It provides some swell roles for actresses and intriguing local detail.
The Seagull's Laughter (2001)
Tomatometer
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Reviews Counted:32
Fresh:27
Rotten:5
Average Rating:6.7/10
Consensus: Though uneven in spots, this delightful comedy will, nevertheless, put a smile on your face.
Theatrical Release:Feb 13, 2004 Limited
Synopsis: In 1954, following the death of her American serviceman husband, beautiful Freya (Margaret Vilhjalmsdottir) returns to her native Icelandic fishing village. With several trunks of fashionable... In 1954, following the death of her American serviceman husband, beautiful Freya (Margaret Vilhjalmsdottir) returns to her native Icelandic fishing village. With several trunks of fashionable clothing and astounding tales of life in postwar New York, she turns the town on its ear with her glamorous presence. Intent on finding another husband, she moves into the already bustling household of her grandparents, joining Granny, insecure young Dodo, mentally challenged Ninna, her grandfather (when he isn't out on a fishing boat), and precocious 11 year-old Agga (Ugla Egilsdottir). Agga is suspicious of Freya from the moment she arrives but eventually her distrust gives way to fascination. When Freya has a passionate encounter with Bjorn, an engineer and one of the town's most eligible bachelors, Agga helps iron out the kinks in the burgeoning romance. The drama that unfolds becomes the talk of the town, and eventually carries all the women of Freya's extended family into unexpectedly dark territory. Stunning Icelandic locales give THE SEAGULL'S LAUGHTER a distinctly exotic sense of time and place. Vilhjamsdottir is a beguiling screen presence, and in Egilsdottir, she has a winning, appealing foil. Veering between quaint, small-town-style comedy--in which the quaintness of the locals is played for laughs--and dark, myth-influenced drama, Agust Guomundsson's unique and amusing film is a treat for the adventurous filmgoer. [More]
Starring: Margaret Vilhjalmsdottir, Kristbjorg Kjeld, Gudlaug Elisabet Olafsdottir, Edda Bjorg Eyjolfsdottir
Starring: Margaret Vilhjalmsdottir, Kristbjorg Kjeld, Gudlaug Elisabet Olafsdottir, Edda Bjorg Eyjolfsdottir, Heino Ferch, Hilmer Snaer Guonason
Director: Agust Gudmundsson
Director: Agust Gudmundsson
Screenwriter: Agust Gudmundsson
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Reviews for The Seagull's Laughter
Iceland may be cold, but the people are sure friendly enough (most of the time). This group certainly made me smile.
The film rollicks as a witty ensemble character study, but the ending, though cutely bildungsromanic, cannot help but disappoint a little as far as the unfulfilled promise of grand gains and Icelandic mythological magic.
Agust Gudmondsson's pleasant comedy brings an Icelandic legend down to earth.
Exhibits a sense of life's tragic confines alternating with mischievous wit.
A droll script and generally deft direction make the Icelandic chill surprisingly inviting.
The film captures the quaintness of provincial life with humor and drama, deftly mixing in feminism, too, in a way that is subtly funny and even a little disturbing.
Gudmundsson is ultimately unsuccessful in tying the various plot elements and stylistic devices together, but The Seagull's Laughter manages to be quite entertaining anyway.
An uncommonly engaging tale of tradition, change and growth in a strangely haunting locale...its stylishness carries the film over most of the rough spots.
The Seagull's Laughter explores the dark side of a moral crusader's campaign to expose the evil deeds of an outsider in her community.
The performances are solid, and the film is just different enough to please open-minded audiences.
Writer-director Agust Gudmundsson skillfully balances romantic comedy and melodrama with a coming-of-age story and morality play.
As long as Egilsdóttir is on screen, the film is a small but satisfying delight.
A strange mix of sexy comedy and deadly thriller from that other frigid island in the Atlantic.
Beautifully shot against Iceland's frozen landscape, the film is nearly as spellbinding as its strange heroine.
The cast is a sparkling ensemble, with Vilhjálmsdóttir adept at keeping us guessing about the mercurial and complex Freya's true nature.
The most interesting thing about the film -- apart from two smashing performances from Vilhjálmsdottir and Egilsdóttir -- is the glimpse it provides into 1950s Iceland.
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|---|---|
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