makeup effects are barely passable (at least, though, they?re pre-digital and slightly more realistic than a similar film made today) and the director, Christian Duguay, waits until the 85-minute mark before delivering the first (and only) fully exploding head. The climactic duel does contain a semi-interesting variation from the first film (one of the few), but it also undercuts the idea of David as an all-powerful (or the most powerful) scanner. It also runs too long (as two villains have to be dispatched sequentially).

Given the overall weak results, it shouldn?t come as a surprise that David Cronenberg had no involvement with [i]Scanners II: The New Order [/i]. Cronenberg or whoever owned the rights to [i]Scanners[/i] simply sold them to the highest (or only) bidder, collected their check, and stepped out of the way, or at least that seems like a reasonable guess, based on the mediocrity on screen. Not content to foist just one unnecessary sequel on the viewing public, the producers immediately followed [i]Scanners II: The New Order[/i] with [i]Scanners III: The Takeover[/i] (featuring characters unrelated to the first or second films in the series).
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