The cruel simplicity of the atrocity is made needlessly chaotic by artless camerawork that swishes rapidly back and forth across the action, to the accompaniment of a syrupy soundtrack.
September Dawn (2007)
Tomatometer
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Reviews Counted:54
Fresh:7
Rotten:47
Average Rating:3.4/10
Consensus: With its jarring editing, dull love story, and silly dialogue, September Dawn turns a horrific historical event into a banal movie.
Theatrical Release:Aug 24, 2007 Wide
Box Office: $1,059,110
Synopsis: This independently produced drama is based on historical fact: In 1857, Mormon settlers, in an area near Cedar City, massacred 120 people bound for California. Jon Voight plays Jacob Samuelson, a... This independently produced drama is based on historical fact: In 1857, Mormon settlers, in an area near Cedar City, massacred 120 people bound for California. Jon Voight plays Jacob Samuelson, a paranoid religious zealot whose initial hostility to the settlers is inspired partly by women wearing pants, and the fact that some of them come from Missouri (a state that drove the Mormons out). From this snowballs a fury of religion-based intolerance that leads to the historic Mountain Meadows Massacre of, prophetically enough, September 11th. Director Christopher Cain (YOUNG GUNS) shows skill in creating period detail and a sense of inescapable dread, even amidst the wide open spaces of the beautiful mountainous locations. Deep shadows caused by the stark sunshine contrast with lots of tense, sweaty close-ups of fear-stricken and hateful faces. Terence Stamp shows up as the Church of Latter Day Saints leader Brigham Young, who gets involved in the decision to massacre the settlers (a controversial detail, debated to this day). Offsetting the unease is a Romeo-and-Juliet-style romance between one of Samuelson's handsome young sons (Trent Ford) and Emily (Tamara Hope), a beautiful red-headed maiden from the wagon train. A nice score of acoustic guitars and strings blends suspense and rustic breeziness. [More]
Starring: Jon Voight, Terence Stamp, Trent Ford, Tamara Hope
Starring: Jon Voight, Terence Stamp, Trent Ford, Tamara Hope, Lolita Davidovich, Dean Cain, John Gries, Taylor Handley, Shaun Johnston, Krisinda Cain
Director: Christopher Cain
Director: Christopher Cain
Screenwriter: Carole Whang Schutter, Christopher Cain
Producer: Christopher Cain, Kevin Matossian, Scott Duthie
Composer: William Ross
Studio: Slowhand Cinema
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Reviews for September Dawn
If September Dawn is a kind of Western, it's a Western utterly devoid of heroism or the usual archetypes. But the core message transcends time: Hatred laced with religious fanaticism is a toxic blend.
The film feels less like historical drama than a venomous religious tract printed on celluloid.
When watching the screen depiction of a historic event in which 120 people were murdered, giggling is not the appropriate response.
Even if one gets past the movie's controversial depictions, there is the matter of its second-rate, made-for-television fare -- the poor battle choreography, the wooden editing and the cheesy writing.
Bombastic, slow-drying dramatization with lead-weight dialogue and a turgid romantic subplot.
Earnest but misguided attempt to generate political allegory from the horrific Mountain Meadows Massacre of 9/11/1857 would have benefited from a more straightforward retelling.
The jarring MTV-style filmmaking is so distracting and the 'messaging' so unsubtle that after two long hours you find yourself leaving the theater with a massive headache, wondering when you started to hate Mormons.
When the movie isn't doling out ham-fisted history...it gives us magnificent vistas of a pristine prairie...and there's a deep sweetness to the subplot of Jonathan and Emily falling in love.
This handsome indie Western damningly recounts the 1857 slayings of 120 settlers passing through Utah, but the didactic presentation, grim speechifying and tacked-on love story all signify a less-than-healthy regard for the audience's intelligence.
September Dawn has the ham-fisted lyricism of political ads and pharmaceutical commercials.
Doesn't even measure up to an episode of your typical, cowboy TV show from the Fifties like Roy Rogers or The Lone Ranger. Get my drift, Kimosabe?
The real problem is that September Dawn isn't a very good movie. It moves too much like a public-school history pageant and gives us mono-dimensional characters who speak dialogue that fairly reeks of printer's ink.
Has serious problems in historical terms. But in this case they're exacerbated by the simple ineptitude of the filmmaking.
Forget Grindhouse. September Dawn is the year's first honest-to-goodness exploitation flick.
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