With Separate Lies, Fellowes has made a truly adult film -- not because of its content or themes, but because it knows that real drama often lies in the accepted and unspoken realms of life.
Separate Lies (2005)
Tomatometer
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Reviews Counted:86
Fresh:61
Rotten:25
Average Rating:6.8/10
Consensus: Though the characters in this tasteful adult drama keep a stiff upper lip, the moral dilemmas are nuanced and the emotional pain feels real.
Synopsis: The British actor Tom Wilkinson's astonishing performance anchors SEPARATE LIES, a nuanced adult drama packed with moral dilemmas and existential questions. Julian Fellowes, who received an Academy... The British actor Tom Wilkinson's astonishing performance anchors SEPARATE LIES, a nuanced adult drama packed with moral dilemmas and existential questions. Julian Fellowes, who received an Academy Award for penning Robert Altman's GOSFORD PARK, makes his first foray into the director's chair with this sophisticated film, which centers around Wilkinson's repressed upper class lawyer James Manning. A well-groomed British society couple, James and his lovely, polished wife Anne (BREAKING THE WAVE's Emily Watson) live that sort of perfectly presentable life that John Cheever has made a literary career out of exposing. Cloaked under a veil of politeness, manners, and ultimately, self-delusion, they are so far deep into enacting their roles that they come to believe them. When their maid's husband is killed in a tragic hit-and-run accident in front of their vacation home, James immediately suspects that his dashing and suspicious neighborhood Bill Bule was behind the wheel. Upon telling Anne his intention to relay the hypothesis to the law, he receives some shocking news; Anne and Bill have been carrying out an affair for months, and they were both in the car as it turned into a tool of manslaughter. These harsh facts that James is confronted with have the effect of years of psychotherapy; the man of perfection is suddenly aware of the morass of half-truths and societal pressures that have led him to this point in life. As a man whose work rests upon upholding the law, he now must face the difficult moral dilemma of either turning in his own wife for a horrific crime or keeping up appearances. Based on Nigel Balchin's largely forgotten mid-century novel A WAY THROUGH THE WOOD, this is a movie that builds up its impact gradually and smoothly. Elegant and unobtrusive camerawork, a minimalist score, and performances of subtle and understated power add up to a story that is at once morality tale, social critique, and neo-noir mystery. [More]
Starring: Tom Wilkinson, Emily Watson, Rupert Everett, Hermione Norris
Starring: Tom Wilkinson, Emily Watson, Rupert Everett, Hermione Norris, Linda Bassett, John Neville
Director: Julian Fellowes
Director: Julian Fellowes
Producer: Steve Clark-Hall
Studio: 20th Century Fox
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Reviews for Separate Lies
Fellowes has an appreciation for the relaxing air of the English countryside -- if only these characters weren't blocking the view.
A stiff-upper-lip melodrama that’s semi-spoiled by a disappointing bit of miscasting.
Lose the final plot twist, and Separate Lies is a tidy and wholly effective drama.
A neat, twisty little domestic drama about smart people, foolish choices.
The sort of story that has so much integrity of storytelling technique on its mind that it pays little heed to its essential lack of satisfaction with any of the characters.
A riveting morality play about the slippery slope of deception and the folly of dividing the world simplistically into those who are good and those who are evil.
If movies have taught us anything, it's that adultery is never more dreary than when the British are doing it. Especially when they're rich.
This intriguing Brit entry starts out as a sort of suburban whodunit and then mutates into something else entirely -- an examination of a middle-class marriage and ultimately a meditation on selfless love.
At the mercy of material so fussy that no amount of frenetically-chopped vegetables can lend the piece much in the way of tension.
To watch the film is to marvel at the cast's virtuosity at fleshing out the shallowest people in England.
The whole thing's been pushed too far until you're not quite sure whether you're meant to be watching a drama, a whodunnit or a twit on England's wealthy.
This sophisticated mystery that isn’t that mysterious is a bit too civilized for my coarser American tastes.
Allows its cast to create fascinating characters we're genuinely interested in, even if they're not entirely likeable
Fellowes is so committed to the artistic means of naturalism, and so judicious, that his work is absorbing in a way that movies of broader scope almost never are.
There’s something to be said for 'nice', but this goes beyond proper. Everybody seems flat and unemotional - it’s more like postcard people living in a postcard town.
As exceptional as Wilkinson is, Separate Lies only comes together as a chilly, bloodless drama.
Latest News for Separate Lies
December 16, 2005:
London Movie Critics Present Their '05 Nominations
Movie City News shares with us a press release from the London Film Critics Group in which their various nominations are announced. Keep in mind that the Brit crits use their... More...
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|---|---|
| 78% 78% | The Hangover |
| 88% 88% | Inglourious Basterds |
| 66% 66% | Public Enemies |
| 24% 24% | G-Force |
| 44% 44% | Night at the Museum: B… |
| Tomatometer Percentage | Movie |
|---|---|
| 90% 90% | District 9 |
| 86% 86% | 500 Days of Summer |
| 63% 63% | Extract |
| 06% 06% | All About Steve |
| 78% 78% | It Might Get Loud |
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