The maudlin, grotesque western September Dawn apes Schindler’s List in hopes of creatinga Christian Holocaust picture.
September Dawn (2007)
Tomatometer
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Reviews Counted:54
Fresh:7
Rotten:47
Average Rating:3.4/10
Consensus: With its jarring editing, dull love story, and silly dialogue, September Dawn turns a horrific historical event into a banal movie.
Theatrical Release:Aug 24, 2007 Wide
Box Office: $1,059,110
Synopsis: This independently produced drama is based on historical fact: In 1857, Mormon settlers, in an area near Cedar City, massacred 120 people bound for California. Jon Voight plays Jacob Samuelson, a... This independently produced drama is based on historical fact: In 1857, Mormon settlers, in an area near Cedar City, massacred 120 people bound for California. Jon Voight plays Jacob Samuelson, a paranoid religious zealot whose initial hostility to the settlers is inspired partly by women wearing pants, and the fact that some of them come from Missouri (a state that drove the Mormons out). From this snowballs a fury of religion-based intolerance that leads to the historic Mountain Meadows Massacre of, prophetically enough, September 11th. Director Christopher Cain (YOUNG GUNS) shows skill in creating period detail and a sense of inescapable dread, even amidst the wide open spaces of the beautiful mountainous locations. Deep shadows caused by the stark sunshine contrast with lots of tense, sweaty close-ups of fear-stricken and hateful faces. Terence Stamp shows up as the Church of Latter Day Saints leader Brigham Young, who gets involved in the decision to massacre the settlers (a controversial detail, debated to this day). Offsetting the unease is a Romeo-and-Juliet-style romance between one of Samuelson's handsome young sons (Trent Ford) and Emily (Tamara Hope), a beautiful red-headed maiden from the wagon train. A nice score of acoustic guitars and strings blends suspense and rustic breeziness. [More]
Starring: Jon Voight, Terence Stamp, Trent Ford, Tamara Hope
Starring: Jon Voight, Terence Stamp, Trent Ford, Tamara Hope, Lolita Davidovich, Dean Cain, John Gries, Taylor Handley, Shaun Johnston, Krisinda Cain
Director: Christopher Cain
Director: Christopher Cain
Screenwriter: Carole Whang Schutter, Christopher Cain
Producer: Christopher Cain, Kevin Matossian, Scott Duthie
Composer: William Ross
Studio: Slowhand Cinema
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Reviews for September Dawn
What could have been a galvanizing and all-too timely account of religious fanaticism turning violent has instead been reduced to the banal level of an Romeo and Juliet-type love story.
While we should always be suspect of history served up with popcorn, this is a story worth telling
The film Mitt Romney does not want you to see. And it's easy to see why.
With September Dawn, filmmaker Christopher Cain has turned a national tragedy into a teen romance, and not in a grand, entertaining, Titanic way.
Even if Cain and co-screenwriter Carole Whang Schutter hold no animosity toward the LDS, the flat-footed fakiness of their story prevents September Dawn from feeling historically accurate.
[The film] too often feels like a very elaborate episode of Gunsmoke.
[Director Cain] stops short of calling Osama bin Laden a Mormon sympathizer, but maybe that'll be on the DVD.
It turns a complicated story of religious bigotry and paranoia, with visitations from God, self-appointed prophets and 'divine' instruction into a dry history lesson.
The filmmaking here is so incompetent and laughably awful that it recalls the work of schlockmeister Ed Wood.
Such ham-fisted earnestness does no one any good, least of all those who believe there's a big difference between historical fact and emotional screed.
Less verifiable than implied, 'September Dawn' nevertheless does raise relevant questions of intolerance, fanaticism and individual responsibility.
Cain has co-written and directed a film that only the most bigoted of Mormom detractors could enjoy. Most viewers, if any are willing to part with their money or time, will simply laugh derisively.
If the Western genre is struggling, it's because of terrible movies like this one.
Cain has turned the Mormons into baby-eatin' Nazis to suit his argument, parading around these black-clad, chin-bearded, testicle-slicing gunslingers without any thoughtful consideration.
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