This mostly light-hearted comedy was written by Bergman during what he considered a dark time in his life -- which seems strange, considering how much fun the film is.
Secrets of Women (1952)
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Reviews Counted:6
Fresh:6
Rotten:0
Average Rating:7.8/10
Runtime: 1 hr 54 mins
Genre: Foreign Films
Synopsis: SECRETS OF WOMEN is an entertaining episodic work composed of three segments, the third of which represents Bergman's first attempt at comedy. Three women (all sisters-in-law) talk about their... SECRETS OF WOMEN is an entertaining episodic work composed of three segments, the third of which represents Bergman's first attempt at comedy. Three women (all sisters-in-law) talk about their marital problems while waiting for their husbands at a summer cottage. The first story concerns Rakel (Anita Björk) and an adulterous episode that changed her marriage forever. In the next, intensely visual segment, featuring only limited dialogue, Marta (Maj-Britt Nilsson) tells of her difficult relationship with an artist (her future husband) in Paris. In the acclaimed final piece, which Bergman himself considered quite innovative and daring and was inspired by the cinematic style of Alfred Hitchcock, Karin and her husband, Fredrik (Eva Dahlbeck and Gunnar Björnstrand), find themselves stuck together in an elevator and consequently end up making some surprising discoveries about each other's personalities. The three women's stories inspire Karin's younger sister Maj (Gerd Andersson) to elope with the man she loves. Several racy moments in this movie are typical of the filmmaker's depiction of human sexuality in his more mature work (which was still ahead) and foreshadow elements of Bergman's first real comedy feature, the erotic farce A LESSON IN LOVE. [More]
Starring: Anita Bjork, Karl Arne Homsten, Gunnar Bjornstrand
Starring: Anita Bjork, Karl Arne Homsten, Gunnar Bjornstrand
Director: Ingmar Bergman
Director: Ingmar Bergman
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Reviews for Secrets of Women
The bounty of Bergman's many superb female performances notwithstanding, it's a shame he never worked with Nilsson again.
The whole thing concludes with an ingenuous and typical Bergman paradox.
The drama takes precedence over comedy but the wry tone makes this one of the smoothest and most accessible films from the early stages of Bergman's career.
| Tomatometer Percentage | Movie |
|---|---|
| 66% 66% | Public Enemies |
| 83% 83% | Harry Potter and the H… |
| 44% 44% | Night at the Museum: B… |
| 75% 75% | Julie & Julia |
| 32% 32% | Terminator Salvation |
| Tomatometer Percentage | Movie |
|---|---|
| 88% 88% | Inglourious Basterds |
| 78% 78% | The Hangover |
| 49% 49% | Taking Woodstock |
| 26% 26% | The Goods: Live Hard, Sell Hard |
| 47% 47% | The Girl From Monaco |
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