An uncommonly moving and wonderful experience: it is a cinematic depiction of a mindset, and a quiet and especially internal mindset at that.
Séraphine (2008)
Tomatometer
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Reviews Counted:60
Fresh:55
Rotten:5
Average Rating:7.7/10
Consensus: Seraphine is a well-crafted French film that effectively captures one woman's experience with art, religion, and mental illness, and features a brilliant performance from Yolande Moreau.
Theatrical Release:Jun 5, 2009 Limited
Box Office: $557,682
Synopsis: Based on a true story, Seraphine centers on Séraphine de Senlis (Moreau), a simple and profoundly devout housekeeper whose brilliantly colorful canvases now adorn some of the most famous galleries... Based on a true story, Seraphine centers on Séraphine de Senlis (Moreau), a simple and profoundly devout housekeeper whose brilliantly colorful canvases now adorn some of the most famous galleries in the world. Wilhelm Uhde (Tukur), a German art critic and collector - he was the first Picasso buyer and discoverer of naïve primitive painter Le Douanier Rousseau - discovers her paintings while she is working for him as a maid in the beautiful countryside of Senlis near Paris in the early part of the 20th century. A moving and unexpected relationship develops between the avant-garde art dealer and the visionary cleaning lady. Martin Provost’s fictionalized and poignant portrait of this forgotten painter is a testament to creativity and the resilience of one woman’s spirit.--© Music Box Films [More]
Starring: Yolande Moreau, Ulrich Tukur, Anne Bennent, Genevieve Mnich
Starring: Yolande Moreau, Ulrich Tukur, Anne Bennent, Genevieve Mnich, Nico Rogner, Adelaide Leroux, Serge Lariviere, Francoise Lebrun
Director: Martin Provost
Director: Martin Provost
Screenwriter: Martin Provost, Marc Abdelnour
Producer: Milena Poylo, Gilles Sacuto
Studio: Music Box Films
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Reviews for Séraphine
Séraphine, an outsider artist before the term was invented, is both a cautionary tale for contemporay artists of all and sundry media and a genuinely moving portrait of the artist as a young(ish) scullery maid.
Séraphine is far more powerful when it lingers on Louis at work. Her canvases -- mostly nature studies -- were cluttered with colorful shapes and filigree, clearly arranged by an obsessive personality.
The euphoria, lunacy and transformative intensity of art receive passionate, perhaps immortal treatment in Seraphine, Martin Provost's quietly magical and urgently moving film.
Séraphine may be one of the spookiest, most unsettling films ever made about the hazy line between art and madness. That’s a theme the movies have done to death, yet it finds new life in the title performance by Yolande Moreau.
The painterly images afford a brooding, sometimes luminous setting for Yolande Moreau, who conveys Séraphine's weird and saint-like turmoil without sentiment or stereotype.
A list of the striking images that Provost composes would be long and enticing, even though words cannot do them or the movie justice.
Seraphine arrives from France as the year's most honored film, winner of seven Cesars from the French Academy, including best film and best actress.
Séraphine is a rare example of a film that does justice to the mysteriousness of artistic invention.
...the audience is brought increasingly closer into the heart and mind of a genius whose turbulent inner life eventually envelops her conscious being.
An endearing example of religious passions that turn a cleaning woman into a near-great painter.
We are ... made privy to the very reverie, that state of almost beatific hypnosis, where artists find sanctuary and are compelled to create.
Moreau's nuanced turn as the title character ensures that the film is not a complete loss. She's very convincing, especially when there arise some questions regarding her mental stability.
Moreau gives a dominating, award-worthy performance. The combination of the beautiful scenery, musical score and art work resonate into a sensory epiphany for the audience.
Moreau is bewitching -- she simply breathes her role, without a hint of vanity.
Yolande Moreau captures both the purposeful, single-minded woman who does other people's laundry to support her painting, and Séraphine de Senlis, whose secret life of fervid creativity drove her to madness.
Beyond a must for those interested in art and women's history are Moreau's brilliant performance, Brunet's luscious cinematography and Galasso's lovely score.
If the French town of Senlis really looks like Provost's beautiful and painterly world as he depicts it in Séraphine, no wonder Séraphine Louis went nuts.
A moving, distinctly French tale, this sumptuous production is made complete with a brilliant performance by leading lady Yolande Moreau.
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