The Searchers (1956)



Critic Consensus: No consensus yet.

Movie Info

If John Ford is the greatest Western director, The Searchers is arguably his greatest film, at once a grand outdoor spectacle like such Ford classics as She Wore a Yellow Ribbon (1949) and Rio Grande (1950) and a film about one man's troubling moral codes, a big-screen adventure of the 1950s that anticipated the complex themes and characters that would dominate the 1970s. John Wayne plays Ethan Edwards, a former Confederate soldier who returns to his brother Aaron's frontier cabin three years … More

Rating: PG
Genre: Western, Drama, Action & Adventure, Classics
Directed By:
Written By: Frank S. Nugent, Winton C. Hoch, Winton Hoch
In Theaters:
On DVD: May 18, 1999
Warner Bros. Pictures


as Ethan Edwards

as Martin Pawley

as Laurie Jorgensen

as Debbie Edwards

as Samuel Clayton

as Lars Jorgensen

as Narrated

as Mrs. Jorgensen

as Chief Scar

as Charlie McCorry

as Brad Jorgensen

as Emilio Figueroa

as Mose Harper

as Debbie as a Child

as Aaron Edwards

as Martha Edwards

as Lucy Edwards

as Lt. Greenhill

as Sergeant

as Futterman

as Col. Greenhill

as Man at wedding

as Deranged woman at fo...

as Woman at fort

as Comanche chief

as Accordionist at Fune...

as Mexican bartender

as Comanche

as Ben Edwards

as Comanche

as Accordionist at Fune...

as Comanche

as Comanche
Show More Cast

News & Interviews for The Searchers

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Critic Reviews for The Searchers

All Critics (41) | Top Critics (6)

Some fine vignettes of frontier life in the early southwest and a realistic presentation of the difficulties faced by the settlers in carving out a homestead in dangerous Indian country.

Full Review… | June 27, 2007
Top Critic

Through the central image of the frontier, the meeting point of wilderness and civilization, Ford explores the divisions of our national character, with its search for order and its need for violence, its spirit of community and its quest for independence

Full Review… | June 27, 2007
Chicago Reader
Top Critic

There is perhaps some discrepancy in the play between Wayne's heroic image and the pathological outsider he plays here (forever excluded from home, as the doorway shots at beginning and end suggest), but it hardly matters, given the film's visual splendou

Full Review… | February 9, 2006
Time Out
Top Critic

A rip-snorting Western, as brashly entertaining as they come.

Full Review… | May 20, 2003
New York Times
Top Critic

Contains scenes of magnificence, and one of John Wayne's best performances.

Full Review… | December 2, 2001
Chicago Sun-Times
Top Critic

One of the better examples of the western genre.

Full Review… | August 15, 2011
Cinema Sight

Audience Reviews for The Searchers


This is one of John Ford's greatest films, one of the greatest westerns of all time, and in general, one of the greatest and most influential films of all time. Given all that, you may be wondering about my rating. Well, here's the deal: yes, this is well made, very compelling, and revisionist (which I like). But, it was revisionist at the time it was made...which was long ago. So yes, the film hasn't aged (in some respects) all that well, and some of this was kinda corny, overacted, and not as realistic as I was thinking it would be. Some of my complaints are valid, but then again, this review is being written twenty minutes after my first viewing. Yeah, that's right, it has (for whatever reason) taken me this long to finally see this. Had I seen it at a younger and not as enlightened age I might be really jumping on the bandwagon as I somewhat expected I might be doing.

Okay, enough of the rambling and backstory. On to the review. It is 1868 and Ethan Edwards (John Wayne) is an ex-Confederate soldier with an intense hatred for Comanches who, after his family is slaughtered by a Comanche raiding party, goes on a five year quest to rescue his eldest niece whom the Indians took captive. With him are some Texas rangers and his nephew, but in the end, this is truly his personal quest.

In a lot of revenge films, the lead is usually likeable and relatable, and that is somewhat true here, but the great thing is that Ethan is really more of an anti-hero. You want to see him successfully complete his quest, but the way he goes about it, and his attitudes are so strong that it's kinda hard to root for him all the way. That's dark. Considering the film's age, that's really bold too. Yeah, it's not as relevatory now, but still. I figured this would be more black and white and not have as many shades of gray.

I think that's what really got me hooked, beyond the fact that I'm supposed to love this film anyway since it's expected of me as a serious film buff. I think that's what also makes it hard for me to give it a full five since, while levity isn't a bad thing, the somewhat lightheartedness of things and occasional cheesiness undercut the material and stick out more than they should.

The performances are decent enough. Wayne of course is strong, even if he was more of a movie star than a true actor. Jeffrey Hunter is fine, but the ladies in the film are really not given the long end of the stick. They do as best as they can with the material, but still, it is another slight fault of the film, perhaps due to the time period. Where the film really shines though are in Max Steiner's thrilling score, the excellent location shooting (Monument Valley, ftw), and the absolutely gorgeous cinematography. There's some truly wodnerful and memorable shots and framing here that are STILL being copied to this day, and I was really struck by the artisticness of them. Not that westerns of that era couldn't be art, but man, this really goes above and beyond to deliver something special.

I think the fact that I'm conflicted on this and rambling so much about it actually makes me love it more, and, in the end, that's all you can really ask of great art. Strong A.

Chris Weber

Super Reviewer

A former Confederate soldier returns to the West where he battles the Natives responsible for a raid on his brother's property.
In one scene John Wayne's character, Ethan Edwards, shoots a dead Native's eyes out so that he "can't find his way around the Spirit World." In another scene, two women are shown having lost their wits, mumbling and babbling and hysterical. Ethan says, "They're not white any more; they're savages." Native characters are aggressive, imperious, evil, savage, and the diametric opposite of the "civilized" white man who blames the Native for being on white land before the whites arrived. There are a few scenes in which other characters criticize Ethan's extreme views of Natives, fearing that he will mercilessly shoot a captive white woman who has "gone Native." But the plot saves Ethan from this decision. These criticisms are the only moments that prevent The Searchers from being the most racist film I've ever seen. The portrayal of Natives and the film's scapegoating and support of Wayne's character is shocking and impossible to ignore; one might be able to shrug away the fact that the Natives play the villains, but good God: "she ceased to be white?"
There are majestic shots and good cinematography and a tepid love plot mixed in.
Overall, this is a racist piece of shit.

Jim Hunter

Super Reviewer

A powerful epic-scale Western with a rich story full of nuances, following a complex character of dubious motivations in a search that stretches for many years - an anguishing journey set against the imposing vastness of the Monument Valley desert with stunning panoramic shots.

Carlos Magalh„es

Super Reviewer

The Searchers Quotes

– Submitted by Rodney R (3 years ago)
– Submitted by Danny C (3 years ago)
– Submitted by Chris P (4 years ago)
– Submitted by Harold W (4 years ago)

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