Overall, the film contains personal and political stories, as well as the macrocosm and the microcosm of chaos, rage, sadness and confusion.
September 11 (2003)
Tomatometer
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Reviews Counted:57
Fresh:44
Rotten:13
Average Rating:6.6/10
Theatrical Release:Jul 18, 2003 Limited
Synopsis: A reaction piece to the United States' terrorist attack on September 11, 2001, this controversial film calls upon eleven directors from various countries to contribute 11-minute 9-second films... A reaction piece to the United States' terrorist attack on September 11, 2001, this controversial film calls upon eleven directors from various countries to contribute 11-minute 9-second films about the event. Variously political, violent, disturbing, abstract, opinionated, angered, or forgiving, each film is drastically different from the next. Starting the set is Iranian director Samira Makhmalbaf's touching short which focuses on school children being taught about the incident. With very short attention spans and too little understanding about where the United States is located geographically or what skyscrapers look like, the clearest message the children receive is that they will need to build bomb shelters for fear the U.S. will attack them in retaliation. Another short, directed by Mexican filmmaker Alejandro Gonzalez Inarritu (AMORES PERROS), is composed nearly entirely of sounds--prayers and chants and street noise recorded by news outlets that morning--while the screen remains black. Very brief glimpses of victims falling from the towers' soaring windows are the only break to the blackness while the layering of sound mounts to a chaotic fever pitch. In a film by American director Sean Penn, a very old man living in a New York apartment finds his bedroom filled with sunlight as the towers come down. A lighter take on the tragedy, from African director Idrissa Ouedraogo, shows how a group of boys in a small town learn of the $25 million reward for Osama Bin Laden's capture and set their hearts on finding him in order to buy medicine for one boy's ailing mother. Perhaps the most emotional and compassionate contributions come from Bosnia's Danis Tanovic and England's Ken Loach, who both offer vows of solidarity from the widows of Srebrenica and the victims of Chile's brutal dictatorship, respectively. Rounding out the omnibus is a bizarrely appropriate anti-war film by Japanese director Shohei Imamura (THE EEL), in which a traumatized WWII veteran reacts to the atrocities he's seen by rejecting humanity and behaving like a snake. [More]
Director: Danis Tanovic, Ken Loach, Shohei Imamura, Mira Nair, Samira Makhmalbaf, Alejandro González Iñárritu, Idrissa Ouedraogo, Sean Penn, Amos Gitai, Youssef Chahine, Claude Lelouch
Director: Danis Tanovic, Ken Loach, Shohei Imamura, Mira Nair, Samira Makhmalbaf, Alejandro González Iñárritu, Idrissa Ouedraogo, Sean Penn, Amos Gitai, Youssef Chahine, Claude Lelouch
Studio: Empire Pictures
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Reviews for September 11
September 11 no longer burns with urgency but still commands attention with several of its sequences.
The best witness of 9/11 is 9/11, and Inarritu, as if honorably terrorized by the facts, turns to an Arabic quotation: 'Does God's light guide us or blind us?'
[The movies] vary enormously in style, quality, and ideas, but the best of them -- by Gitai, Chahine, and Iñárritu, among others -- pack an enormous emotional and intellectual punch.
It's difficult to describe 'September 11,' but we probably won't find a more comprehensive reaction to the tragic event for a considerable time to come.
The films, both narrative and nonfictional, range from the engagingly elliptical to the simple-minded to the cloying and incomprehensible.
September 11 takes a multidimensional approach to this tragedy that tutors us in heartful openness, arouses our compassion, and stuns us with prophetic truths we would prefer to avoid.
The results are as mixed as your own reactions will be. Some will provoke contemplation, while others will provoke renewed grief. Others will just provoke.
The structure of September 11 is gimmicky, but the result is a serious and compelling collection of 11 short films about the destruction of the World Trade Center.
For audiences with an open mind -- and more than just a little tolerance for different opinions -- there are at least a few moments here worth watching.
The short films range in quality and style from wonderful absurdist metaphor ... to breathtakingly dumb metaphor ... to hilarious satire to theatre of the obscure.
Like almost any collection of shorts, it's a mixed bag, ranging from the profound to the puzzling, though most of the films are the work of professionals, sometimes working at the top of their form.
Some were reported to have expressed very un-American sentiments, but that wasn't the case at all.
'A pesar de lo fallido de algunos trabajos, es un sólido trabajo que muestra las diferentes reacciones de grupos étnicos e intelectuales a una grave tragedia'
Despite this entirely arbitrary constraint, the filmmakers' attempts come to terms with a recent catastrophe of indeterminate meaning but global consequences are often fascinating.
Because not every idea is worth more than 11 minutes, some sections do drag, but the sober compilation does stake a vibrant claim not only for our attention but also that of posterity.
| Tomatometer Percentage | Movie |
|---|---|
| 66% 66% | Public Enemies |
| 83% 83% | Harry Potter and the H… |
| 44% 44% | Night at the Museum: B… |
| 75% 75% | Julie & Julia |
| 32% 32% | Terminator Salvation |
| Tomatometer Percentage | Movie |
|---|---|
| 88% 88% | Inglourious Basterds |
| 78% 78% | The Hangover |
| 49% 49% | Taking Woodstock |
| 26% 26% | The Goods: Live Hard, Sell Hard |
| 47% 47% | The Girl From Monaco |
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