Despite the appeal of cobra-eyed Thornton and bunny-nosed Heder, Scoundrels trips early, and often.
School for Scoundrels (2006)
Tomatometer
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Reviews Counted:135
Fresh:33
Rotten:102
Average Rating:4.6/10
Consensus: School for Scoundrels squanders its talented cast with a formulaic, unfocused attempt at a romantic comedy that's neither romantic nor funny.
Rated: PG-13 [See Full Rating] for language, crude and sexual content, and some violence
Runtime: 1 hr 47 mins
Genre: Comedies
Theatrical Release:2006
Box Office: $17,787,157
Synopsis: Dr. P (Billy Bob Thornton) runs a SCHOOL FOR SCOUNDRELS at which luckless men are given a crash course in the ways of the alpha male. Dishing out trite but, to the men involved, revelatory advice... Dr. P (Billy Bob Thornton) runs a SCHOOL FOR SCOUNDRELS at which luckless men are given a crash course in the ways of the alpha male. Dishing out trite but, to the men involved, revelatory advice about how to "initiate confrontation" and "lie, lie, and lie some more," Dr. P turns his students into virile studs who hide their still-lingering insecurities behind sunglasses and absurd bluster. When one student, the kindhearted but painfully awkward Roger (NAPOLEON DYNAMITE's Jon Heder), has too easy of a time capturing the girl of his dreams, Dr. P's competitive streak goes off the charts and a battle between teacher and student ensues. After an exchange of several pranks, each with increased maliciousness and consequence, one of the two fellas lands the girl. While SCHOOL FOR SCOUNDRELS (based on a British comedy from the 1960s, and co-written and directed by Todd Phillips) doesn't reach the rambunctious fever pitch of OLD SCHOOL (also directed by Phillips) or contain the oddly endearing, near-sublime vulgarity of THE 40-YEAR-OLD VIRGIN, it does have its fair share of laughs. The primary redeeming quality of the film is its excellent cast, which features various alumni of THE UPRIGHT CITIZENS BRIGADE, SATURDAY NIGHT LIVE, and MR. SHOW (including Matt Walsh, Paul Scheer, Horatio Sanz, Sarah Silverman, and David Cross). Billy Bob Thorton has developed something of a mid-career cottage industry playing foul-mouthed S.O.Bs; Heder has the lovably awkward dork down to a twitch-filled science (his panic attacks nearly induce the same in the audience); and while former REAL WORLD LONDON cast member Jacinda Barrett is stuck in the somewhat restrictive girlfriend role as Amanda, she's genuinely charming and effervescent. Fans of the early-2000s "frat pack"-style comedies should find much to amuse them in SCHOOL FOR SCOUNDRELS. [More]
Starring: Billy Bob Thornton, Jon Heder, Michael Clarke Duncan, Jacinda Barrett
Starring: Billy Bob Thornton, Jon Heder, Michael Clarke Duncan, Jacinda Barrett, Sarah Silverman, Ben Stiller, Horatio Sanz, Matt Walsh, Paul Scheer, David Cross
Director: Todd Phillips
Director: Todd Phillips
Screenwriter: Todd Phillips, Scot Armstrong, Hal E. Chester, Patricia Moyes
Producer: Daniel Goldberg, Todd Phillips
Composer: Christophe Beck
Studio: Weinstein Company
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Reviews for School for Scoundrels
School for Scoundrels is a simply written, perfectly cast, sneaky-edgy, stab-yourself-in-the-leg-with-a-pen laugh riot.
Heder's low-key, surprising charm and Thorton's gleeful wickedness at least glide the film in for a landing. You'll enjoy yourself.
This time the pace is so weak that long periods go by without even the whiff of a joke.
Heder's looks and mannerisms are so inherently geeky that the post-transformation Roger appears to be less a lion with a hearty roar than a dork with delusions of grandeur.
The screenplay, co-written by director Todd Phillips (Old School) is obvious and uninspired and prevents the comically adept Thornton from letting loose.
Phillips' version does add one tantalizing twist as Thornton singles out his best student (Heder, of course) and takes him on mano a mano, but it seems like an awful lot of trouble to win over such an uninteresting love interest.
What's almost refreshing about Phillips' approach to comedy... is that he and co-writer Scot Armstrong like the classically unfettered fun of a silly bit played to the hilt.
The writing, by Phillips and his usual collaborator, Scot Armstrong, doesn't give either comic performer much that's interesting to do.
A guy's movie, a comic battle of dueling manhood. The surprise is that Heder, both in his comedy and his machismo, came fully loaded.
There has to be something intrinsically lovable about a hapless character to draw in an audience. That’s what Heder did as misfit-outsider Napoleon Dynamite. And it’s just not happening here.
Too bad what should have been an epic clash of comic misdeeds feels, in the end, defanged.
Nice guys and creeps make it to the finish line, though I won't say how they place. But I will divulge this: The movie's a loser.
Is it a black comedy that isn't dark enough? Or a dumb comedy that isn't stupid enough, or a gross-out comedy that isn't yucky enough? Or is it really just a romance comedy that isn't sweet enough?
There's too much familiarity in School for Scoundrels for it to be break-out funny. There are chuckles, sure, but they're chuckles you've had before.
Todd Phillips is swiftly becoming the go-to guy for comedy that's a lot smarter than it looks or probably needs to be.
It's actually Thornton's amusing performance that makes the first half of this silly film watchable. After that, Ben Stiller comes along to do a painfully unfunny supporting bit and pretty much sucks all the remaining funny out of the movie.
Cruelty, of course, can be a valid basis for comedy, and comedies also can survive a lot of mistakes. Falling flat, however, isn't one of them.
Guys are guys in Todd Phillips movies, for better or worse, but almost always for the purposes of arriving somewhere in the same ZIP code as the truth.
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