Sťance on a Wet Afternoon - Movie Reviews - Rotten Tomatoes

Sťance on a Wet Afternoon Reviews

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Michael Szymanski
International Press Academy
September 21, 2005
| Original Score: 2/5
Christopher Null
Filmcritic.com
October 8, 2002
It's a claustrophobic experience and an interesting study of grief-induced insanity, but the pacing is the obvious reason why you've never heard of this film before.
Full Review | Original Score: 3/5
MFB Critics
Monthly Film Bulletin
February 16, 2016
If one says that the best things about Sťance on a Wet Afternoon are the performances of Kim Stanley and Richard Attenborough and Bryan Forbes' script, this is not to decry Forbes' direction. In fact he does an excellent job.
Philip Martin
Arkansas Democrat-Gazette
July 29, 2002
| Original Score: 3/5
Dennis Schwartz
Ozus' World Movie Reviews
October 27, 2015
Creepy but engrossing Hitchcock-like suspense story.
Full Review | Original Score: B
Carol Cling
Las Vegas Review-Journal
August 22, 2003
| Original Score: 5/5
Phil Hall
Examiner.com
July 24, 2015
Highly effective psychological thriller, with a stunning star turn from Kim Stanley.
Full Review | Original Score: 4/5
Lori Hoffman
Atlantic City Weekly
February 2, 2005
| Original Score: 3/5
Jake Euker
F5 (Wichita, KS)
March 18, 2004
The undertakings are as spooky as the title; Kim Hunter shines; and the theme song haunts your mind.
| Original Score: 4/5
James Kendrick
Q Network Film Desk
October 22, 2002
The film's extraordinary power derives from the way in which actress Kim Stanley convinces us of her character's conviction, no matter how misguided and, ultimately, pathetic.
| Original Score: 3.5/4
Emanuel Levy
EmanuelLevy.Com
June 29, 2005
| Original Score: 4/5
Daniel Eagan
Film Journal International
October 28, 2005
Riveting thriller about a kidnapping that goes wrong
| Original Score: 4/5
Emanuel Levy
EmanuelLevy.Com
April 29, 2011
Kim Stanley received a Best Actress Oscar nomination for playing a disturbed medium who conspires a kidnap in Bryan Forbes' erie and suspensuful tale.
Full Review | Original Score: B+
Top Critic
Jonathan Rosenbaum
Chicago Reader
January 1, 2000
Top Critic
Derek Adams
Time Out
June 24, 2006
David Sanjek
PopMatters
December 13, 2002
Top Critic
Bosley Crowther
New York Times
May 20, 2003
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