It's even-tempered, evenly-paced and decidedly middlebrow.
Séraphine (2008)
Tomatometer
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Reviews Counted:79
Fresh:71
Rotten:8
Average Rating:7.5/10
Consensus: Seraphine is a well-crafted French film that effectively captures one woman's experience with art, religion, and mental illness, and features a brilliant performance from Yolande Moreau.
Theatrical Release:Jun 5, 2009 Limited
Box Office: $557,682
Synopsis: Based on a true story, Seraphine centers on Séraphine de Senlis (Moreau), a simple and profoundly devout housekeeper whose brilliantly colorful canvases now adorn some of the most famous galleries... Based on a true story, Seraphine centers on Séraphine de Senlis (Moreau), a simple and profoundly devout housekeeper whose brilliantly colorful canvases now adorn some of the most famous galleries in the world. Wilhelm Uhde (Tukur), a German art critic and collector - he was the first Picasso buyer and discoverer of naïve primitive painter Le Douanier Rousseau - discovers her paintings while she is working for him as a maid in the beautiful countryside of Senlis near Paris in the early part of the 20th century. A moving and unexpected relationship develops between the avant-garde art dealer and the visionary cleaning lady. Martin Provost’s fictionalized and poignant portrait of this forgotten painter is a testament to creativity and the resilience of one woman’s spirit.--© Music Box Films [More]
Starring: Yolande Moreau, Ulrich Tukur, Anne Bennent, Genevieve Mnich
Starring: Yolande Moreau, Ulrich Tukur, Anne Bennent, Genevieve Mnich, Nico Rogner, Adelaide Leroux, Serge Lariviere, Francoise Lebrun
Director: Martin Provost
Director: Martin Provost
Screenwriter: Martin Provost, Marc Abdelnour
Producer: Milena Poylo, Gilles Sacuto
Studio: Music Box Films
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Reviews for Séraphine
Moreau’s stellar performance and the astral intensity of the paintings keep taking us where this story belongs, up into the skies.
Director Martin Provost has brought the true story of Séraphine de Senlis to to the screen with elegant simplicity. A gorgeous film to watch, thanks to cinematographer Laurent Brunet, the pastoral settings are especially satisfying.
The characterization is deft, the acting is superb, and the production values are high. If there's a dryness to the way the story is told, that's because director Martin Provost has shifted his focus toward intellectual, not emotional, satisfaction.
We are ... made privy to the very reverie, that state of almost beatific hypnosis, where artists find sanctuary and are compelled to create.
...Séraphine's art, religious fervor and mental breakdowns are all accepted as facts which may be witnessed but not explained.
The film ends up something of a muddle that strives too hard to wear a ‘quality’ tag upon its sleeve.
Seraphine is a fascinating story (and the film is beautiful to look at), but in the end, the movie leaves a lot of questions about the real-life Seraphine unanswered.
An uncommonly moving and wonderful experience: it is a cinematic depiction of a mindset, and a quiet and especially internal mindset at that.
If the French town of Senlis really looks like Provost's beautiful and painterly world as he depicts it in Séraphine, no wonder Séraphine Louis went nuts.
A measured, soulful and tactile work; a film with gouache beneath its fingernails.
An extraordinary French film about a deeply religious cleaning woman with a passion for creating luminous paintings.
Séraphine may be one of the spookiest, most unsettling films ever made about the hazy line between art and madness. That’s a theme the movies have done to death, yet it finds new life in the title performance by Yolande Moreau.
As the works of Seraphine the artist have stood the test of time and grown in value, I expect this account of her little-known life to do the same.
...a mesmerizing portrait of an artist that gives exposure to beautiful work too little known, but it makes it audience work for its art.
This award-sweeping biopic of the French painter is made with a remarkable attention to detail that makes the characters and period spring vividly to life, aided by subtle direction and especially sharp acting.
Moreau gives a dominating, award-worthy performance. The combination of the beautiful scenery, musical score and art work resonate into a sensory epiphany for the audience.
Yolande Moreau is a revelation in the title role; a part she plays without vanity and sneaking humour.
During the film I craved energy, but by the end I realized that I just wanted a story that stood a bit closer to its interesting, well-played title character and a bit further from the time-marking events of historical drama.
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