You have to take the duds with the skyrockets, but overall, this odd compendium is an emotionally moving experience.
September 11 (2003)
Tomatometer
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Reviews Counted:57
Fresh:44
Rotten:13
Average Rating:6.6/10
Theatrical Release:Jul 18, 2003 Limited
Synopsis: A reaction piece to the United States' terrorist attack on September 11, 2001, this controversial film calls upon eleven directors from various countries to contribute 11-minute 9-second films... A reaction piece to the United States' terrorist attack on September 11, 2001, this controversial film calls upon eleven directors from various countries to contribute 11-minute 9-second films about the event. Variously political, violent, disturbing, abstract, opinionated, angered, or forgiving, each film is drastically different from the next. Starting the set is Iranian director Samira Makhmalbaf's touching short which focuses on school children being taught about the incident. With very short attention spans and too little understanding about where the United States is located geographically or what skyscrapers look like, the clearest message the children receive is that they will need to build bomb shelters for fear the U.S. will attack them in retaliation. Another short, directed by Mexican filmmaker Alejandro Gonzalez Inarritu (AMORES PERROS), is composed nearly entirely of sounds--prayers and chants and street noise recorded by news outlets that morning--while the screen remains black. Very brief glimpses of victims falling from the towers' soaring windows are the only break to the blackness while the layering of sound mounts to a chaotic fever pitch. In a film by American director Sean Penn, a very old man living in a New York apartment finds his bedroom filled with sunlight as the towers come down. A lighter take on the tragedy, from African director Idrissa Ouedraogo, shows how a group of boys in a small town learn of the $25 million reward for Osama Bin Laden's capture and set their hearts on finding him in order to buy medicine for one boy's ailing mother. Perhaps the most emotional and compassionate contributions come from Bosnia's Danis Tanovic and England's Ken Loach, who both offer vows of solidarity from the widows of Srebrenica and the victims of Chile's brutal dictatorship, respectively. Rounding out the omnibus is a bizarrely appropriate anti-war film by Japanese director Shohei Imamura (THE EEL), in which a traumatized WWII veteran reacts to the atrocities he's seen by rejecting humanity and behaving like a snake. [More]
Director: Danis Tanovic, Ken Loach, Shohei Imamura, Mira Nair, Samira Makhmalbaf, Alejandro González Iñárritu, Idrissa Ouedraogo, Sean Penn, Amos Gitai, Youssef Chahine, Claude Lelouch
Director: Danis Tanovic, Ken Loach, Shohei Imamura, Mira Nair, Samira Makhmalbaf, Alejandro González Iñárritu, Idrissa Ouedraogo, Sean Penn, Amos Gitai, Youssef Chahine, Claude Lelouch
Studio: Empire Pictures
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Reviews for September 11
As a whole, September 11 never reaches any conclusions or ready insights. But as a collection of moments, the film often soars.
The resulting collaboration offers some diverse geographical, cultural, and artistic perspectives on those tragic events.
If 11'09"01 were an all-you -can-eat smorgasbord, your taste buds might burn out: There are so many global cuisines on offer, and each is spiced with herbs whose delicacy gets canceled out by the next dish thrust in front of you.
The overall weak quality of this omnibus film suggests that the event is still too fresh to be dealt with artistically.
as timely, as moving and as thought-provoking as they would have on Sept. 12, 2001.
Voices and sounds without pictures force us to internalize a catastrophe almost impossible to visualize.
An often brilliant, always revelatory, deeply interesting omnibus film.
[The movies] vary enormously in style, quality, and ideas, but the best of them -- by Gitai, Chahine, and Iñárritu, among others -- pack an enormous emotional and intellectual punch.
Like many such omnibus films, the resulting collection, 'September 11' is a wildly mixed bag
The pieces offer little new insight and less solace. Their failure is likely as much a difficulty of the very short form as of the short-term, unseasoned response to a world-shaking event.
You'll get a provocative picture of how a variety of filmmakers reacted to the events of Sept. 11.
For audiences with an open mind -- and more than just a little tolerance for different opinions -- there are at least a few moments here worth watching.
| Tomatometer Percentage | Movie |
|---|---|
| 66% 66% | Public Enemies |
| 83% 83% | Harry Potter and the H… |
| 44% 44% | Night at the Museum: B… |
| 75% 75% | Julie & Julia |
| 32% 32% | Terminator Salvation |
| Tomatometer Percentage | Movie |
|---|---|
| 88% 88% | Inglourious Basterds |
| 78% 78% | The Hangover |
| 49% 49% | Taking Woodstock |
| 26% 26% | The Goods: Live Hard, Sell Hard |
| 47% 47% | The Girl From Monaco |
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