"Scary Movie 4": RT Talks With David Zucker
David Zucker is a veritable comedy legend whose career began with co-writing 1977's "The Kentucky Fried Movie," took off with the 1980 classic, "Airplane!" and continued with even more comedies: "Top Secret!," "The Naked Gun" series, "Ruthless People," and more. After reviving the "Scary Movie" franchise with 2003's "Scary Movie 3," (which made $109 million at the box office), Zucker is back this week with another "Scary" parody (written by Craig Mazin and frequent Zucker collaborator Jim Abrahams) -- and this time, he's set his sights on "War of the Worlds," "The Grudge," "Brokeback Mountain," Tom Cruise, and more entertainment phenomena from the past few years.
Q: Which was better for you to make, "Scary 3" or "Scary 4?"
David Zucker: ["Scary Movie 4"] was harder, because we only had nine months to do it, from conception to release. We worked weekends, and nights, mainly because one of the main requirements was to have the two main movies -- for "Scary 3," there was "Signs" and "The Ring" -- for this one we were all set to do "The Ring 2," but "Ring 2" was not accepted by the audience. It was quickly forgotten. In part maybe because of "Scary Movie 3!"
So we had to wait for "War of the Worlds." But our release date was already set, April 14, so we all agreed that we were just gonna do it. So for this one it's "War of the Worlds," "The Grudge," and a bunch of other movies like "Saw."
Q: Did you spoof all the movies you wanted to in "Scary Movie 4?
Zucker: Yes, every possible one. In the past few years, the pickings were a bit thinner than they were for "3," so we had to really make the best of the movies that were in the popular mind. "Million Dollar Baby," "The Grudge," "War of the Worlds," and "Saw" were big. "The Village" wasn't as successful as other M. Night [Shyamalan] movies but it was a very striking, original movie.
Q: What makes Anna Faris so convincing in the role of Cindy?
Zucker: Horror movies are scarier if it's a woman, and we learned that the scarier it is, the funnier it is. [Faris] is a really good actress; she's so convincing, and she can convey the sincerity. The more the audience can be involved in the plot and believability of the characters, the funnier the jokes will be.
I don't tell the actors to try to be funny. My biggest direction is to let the lines do the work -- let the script be funny, you just do the dramatic acting.
Q: In "Scary Movie 4," a lot of jokes revolve around women and children getting punched in the face?
Zucker: Anna Faris gets it all the time, with all the physical comedy. The best horror movies have women in the lead because it's just scarier, they seem more vulnerable, but [in "Scary 4"] the lead characters always have to get bonked around. That's been comedy since vaudeville, Charlie Chaplin, the Marx Brothers.
There's always children in horror movies, and they're always treated with great reverence in current cinema. That's something we dive into; we say, we're not gonna hold these kids sacred, they're movie actors, and we're gonna knock them around the same way.
It's just like my mom loved "Airplane!" but she hated that scene of Peter Graves talking to the child?I could never convince her that it wasn't just a joke on pedophilia, we were really doing a joke on the image in American cinema of the squeaky clean, all-American airline captain. And this was the one thing that really undercut that image, and that's what made people laugh. Personally, I don't think pedophilia is very funny at all. I have no qualms about using that, or child abuse -- who thinks that's funny? -- but I think people can take all these jokes in the context of, we're doing a spoof, we're satirizing movies, this is not real-life comedy. We think we're following rules that are different from other comedies.
Q: Were any of the jokes added at the last minute?
Zucker: "Brokeback Mountain" was definitely not in the movie as written, that was added later. While we were shooting, the whole "Brokeback" story broke, and that became so talked about, such a cultural phenomenon, that we wrote the scene. We didn't know how that would play - we were all set for people not to laugh at all. We were always thinking in the back of our minds, a lot of jokes have been made in print, on Letterman and Leno; how many more laughs can we get out of this movie? But it worked.
Another big surprise was that just the mere mention of Myspace?we just thought, it's a clever thing and it's almost like an ad lib, we threw that in a couple days before but we get such a reaction.
[Possible spoiler ahead]
Zucker [On Leslie Nielson's nude scene]: There was a body double, when you see him from behind?that's part of my weird job. I have to look at asses.