'A pesar de lo fallido de algunos trabajos, es un sólido trabajo que muestra las diferentes reacciones de grupos étnicos e intelectuales a una grave tragedia'
September 11 (2003)
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Reviews Counted:57
Fresh:44
Rotten:13
Average Rating:6.6/10
Theatrical Release:Jul 18, 2003 Limited
Synopsis: A reaction piece to the United States' terrorist attack on September 11, 2001, this controversial film calls upon eleven directors from various countries to contribute 11-minute 9-second films... A reaction piece to the United States' terrorist attack on September 11, 2001, this controversial film calls upon eleven directors from various countries to contribute 11-minute 9-second films about the event. Variously political, violent, disturbing, abstract, opinionated, angered, or forgiving, each film is drastically different from the next. Starting the set is Iranian director Samira Makhmalbaf's touching short which focuses on school children being taught about the incident. With very short attention spans and too little understanding about where the United States is located geographically or what skyscrapers look like, the clearest message the children receive is that they will need to build bomb shelters for fear the U.S. will attack them in retaliation. Another short, directed by Mexican filmmaker Alejandro Gonzalez Inarritu (AMORES PERROS), is composed nearly entirely of sounds--prayers and chants and street noise recorded by news outlets that morning--while the screen remains black. Very brief glimpses of victims falling from the towers' soaring windows are the only break to the blackness while the layering of sound mounts to a chaotic fever pitch. In a film by American director Sean Penn, a very old man living in a New York apartment finds his bedroom filled with sunlight as the towers come down. A lighter take on the tragedy, from African director Idrissa Ouedraogo, shows how a group of boys in a small town learn of the $25 million reward for Osama Bin Laden's capture and set their hearts on finding him in order to buy medicine for one boy's ailing mother. Perhaps the most emotional and compassionate contributions come from Bosnia's Danis Tanovic and England's Ken Loach, who both offer vows of solidarity from the widows of Srebrenica and the victims of Chile's brutal dictatorship, respectively. Rounding out the omnibus is a bizarrely appropriate anti-war film by Japanese director Shohei Imamura (THE EEL), in which a traumatized WWII veteran reacts to the atrocities he's seen by rejecting humanity and behaving like a snake. [More]
Director: Danis Tanovic, Ken Loach, Shohei Imamura, Mira Nair, Samira Makhmalbaf, Alejandro González Iñárritu, Idrissa Ouedraogo, Sean Penn, Amos Gitai, Youssef Chahine, Claude Lelouch
Director: Danis Tanovic, Ken Loach, Shohei Imamura, Mira Nair, Samira Makhmalbaf, Alejandro González Iñárritu, Idrissa Ouedraogo, Sean Penn, Amos Gitai, Youssef Chahine, Claude Lelouch
Studio: Empire Pictures
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Reviews for September 11
As a whole, September 11 never reaches any conclusions or ready insights. But as a collection of moments, the film often soars.
The structure of September 11 is gimmicky, but the result is a serious and compelling collection of 11 short films about the destruction of the World Trade Center.
September 11 takes a multidimensional approach to this tragedy that tutors us in heartful openness, arouses our compassion, and stuns us with prophetic truths we would prefer to avoid.
If 11'09"01 were an all-you -can-eat smorgasbord, your taste buds might burn out: There are so many global cuisines on offer, and each is spiced with herbs whose delicacy gets canceled out by the next dish thrust in front of you.
11'09"01 – September 11 is a work that has resonance even two years after that [terrible] day.
[Ouedraogo's] social commentary, contrasting the everyday struggles of a poor nation against one spectacular tragedy in the U.S., is a message gently, but firmly, delivered
There are some very fine directors represented here ... but none has fully risen to the full measure of their talent.
The resulting collaboration offers some diverse geographical, cultural, and artistic perspectives on those tragic events.
You'll get a provocative picture of how a variety of filmmakers reacted to the events of Sept. 11.
Despite good intentions, many of the entries are too sentimental, or in light of recent events too dated, to be effective.
Voices and sounds without pictures force us to internalize a catastrophe almost impossible to visualize.
The best witness of 9/11 is 9/11, and Inarritu, as if honorably terrorized by the facts, turns to an Arabic quotation: 'Does God's light guide us or blind us?'
Despite this entirely arbitrary constraint, the filmmakers' attempts come to terms with a recent catastrophe of indeterminate meaning but global consequences are often fascinating.
Like almost any collection of shorts, it's a mixed bag, ranging from the profound to the puzzling, though most of the films are the work of professionals, sometimes working at the top of their form.
Because not every idea is worth more than 11 minutes, some sections do drag, but the sober compilation does stake a vibrant claim not only for our attention but also that of posterity.
It's a darkness that 11'09''01 masterfully seeks to penetrate, using wisdom and understanding rather than rhetoric and bombs.
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