Left so little to the imagination.
Scenes from a Marriage (1973)
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Reviews Counted: 17
Fresh: 16
Rotten:1
Average Rating: 8.6/10
Runtime: 4 hrs 59 mins
Genre: Foreign Films
Synopsis: SCENES FROM A MARRIAGE was originally conceived as a six-part TV mini-series. Since the film features only two principal actors, a limited number of indoor locales, and no musical score (nor any... SCENES FROM A MARRIAGE was originally conceived as a six-part TV mini-series. Since the film features only two principal actors, a limited number of indoor locales, and no musical score (nor any other atmosphere-enhancing devices), the success of this intense drama stems largely from the interaction between leads Liv Ullmann and Erland Josephson, who play Marianne and Josef, an upper-middle-class married couple. At first glance, their lives appear to be devoid of marital conflict, but soon after the opening sequence, it becomes clear that tension is mounting just below the surface. The movie consists almost entirely of dramatic exchanges between Marianne and Josef and eventually evolves into an agonizing account of the deterioration of their marriage. But throughout it all, a deep, underlying love keeps the couple from breaking off all ties--in spite of the mutual aggression, cruelty, and even violence that forms part of their relationship. Ingmar Bergman anticipated that SCENES FROM A MARRIAGE would baffle, if not antagonize, viewers who had come to expect more stylistically groundbreaking and aesthetically polished work from him. In fact, however, as a result of his unflinching, straightforward approach, the film proves to be one of the director's most insightful and accessible works. [More]
Starring: Liv Ullmann, Erland Josephson, Bibi Andersson
Starring: Liv Ullmann, Erland Josephson, Bibi Andersson
Director: Ingmar Bergman
Director: Ingmar Bergman
Screenwriter: Ingmar Bergman
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Reviews for Scenes from a Marriage
There is little plot to speak of -- the film's chief force lying in its dramatization of marital trauma -- but viewers will be deeply moved by the marvelous acting and the honesty of Bergman's screenplay.
The film is an uncompromisingly harrowing and honest account of male-female relationships.
Reflecting the feminist movement, this raw, uncompromising anatomy of marriage, centers on Liv Ullmann's doubts, despair and confusion after her husband leaves her
A dramatically absorbing and psychologically rich portrait of a couple whose intimate relationship is falling apart and evolving into something quite different.
This raw and uncompromising movie, which should be required viewing for anyone even thinking about getting hitched, has endured as one of Bergman's finest achievements.
Shot in 16mm and tightly photographed, the film is immediate and unflinching in its probity, its scenes ranging from the enormously cruel to the redemptive.
The shelf life of a marriage is meticulously plotted by Sweden's leading arthouse director. Not that the plotting is over: Saraband, is the master's newest edition to the marriage saga-- years after and will be released this year ( 2003).
Bergman's film is full of acute, resonant observations on the emotional lives of its characters, the memory of which lingers long after the closing credits.
It's a movie of such extraordinary intimacy that it has the effect of breaking into mysterious components many things we ordinarily accept without thought, familiar and banal objects, faces, attitudes, and emotions, especially love.
Bergman's screenplay leaves nothing to the imagination and turns the film into a windy soap opera most of the time; what might have been a masterpiece in the TV original (although I doubt it) becomes in its truncated form mostly elegant mush.
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